‘A Bit of Light’ Review: A Life-Affirming Drama About a Suicidal Iranian Doctor
Ali Asgari’s Venice competition entry 'A Bit of Light' threads the needle between morose humor and gentle naturalism.
Ali Asgari’s Venice competition entry 'A Bit of Light' threads the needle between morose humor and gentle naturalism.
Samuel Goldwyn has acquired U.S. rights to “De Gaulle,” Antonin Baudry’s historical epic that was just shortlisted by France's Oscar committee.
Catherine Deneuve discusses her wild role in Léa Domenach’s 'A Man's Skin,' a medieval music which world premieres at the Venice Film Festival.
From John Malkovich's Oscar buzz to political chatter, here are takeaways from this year's Venice Film Festival.
Gonzalo Gutiérrez’s 'Pacific' makes its European bow at the Sitges Fantasy Film Festival this October and is selling fast to buyers worldwide.
Everybody Wants to F— Me director Jonathan Schey on skewering performative nice guys in his comedy thriller and casting Taron Egerton as one
‘Viva Carmen’ debuts exclusive clip featuring Rosalía's collaborator Silvia Pérez Cruz and brand new song ahead of its North American premiere at TIFF
Final Cut winner Machérie Ekwa Bahango talks Congolese cinema and her upcoming film ‘Madi Makambu,’ awarded La Biennale di Venezia Prize.
Emmanuel Macron brings Hollywood, streamers and film leaders together at the Lumière Summit to tackle AI, YouTube, culture policy and cinema's future.
Anthony Chen's 'We Are All Strangers' closes out his Growing Up trilogy as Singapore's official Oscars pick.