In 'Insidious: Out of the Further,' director Jacob Chase nails the horror franchise’s creepy vibes but could have benefited from a leaner story.
Split Screen has secured international rights to “The End of Times” ahead of its world premiere in Critics’ Week in Venice.
Nashville-based Odyssey Entertainment has launched an original content division designed to work with creatives on properties that they will own.
"Murderbot" has added a murderer's row of talent for its upcoming second season.
Allison Janney was told by an agent while starting out in the industry that she would only be able to play aliens and lesbians given…
In 'Insidious: Out of the Further,' director Jacob Chase nails the horror franchise’s creepy vibes…
‘The Great Dreamscape’ scored a TV Cristal, ‘The Broos’ a TV Audience Award while Jocelyn Charles’ ‘God Is Shy’ scored two short film prizes.
Alison Chernick's film is a pensive and touching look at Jerry Saltz and Roberta Smith (it is only, at moments, a true-life Christopher Guest movie).
Christopher Nolan says playing it safe with mainstream movies 'doesn't work,' and that studios need to take more risks.
Colman Domingo on working with Antoine Fuqua and Steven Spielberg, and why the Bay Area and Frameline film festival are important to him.
"Supergirl" writer Ana Nogueira on the movie's key changes from the "Woman of Tomorrow" comic, plus her "Wonder Woman" and "Teen Titans" scripts.
Olivia Wilde's "The Invite" should be an a major Oscar contender for A24, with its stellar cast, script and team of artisans.
'Supergirl' made $18 million on opening day, but it wasn't enough to beat 'Toy Story 5' for the box office crown.
K. Bhagyaraj, the writer-director-actor who was one of Tamil-language cinema's defining creative figures, died on June 27. He was 73.
Swiss filmmaker Antonin Niclass discusses imagination, teamwork and stop-motion artistry behind ‘Into the Forest.’
'Pinocchio Unstrung' director Rhys Frake-Waterfield on importance of practical effects, teases 'Poohniverse: Monsters Assemble.'