‘The End of Times’ Acquired by Split Screen Ahead of Venice Premiere (EXCLUSIVE)
Split Screen has secured international rights to “The End of Times” ahead of its world premiere in Critics’ Week in Venice.
Memorial Day Weekend Box Office: ‘Mandalorian and Grogu’ Opens to $100 Million Domestically, $163 Million Globally
"The Mandalorian and Grogu" topped the box office in its Memorial Day weekend debut.
Netflix Brazil Unveils Its First Medical Series, Plus an Evangelical Special, a Third Melodrama and an Open Marriage Comedy (EXCLUSIVE)
A Netflix Brazil panel at Rio2C will discuss sports, a big growth area for the company in Latin America.
Lebanese Comic John Achkar’s Special at L’Olympia Hall Acquired by Arabic Streamer MBC Shahid in ‘Milestone’ for Arabic Stand-Up
Lebanese comic John Achkar’s special at L’Olympia Hall in Paris has been picked up by top Arabic streamer MBC Shahid
‘Triptych,’ ‘Dark Hope,’ ‘Naked’ Among Standouts at Conecta Magaluf-Mallorca Pitch Lineup
Conecta Magaluf-Mallorca’s 2026 pitch lineup includes ‘Triptych,’ ‘Dark Hope,’ ‘Naked,’ ‘Papa Bas,’ ‘Greatest Hits’ and Filmin-backed ‘Nana.’
James Gray Says ‘Ad Astra’ Was ‘Taken Away’ From Him and Made Longer by 20th Century Fox: ‘It Would Have Been a Very Different Movie’
James Gray has revealed that his version of his 2019 sci-fi Ad Astra was very different to what was released after it was taken from him by the studio
India’s JioStar Chief Uday Shankar Says Cricket Boards Are Pricing Themselves Out of Their Biggest Market (EXCLUSIVE)
JioStar vice-chair Uday Shankar on cricket's unsustainable rights costs, Bollywood's talent crisis and why he still thinks like a journalist.
Pope Leo Issues AI Manifesto Warning That ‘Opaque Algorithms’ Controlled by a ‘Few’ Companies Can Bring ‘New Forms of Dehumanisation’
Pope Leo issues AI Encyclical warning that 'Opaque Algorithms' controlled by a 'few' companies threaten 'new forms of dehumanisation'
Boots Riley Says Cannes Didn’t Pick ‘I Love Boosters’ or ‘Sorry to Bother You’ and Chose ‘The Idol’ Over ‘I’m a Virgo’: ‘They Just Don’t Like My Stuff. All Good’
Boots Riley has said that Cannes hasn't picked any of his films, including I Love Boosters, and chose Sam Levinson's The Idol over his I'm a Virgo
Korea Box Office: Yeon Sang-ho’s Cannes Midnight Screener ‘Colony’ Rockets to No. 1 With Dominant Opening
Yeon Sang-ho's action-horror zombie extravaganza 'Colony' re-energized the South Korean box office during the weekend of May 22–24 with $9.4 million.
‘Red Rocks’ Review: Weirdo, Cliff-Jumping Kiddies Are the Focus of Bruno Dumont’s Latest Experiment
Bruno Dumont's quasi-documentary hybrid 'Red Rocks' sees rival gangs of tots run wild and play Romeo and Juliet in the Côte d’Azur.