‘Summer House’ Reunion: West Admits to Being on Beta Blockers and Hiding His Girlfriend While Kyle Is a Mess
The third and final part of the “Summer House” Season 10 reunion was emotional but left more questions than answers.
The third and final part of the “Summer House” Season 10 reunion was emotional but left more questions than answers.
The Art Directors Guild slammed Martin Scorsese for his AI partnership, accusing the director of 'turning his back on the human artists.'
Taylor Swift attended the 'Toy Story 5' world premiere in support of her new soundtrack song 'I Knew It, I Knew You.'
The Directors Guild of America announced it has reached a tentative deal with the major studios, which must still be ratified by the membership.
The first reactions for 'Toy Story 5' suggest Pixar's long-running franchise remains in top form.
The third and final part of the “Summer House” Season 10 reunion was emotional but…
Kenneth Lonergan ('Manchester by the Sea') is set to direct 'Tomorrow Is a Drag' with Aubrey Plaza, Adam Driver, Vanessa Kirby and Matthew Broderick.
'Obsession' director Curry Barker explains cutting a darker, alternate ending and his take on 'Texas Chainsaw Massacre.'
See every song from the opening night of Harry Styles' 'Together Together' tour.
Kristen Stewart on her new Cannes movie 'Full Phil,' playing Woody Harrelson's daughter and being 'so sick' of the Hollywood studio system.
"Club Kid," the heartwarming debut film from Jordan Firstman, has sparked a studio bidding war on the ground at Cannes.
James Cameron says he wants to make 'Avatar 4' and 'Avatar 5' in 'half the time for two-thirds of the cost.'
Chilean filmmaker Patricio Valladares is making his debut in the video game space with an untitled FMV horror title.
Hirokazu Kore-eda's near-future drama about a couple who adopt an infant humanoid premiered in Cannes competition to a 3.5-minute standing ovation.
'Michael' reclaimed the box office crown with $7 million on Friday, and horror newcomer 'Obsession' was close behind with $6.89 million.
In a passionate essay, Vin Diesel on returning to Cannes after 30 years with 'The Fast and the Furious' and defends 'popular cinema' as art.