Diego Luna, Nicolas Pereda and Rodrigo Plá Set for Competition at Mexico’s Morelia Film Festival
Some of Mexico’s most celebrated talent make up this year’s line-up of the Morelia Film Festival
Some of Mexico’s most celebrated talent make up this year’s line-up of the Morelia Film Festival
Florin Serban's 'You Don't Belong Here,' Hong Sangsoo's 'Nowhere to Lay My Eyes' top Locarno prizes, Monica Bellucci and Kim Minhee win for acting.
Anonymous Content chief Darren Walker opens his home to the company's Emmy nominees and friends as he settles into a famous Los Angeles address.
In 'Nowhere to Lay My Eyes,' Kim Minhee's richly expressive minimalism fills all the blanks in director Hong Sangsoo's typically lean screenplay.
Nascimento is set to capture the spectacular Natal Luz de Gramado, recognized by Guinness World Records as the longest holiday festival on earth.
Some of Mexico’s most celebrated talent make up this year’s line-up of the Morelia Film…
Drake made chart history as he became the first artist to debut in the top three positions with 'Iceman,' 'Habibti' and 'Maid of Honour.'
Beartooth frontman Caleb Shomo comes out as gay in a letter to fans.
'Gilded Age' Season 4 and the new 'Harry Potter' series deliver first looks in a new trailer for HBO Max.
As "Star Citizen" his $1 billion in lifetime funding, Cloud Imperium execs reveal update on "Squadron 42" release date.
"Michael" is about to clear another major box office milestone.
'Mandalorian and Grogu' actor Brendan Wayne talks being Pedro Pascal's body double, being John Wayne's grandson and more.
It wasn't a Memorial Day weekend for the box office record books, but "The Mandalorian and Grogu" started strong over the holiday frame.
Exiled Russian director Andrey Zvyagintsev used his Cannes Grand Prix acceptance speech for 'Minotaur' to urge Putin to end the war.
Nika King, who plays Zendaya’s character’s mom on “Euphoria,” opens up about why she’s been largely absent from the HBO series’ third season.
This year's Cannes Un Certain Regard winner, Sandra Wollner's 'Everytime' confirms the Austrian director's formidable formal control and imagination.