Hayden Panettiere's ex Wladimir Klitschko, remembers her as an 'immense talent' and promises their daughter will 'remember the person she was.'
Beta Film has teamed up with ZDF/Arte and Antitalent to co-produce the Croatian crime drama “Red Water.”
Stars Collective is developing 'Grandma, Please,' a Mandarin-language remake of Sundance hit "Thelma," with Peter Luo writing and producing.
‘Furious’ star Steve Way is candid about how and why Hollywood should step up for disabled creatives.
On today's 'Daily Variety' podcast, Chris Carter explains how he came to do a director's cut of his 2008 film 'The X Files: I Want…
Hayden Panettiere's ex Wladimir Klitschko, remembers her as an 'immense talent' and promises their daughter…
Leaders from NBCUniversal, IBM, State Farm, Autodesk and Coinbase talk trends on Variety's 'Strictly Business' podcast recorded during Cannes Lions.
"Minions and Monsters" director Pierre Coffin on Easter eggs, from "Citizen Kane" to old Universal logos, "The Blob" and more.
After days of speculation, Taylor Swift and Travis Kelce are getting married at New York's Madison Square Garden on Friday.
As Taylor Swift and Travis Kelce's wedding nears, look back at weddings of couples including Brad Pitt and Jennifer Aniston and Madonna and Sean Penn.
Gilles Pélisson has been reelected as president of Unifrance, the French film and TV promotion body.
NBCUniversal aims to tap into the feel-good moment of America 250 with new promos for the 2028 Summer Olympics and the NBC100 celebration.
Nagraj Manjule and Amey Wagh headline Marathi social drama 'Frame,' premiering on Marathi ZEE5, from director Vikram Patwardhan.
'Satluj', formerly 'Punjab 95' and 'Ghallughara', hits ZEE5 Global uncut after a years-long censorship fight over Jaswant Singh Khalra's story.
Sasha Waters' thoughtful documentary 'Mary Oliver: Saved by the Beauty of the World' is conventionally assembled but holds its share of surprises.
Chile’s Diego Céspedes (‘The Mysterious Gaze of the Flamingo’) is prepping his second feature, ‘The Case of the Boy Who Lost His Heart.’