{"id":1289,"date":"2026-06-03T20:37:51","date_gmt":"2026-06-03T20:37:51","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=1289"},"modified":"2026-06-03T20:37:51","modified_gmt":"2026-06-03T20:37:51","slug":"daredevil-born-again-finales-hallway-scene-took-three-days-of-prep-and-one-day-to-shoot","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=1289","title":{"rendered":"\u2018Daredevil: Born Again\u2019 Finale\u2019s Hallway Scene Took Three Days of Prep and One Day to Shoot"},"content":{"rendered":"
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\n\tDisney+ series \u201cDaredevil: Born Again\u201d is renowned for its iconic hallway fight sequences, so it\u2019s only fitting that the season concludes with another epic moment.<\/p>\n

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\n\tThe episode follows Matt Murdock (Charlie Cox) as he gets patched up and is running late to Karen Page\u2019s (Deborah Ann Woll) trial after he was shot in the last episode. Heather Glenn (Margarita Levieva) and Wilson Fisk, aka the Kingpin (Vincent D\u2019Onofrio), both testify in the anti-vigilante case, but Murdock steals the show as the key witness when he reveals to everyone in the courthouse that he\u2019s actually Daredevil. When Kingpin\u2019s case gets dismissed, he\u2019s sued by the attorney general and told to step down as mayor \u2014 but not before he incites a riot at court. He orders his police force to march on the courthouse, while pro-Daredevil civilians put on red masks and fight back.<\/p>\n

\n\tAction director Philip J. Silvera had three days to prep each fight: three days for Daredevil, and three days for Kingpin. He adds, \u201cEach one of them I shot in one day.\u201d<\/p>\n

\n\tIn designing the fight he knew that Daredevil and Kingpin share a common bond. He says, \u201cThey each love New York so much, and they want the same thing from two different sides of the same coin. And that\u2019s the juxtaposition of these two characters.\u201d<\/p>\n

\n\tSilvera, having worked on Season 1, is no stranger to the world of stunts and \u201cDaredevil.\u201d But no matter how big the fight sequences needed to be, storytelling remained of the utmost importance for Silvera, and any action needed to be driven by the characters\u2019 emotions. \u201cIt\u2019s never so much about the fact that we\u2019re trying to outdo ourselves,\u201d he says.<\/p>\n

\n\tWith Kingpin, the season begins with him being voted in by the people of New York City as mayor. But in the end, the city and the people have turned against him. Silvera explains that when Kingpin gets into an emotional moment, he loses all sense of calm. \u201cThis is the first time that everyone sees it,\u201d he explains. Silvera says, Kingpin is seeing red. \u201cFrom that first hit, you saw how lethal and powerful he was.\u201d Kingpin walks out into the hallway and \u201ctakes out the biggest guy immediately after that, and you start to feel like you\u2019re trapped.\u201d<\/p>\n

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\n\tThe courthouse riot scene intercuts with the anti-vigilante task force. Silvera also got the chance to work with Krysten Ritter as Jessica Jones and Camila Rodriguez as White Tiger. \u201cI had never gotten to work with her until the season, so she had now been part of a hallway scene with Matt, and then Camila, who plays White Tiger, she\u2019s amazing. She is short but powerful in how she enters the scene.\u201d<\/p>\n

\n\tDespite the action, the storytelling remains front and center, reflecting each character\u2019s way of handling the moment. \u201cMatt and Jessica end up grabbing reporters in the way, and they\u2019re trying to protect these bystanders, whilst trying to stop Fisk. And then you have Jessica Jones, whose powers are finally coming back with full strength. As the scene progresses, you see her regain her strength progressively more and more, and there are key things that we see her grab someone by the arm and pick him up, and we see Fisk doing that in a very human way, so you\u2019ll get the juxtaposition of each one of their character traits and powers, but also the contradiction to the emotional moments they\u2019re going through.\u201d<\/p>\n

\n\tHaving worked with Cox and D\u2019Onofrio since 2014, Silvera knows how far he can push them. However, this marked his first collboration with Ritter. \u201cI shot a sequence with her earlier where we really got to know each other, and I understood how much she wanted to do and how involved she wanted to be.\u201d He adds, \u201cThat being said, when we design the action, you can see them doing 90 to 95 percent of the action.\u201d<\/p>\n

\n\tAnd when things get too risky for the actors, stunt doubles step in. \u201cWe have great stunt doubles,\u201d he says.<\/p>\n

Read more Hulu to Develop Scott Turow Novel \u2018Suspect\u2019 for TV With Bruce Miller & Marissa Jo Cerar, Matt Shakman to Direct<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Action director Phillip Silvera says “Daredevil: Born Again’s” hallway fight scene took one day to shoot.<\/p>\n","protected":false},"author":1,"featured_media":1288,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[1238],"class_list":["post-1289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artisans","tag-daredevil-born-again"],"yoast_head":"\n\u2018Daredevil: Born Again\u2019 Finale\u2019s Hallway Scene Took Three Days of Prep and One Day to Shoot - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=1289\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Daredevil: Born Again\u2019 Finale\u2019s Hallway Scene Took Three Days of Prep and One Day to Shoot - 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