{"id":129,"date":"2026-05-18T07:34:35","date_gmt":"2026-05-18T07:34:35","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=129"},"modified":"2026-05-18T07:34:35","modified_gmt":"2026-05-18T07:34:35","slug":"kylie-minogue-on-opening-up-for-a-netflix-docuseries-refusing-to-be-boxed-in-and-navigating-90s-tabloids-thankfully-i-gave-myself-a-chance","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=129","title":{"rendered":"Kylie Minogue on Opening Up for a Netflix Docuseries, Refusing to Be \u2018Boxed In\u2019 and Navigating \u201990s Tabloids: \u2018Thankfully, I Gave Myself a Chance\u2019"},"content":{"rendered":"
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\nKylie Minogue cannot be summed up easily. A three-decade career with era-defining tracks. An unmistakable aura that makes it feel like you know <\/em>her. And a knack for constant reinvention that defies expectations, from \u201cI Should Be So Lucky\u201d to \u201cPadam Padam.\u201d<\/p>\n

Read more Berlinale Title \u2018Light Pillar\u2019 Acquired by Greenwich Entertainment for U.S. Theatrical Release (EXCLUSIVE)<\/a><\/p>\n

\n\tSo \u201cKylie,\u201d out on Netflix Wednesday, does not try to do so. Instead, the new John Battsek docuseries (the producer behind \u201cBeckham,\u201d \u201cStill: A Michael J Fox. Movie\u201d and \u201cThree Identical Strangers\u201d) explores what such a life has been like for Minogue, with the Australian singer being remarkably open about the grief, scrutiny and resilience she has experienced along the way.\u00a0Alongside contributions from sister Dannii Minogue, record producer Pete Waterman and the musician Nick Cave, Kylie shows the world some of her personal archive, including archive photography by her longtime friend Katerina Jebb.<\/p>\n

\n\tSpeaking to Variety<\/em> at Netflix\u2019s London headquarters ahead of the docuseries\u2019 release, Minogue talks about the experience of opening up emotionally on camera and why \u201cKylie\u201d is a midpoint career reflection rather than a retrospection. She also discussed many of the topics that come up over the three episodes, including relationships with \u201cNeighbours\u201d co-star Jason Donovan and the late INXS frontman Michael Hutchence and the press scrutiny she received early in her career: \u201cThankfully, I gave myself a chance.\u201d<\/p>\n

\nWhy was now the time to make this documentary?<\/strong> <\/h5>\n

\n\tI wish I had the neat answer for that, because it\u2019s the<\/em> question. I have had numerous requests to make a documentary, and I was a bit tempted, but I just felt like it wasn\u2019t the time. [Producer] John Battsek from Venturelands reached out in 2018 \u2014 a long time ago \u2014 and I met him maybe in 2020 or 2021.\u00a0It was a number of years before I agreed to him. I guess I let the idea simmer and percolate. I think after \u201cPadam\u201d and \u201cTension,\u201d it felt like another wave, another juggernaut moment in my life and career.<\/p>\n

\n\tMichael [Harte, the director] wasn\u2019t 100% attached to it then, but I know the idea was there, so\u2026 team moment! If not now, when?\u00a0<\/em>I guess within myself I felt like there\u2019s enough in the past and enough in the future, so it didn\u2019t feel like, \u201cOh, this is looking back at my life,\u201d and full stop. This is an interesting moment, as someone my age, a woman my age, me in this industry. I didn\u2019t know what story he was going to tell, I just trusted Michael.<\/p>\n

\nSo you left him to work out the scope and then he would come to you and say, \u201cWe want to talk about this<\/strong>\u201c?\t<\/h5>\n

\n\tYeah, and I like to know stuff<\/em>, so it was really trustful.\u00a0We had our initial interview, but things were not going in our favor. I was still a little bit guarded. And as he relaxed and I relaxed, [we] just ended up [saying], \u201cPut the paper away, let\u2019s just have a conversation.\u201d<\/p>\n

\n\tAnd so a year and a half went by, that process. I was on tour, he\u2019d check in, we\u2019d arrange another interview. Until I saw the documentary in his edit suite, the anxiety leading up to this, I was like, \u201cOh my God, three hours, what if I hate it?\u201d I know it\u2019s going to contain stuff that might be difficult for me. Also celebratory. Also \u201cWhat the hell did I say in those interviews? I don\u2019t remember!\u201dSo, yeah, it was\u2026<\/p>\n

\nHow did you feel after you watched it?<\/strong> <\/h5>\n

\n\tBy the time I got to the end of act three, I felt overwhelmed. But what he\u2019s done in the final edit and the way he\u2019s used one of my songs to top and tail the series and because I got over the finish line, I leapt out of my seat!\u00a0I think he got his phone out in record time, because I was the crazed person in the edit suite. I felt panicked and electrified it at the same time.<\/p>\n

