{"id":101,"date":"2026-05-17T19:08:10","date_gmt":"2026-05-17T19:08:10","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=101"},"modified":"2026-05-17T19:08:10","modified_gmt":"2026-05-17T19:08:10","slug":"another-day-review-adele-exarchopoulos-gives-an-understated-and-deeply-lived-in-performance-in-jeanne-herrys-graceful-alcoholism-drama","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=101","title":{"rendered":"\u2018Another Day\u2019 Review: Ad\u00e8le Exarchopoulos Gives an Understated and Deeply Lived-In Performance in Jeanne Herry\u2019s Graceful Alcoholism Drama"},"content":{"rendered":"
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\n\tFrom Billy Wilder\u2019s \u201cThe Lost Weekend\u201d to the Sandra Bullock-starrer \u201c28 Days\u201d and beyond, cinema has a long tradition of substance abuse and recovery stories. There is something inherently cinematic and moving about a struggling person\u2019s by-the-bootstraps journey to healing, with a lifetime\u2019s worth of trials and tribulations. Just two years ago, Nora Fingscheidt\u2019s tough but ultimately restorative \u201cThe Outrun\u201d emerged as one of the best in this subgenre, showing both the all-consuming chaos of alcoholism with its unruly structure, and the serenity of the one-day-at-a-time mindset. More tame in its nature but still powerful, writer-director Jeanne Herry\u2019s 2026 Cannes Competition entry \u201cAnother Day\u201d is an addiction drama that is honest, patient and deceptively understated when it doesn\u2019t err on the side of didacticism.<\/p>\n

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\n\tThat intermittent educational feel (which especially weakens the ending) aside, \u201cAnother Day\u201d is full of perceptive and compassionate details about how alcoholism can slowly sink its claws into the vulnerabilities of someone with the false promise of relief from life\u2019s problems. In an authentic and genuinely lived-in performance, a terrific Ad\u00e8le Exarchopoulos plays Garance, a talented Parisian actress who keeps busy enough in a well-respected and tight-knit theater company while also running from one audition to the next, and doing impressive voice work for extra income. Trying to stay afloat in an expensive city like Paris is tough enough, but piling onto Garance\u2019s gig-economy hurdles is her terminally ill sister, and a romantic life that seems to be going nowhere.<\/p>\n

\n\tHerry introduces us to Garance in the environment where she feels the most comfortable, on the stage and backstage, performing to engaged audiences in artsy spaces. When she isn\u2019t perfecting her craft and looking for her big break on the heels of a breakup and terminated pregnancy, she reaches for a glass of white here and a bottle of red there, slowly losing her grip on concepts like time and place.<\/p>\n

\n\tAmong the most successful decisions Herry makes here is portraying Garance, at least at first, as a functioning alcoholic, a realistic yet not widely discussed state of being that many alcoholics experience while their illness goes undetected by loved ones. When booze first gets a hold on Garance, she only seems out of it in the moment. For a while, she manages to make it to work on time the next day, pay her bills, and even build a loving relationship with Pauline (Sara Giraudeau), a soft-spoken and compassionate artist who spends most of her days in the countryside. But as it is often the case, Garance eventually starts to lose control, while insisting she can cut down on her drinking if she wants to, as if alcohol is a non-issue in her life.<\/p>\n

\n\tThe reality, however, is quite different when she can\u2019t keep up with appointments and promises she\u2019s made, forgets entire conversations with people, slurs her words mid-performance and squanders professional opportunities that could change her life. At a school appearance where she\u2019s supposed to talk about acting with little kids, she can barely keep it together in disheveled clothes and smeared make-up from the night before. In at least two scenes, Herry also unsubtly suggests that Garance might have been a victim of sexual assault during a blackout. She wakes up on a bus, unsure about why her ripped fishnets are rolled down to mid-thigh, and how she even ended up there.<\/p>\n

