Box Office: ‘The End of Oak Street’ Chomps on $8.1 Million, But ‘Spider-Man: Brand New Day’ Is Still No. 1 With $19 Million
'The End of Oak' Street made $8.1 million on Friday, but 'Spider-Man: Brand New Day' remained at No. 1.
'The End of Oak' Street made $8.1 million on Friday, but 'Spider-Man: Brand New Day' remained at No. 1.
Locarno: Marco Cavazzin's 'Mutrion,' set in the Venice Lagoon, has scooped the Leopards of Tomorrow director award
Nate Bargatze has set a Guinness World Record for most tickets sold on a stand-up comedy tour, surpassing Jeff Dunham's previous record.
Some of Mexico’s most celebrated talent make up this year’s line-up of the Morelia Film Festival
Florin Serban's 'You Don't Belong Here,' Hong Sangsoo's 'Nowhere to Lay My Eyes' top Locarno prizes, Monica Bellucci and Kim Minhee win for acting.
'The End of Oak' Street made $8.1 million on Friday, but 'Spider-Man: Brand New Day'…
Adam Driver and James Gray talk about the Cannes premiere of 'Paper Tiger' and how Hollywood abuses artists.
"Law & Order Toronto: Criminal Intent" is bringing in Luke Kirby for Season 4 -- and saying goodbye to original star Aden Young
Director discusses adapting Mieko Kawakami's novel, casting overlooked characters, and finding singular love amid social norms.
Cultpix is streaming AI-generated short vignettes inspired by 1976 erotic photo spreads, with a physical release on BluRay and VHS from Klubb Super 8.
Disney+ has begun production on 'Moving' Season 2 with Ryu Seungryong, Han Hyojoo, Zo Insung and Go Younjung returning.
Movistar Plus restructures content and sports under CEO Alfonso Gómez Palacio, backed by subscriber growth and major Cannes visibility.
The 'Baywatch' reboot will land at Sky in the U.K. and Ireland.
The mentorship program has announced the participants of eight artist residencies taking place across Europe this summer.
Marie Ulven and Anders Danielsen Lie leave a sweetly low-key mark through a shrewd story on mental healing in Eivind Landsvik's 'Low Expectations.'
Mexican Filmmaker Bruno Santamaría Razo Unpacks ‘Six Months in a Pink and Blue Building,’ at Cannes’ Critics’ Week