If Paramount Leaves California, It Might Cut Costs but Wouldn’t Save on State Taxes
Paramount Skydance would not save on state taxes by leaving California, as income taxes are apportioned based on sales rather than location.
Paramount Skydance would not save on state taxes by leaving California, as income taxes are apportioned based on sales rather than location.
The comedy series "Deli Boys" has been canceled at Hulu after two seasons, Variety has confirmed.
The "Big Bang Theory" spinoff "Stuart Fails to Save the Universe" has been renewed for Season 2 at HBO Max.
DIRECTV has dropped the price of its MySports Genre Pack down to $49.99 - a 29% off one-time discount. See included channels and get the…
Mark Rydell, director of 'On Golden Pond,' 'The Rose' and 'For the Boys,' has died at 97.
Paramount Skydance would not save on state taxes by leaving California, as income taxes are…
The BBC's new director general, Matt Brittin, has sent staff a memo warning that 'tough choices are unavoidable as we make savings.'
You won't learn much that is new about Eric Cantona in David Tryhorn and Ben Nicholas' doc 'Cantona,' but his own charisma keeps it compelling.
The Female Film Club returns to Cannes with an expanded short film fund for female and non-binary filmmakers.
The 34th Raindance Film Festival reveals 85 features, a new best horror prize and a jury including Jacob Anderson and Jonathan Rhys Meyers.
Kylie Minogue on her new Netflix docuseries "Kylie," navigating '90s tabloids and her memories of Michael Hutchence.
Greenwich Entertainment will release Xu Zao's Berlinale-premiered film 'Light Pillar' in U.S. theaters early next year.
Nepali director Abinash Bikram Shah on 'Elephants in the Fog,' the first Nepali film in Cannes Un Certain Regard.
The Michael Jackson biographical drama 'Michael' comfortably claimed the top position at the South Korean box office during the weekend of May 15–17.
Animated Films Makes Their Marks Across Cannes Lineups as the Croisette-to-Annecy Connection Strengthens.
Tokyo's K2 Pictures revealed a $33 million fund and 10-title lineup at Cannes, headlined by Miike Takashi's debut documentary.