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\n\tHerry\u2019s directorial panache especially shows in the way \u201cAnother Day\u201d handles the passage of time. Set over the course of eight years (including the lockdown period during COVID), Herry\u2019s film unfolds fluidly, neither hurrying scenes up unnecessarily, nor lingering too long on any incident. (If the film feels somewhat overlong at two hours, that\u2019s mostly because of the repetitive nature of Garance\u2019s condition.) Herry gives us full scenes of Garance performing and voice-acting with joy, and thankfully doesn\u2019t time-stamp the escalating events of her life in rigid chapters. <\/p>\n

\n\tInstead, she trusts the intelligence of the audience, and uses details in make-up and production design as markers of the story she tells chronologically, dedicating a generous amount of screen time to the committed relationship of Pauline and Garance. Thanks in part to editor Laurence Briaud, that easy and immersive structure aptly suggests that everything Garance experiences while her alcoholism advances happens during a single unit of time. Praise should also go to costume designer Ariane Daurat \u2014 in her hands, Exarchopoulos\u2019 clothes recall a low-key version of her \u201cPassages\u201d wardrobe, combining edgy silhouettes with classically casual pieces.<\/p>\n

\n\tWhile \u201cAnother Day\u201d doesn\u2019t necessarily intend to teach a lesson, there is still something too tidy and instructional about the way Garance decides to reclaim control alongside a helpful, no-nonsense doctor. All too aware that she might take Pauline down the same path with her, Garance ultimately decides to clean up her act because of her love for Pauline, which is a sweet detail: It\u2019s rewarding to experience the emotional resonance of women selflessly prioritizing and caring for one another. <\/p>\n

\n\tAnd yet, the comfortable resolution in the parting note feels all too schematic, like an after-school special; disappointing in a film that gives us something a lot more complex until then, including an excellent intervention scene between a defensive Garance and her theater troupe. Still, \u201cAnother Day\u201d tackles a tough topic with profound grace. This kind of cinematic workmanship, so finely effortless that it\u2019s almost invisible, doesn\u2019t come by often.<\/p>\n

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\t\t\u2018Another Day\u2019 Review: Ad\u00e8le Exarchopoulos Gives an Understated and Deeply Lived-In Performance in Jeanne Herry\u2019s Graceful Alcoholism Drama<\/p>\n<\/h2>\n

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\t\tReviewed at Cannes Film Festival (Competition), May 17, 2026. Running time: 120 MIN. (original title: “Garance”)<\/p>\n<\/h2>\n

    \n
  • \nProduction:<\/strong>
    \n(France) An Art\u00e9mis Productions, Chi-Fou-Mi Productions, Tr\u00e9sor Films production in co-production with StudioCanal. (World sales: StudioCanal, Paris.) Producers: Alain Attal, Nicolas Dumont, Hugo S\u00e9lignac.\t\t\t<\/li>\n
  • \nCrew:<\/strong>
    \nDirector, screenplay: Jeanne Herry. Camera: Antoine Cormier. Editor: Laurence Briaud. Music: Pascal Sangla.\t\t\t<\/li>\n
  • \nWith:<\/strong>
    \nAd\u00e9le Exarchopoulos, Sara Giraudeau. \t\t\t<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Directed by Jeanne Herry and starring Ad\u00e8le Exarchopoulos, \u201cAnother Day\u201d feels gentle and immersive even when it errs on the side of didacticism.<\/p>\n","protected":false},"author":1,"featured_media":100,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[120,121,3,122],"class_list":["post-101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-adele-exarchopoulos","tag-another-day","tag-cannes-film-festival","tag-jeanne-herry"],"yoast_head":"\n\u2018Another Day\u2019 Review: Ad\u00e8le Exarchopoulos Gives an Understated and Deeply Lived-In Performance in Jeanne Herry\u2019s Graceful Alcoholism Drama - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=101\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Another Day\u2019 Review: Ad\u00e8le Exarchopoulos Gives an Understated and Deeply Lived-In Performance in Jeanne Herry\u2019s Graceful Alcoholism Drama - 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