Noah Kahan proved he was worthy of the stadium level he's been elevated to, headlining the Rose Bowl with personal songs he made feel universal.
"Lanterns" stars Kyle Chandler, Aaron Pierre and co-creator Damon Lindelof break down the premiere episode's shocking ending and time jump.
Hayden Panettiere, known for her roles on "Heroes" and in "Scream 4" and "Scream 6," has died. Her rep confirmed her death to ABC News.
John Oliver dedicated his latest “Last Week Tonight” to Trump’s controversial airplane-swap incident while leaving a NATO summit in Turkey.
Dwayne Johnson was inducted as a Disney Legend at D23, with "Jungle Cruise" co-star Emily Blunt presenting him the award.
Noah Kahan proved he was worthy of the stadium level he's been elevated to, headlining…
Tokyo's K2 Pictures revealed a $33 million fund and 10-title lineup at Cannes, headlined by Miike Takashi's debut documentary.
Anderson Cooper signed off of '60 Minutes' on Sunday with a salute to the newsmagazine's editorial independence and longevity.
Ella Langley swept all seven Academy of Country Music Awards she was up for. Cody Johnson won entertainer of the year from the ACMs for the first time.
From Korean auteur Na Hong-Jin, the thriller Hope is competing for the Palme d'Or in Cannes
For much of its runtime, Na Hong-jin's flawed "Hope" is the best action movie you've ever seen. Hoyeon, Hwang Jung-min and Michael Fassbender star.
As the Beach Boys' 'Pet Sounds' turns 60, Mike Love, Al Jardine and Bruce Johnson remember Brian Wilson and the making of one of pop's greatest albums.
Adapting the novel of the same name by Annie Ernaux, Judith Godrèche doesn’t shy away from hard truths in her debut feature 'A Girl's Story.'
Academy of Country Music Awards producers preview of Sunday's return to Vegas, which has Shania Twain hosting and chart topper Ella Langley performing.
Annette Bening plays an intimidating rancher on "Dutton Ranch" named Beulah who is one of most powerful women in Texas.
Directed by Jeanne Herry and starring Adèle Exarchopoulos, “Another Day” feels gentle and immersive even when it errs on the side of didacticism.