'The Bear' star says there needs to be more 'boundaries or guidelines' around social media platforms to protect children's mental health.
'The Death of Robin Hood' director Michael Sarnoski talks about working with Hugh Jackman and adapting 'Death Stranding' for A24.
Millicent Simmonds will star in Ari Costa & Eren Celeboglu's crime thriller, "Grace," the first film from Inevitable Foundation's Inevitable Studios.
Studiocanal has revealed that it has closed sales on multiple films that either premiered at the Cannes Film Festival or were offered in the market.
Walton Goggins and the 'Fallout' cast break down filming Season 2 in Los Angeles and building out the world of the show through production design.
'The Bear' star says there needs to be more 'boundaries or guidelines' around social media…
Hulu's 'wrong-com' 'Alice and Steve' stars Jemaine Clement and Nicola Walker as a hilarious pair of best friends on the war path.
From smart golf tech and stylish apparel to personalized accessories, these are the best Father's Day gifts for every golfer.
Shawn Hatosy opens up about how 'The Pitt' has changed his life, embracing his Sex Symbol status and recording a Quinn audio erotica drama.
Nadine Zylstra, a media exec who's worked at YouTube, Pinterest and Sesame Workshop, is taking the helm of NPR's content operations.
The captain of Qatar’s first women’s national soccer team on her Tribeca short about breaking cultural taboos tied to women playing this sport.
Anthony Jeselnik will embark on a stand-up comedy tour titled 'Wrath of Man' with all-new material.
Cannes Docs Spotlight and ECAM Forum-bound Argentinian documentary 'The Nights' secures private backing from U.K. player Jane Ray.
The Madrid ECAM Forum-bound ‘Chentian’ by Suha Arraf has added Jordan to its Palestine-Germany co-production set up.
U.K. detective drama series 'Death in Benidorm' and Brazil's 'Emergency 53' will world premiere at the growing Italian Global Series Festival.
Tea Shop Productions on what the success of Obsession means for the company and why YouTube creators shouldn't go straight to $20M studio movies