\nThe documentary has such great use of archive, and we see you going through your personal collection. Was there a moment that surprised or affected you more than you thought it was going to?<\/strong> <\/h5>\n

\n\tThere\u2019s definitely a couple of points in the doc.\u00a0I\u2019ve only seen it three times \u2014 once with [Harte], once with my family and once with my team. So I still haven\u2019t absorbed everything.<\/p>\n

\n\tBefore one of our interviews, my radar was on for just, \u201cKeep an eye out if you see something, remember to put it aside.\u201d I was just like, \u201cOh, there\u2019s song lyrics.\u201d My filing system is not great, but there\u2019s a bit of slight organization. I looked at the top few ones, and I just went, \u201cI\u2019m not going to look at any more. This could be a good conduit for us to start a conversation on that. I know there\u2019s stuff in here, I don\u2019t know what<\/em>.\u201d\u00a0So I think we had some really good moments that fell from the sky.\u00a0<\/p>\n

\n\tAnd what I\u2019m realizing now is\u2026 It\u2019s not out in the wild yet, so I don\u2019t really know what the general reaction is going to be, but I\u2019m starting to talk about it from a distance. It\u2019s not a WIP [work in progress] anymore. It\u2019s about to happen.\u00a0I realize now that I can talk about things I\u2019m talking about in the documentary with a bit of distance and not get as upset, but I know when I was talking with Michael, I\u2019m really trying to remember how I felt in the moment.<\/p>\n

\n\tWe\u2019re chatting without cameras and stuff, [but] you\u2019re still aware there\u2019s a camera on you, and everything just gets a little bit more tense and a little bit more heightened. I guess I gave myself permission to go there and feel safe enough.\u00a0I really knew they weren\u2019t there to exploit me, and that\u2019s a big deal, because you\u2019ve seen some of the stuff that I\u2019ve navigated [in the doc]. So very often my default is I\u2019m an open, people person, but I\u2019ve just been burnt.<\/p>\n

\nWere there some moments in the film where you realize how surreal it must have been back then?\u00a0<\/strong> <\/h5>\n

\n\tThere were some illuminating moments for me from the contributors. To see my sister\u2026 she did some hard work in that documentary to talk about those really difficult times again, and what was going through her mind at the time, like that\u2019s really quite difficult to watch.<\/p>\n

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\n\tYou got [producer] Pete Waterman with his version of events, and it\u2019s pretty close to mine. Nick Cave just being profound and epic and dreamy all the same time, and Jason Donovan giving footage that I hadn\u2019t seen.\u00a0[The docuseries] was hard to make, and it\u2019s hard to talk about, because it\u2019s still so rich. It\u2019s very dense.<\/p>\n

\nI think the one thing that comes through the documentary for me is your belief in not being put into a box<\/strong>, but also your sheer determination. In Episode 1, when you were 19, the media were writing very scathing and absurd things about you (including referring to her as the \u201cSinging Budgie\u201d). You navigated that period with a sense of determination.<\/strong> <\/h5>\n

\n\tSeeing that in the documentary, it\u2019s something that I can\u2019t explain. I don\u2019t know. I\u2019m mystified as well. I go, \u201cHow did you turn up? How did you do that TV show when in your head, every voice around is going, \u2018[She can\u2019t] do it\u2019\u2026 but you got out there and you sang a song.\u201d<\/p>\n

\n\tI\u2019ve tried to figure it out these last few days. And it kind of ties into not wanting to be defined, that we\u2019re all works in progress, we\u2019re all in motion. And the notion, or the feedback, or the attitude that I couldn\u2019t do it, I\u2019m like, \u201cBut it might<\/em> be possible.\u201d It\u2019s like \u201cDumb and Dumber.\u201d He\u2019s in love with the girl.\u00a0He\u2019s like, \u201cWhat are the chances?\u201d She goes, \u201cOne in a million.\u201d He goes, \u201cSo there is<\/em> a chance!\u201d<\/p>\n

\n\tDon\u2019t shut me down! I\u2019m self-aware enough to know that I wasn\u2019t the person \u2026 they were expecting me to be someone else. So give me a chance! But thankfully, I gave myself a chance.\u00a0I will thank myself for that.<\/p>\n

\nIs there any part of a documentary that you\u2019re particularly proud of, or stands out for you in any certain way?<\/strong> <\/h5>\n

\n\tProbably the tenacity, for one thing. I\u2019m proud as a family that we have navigated all of this. I\u2019m proud of my parents for being amazing parents, and I\u2019m proud of my audience for sticking with me. When some people were not open-minded, they were.\u00a0Again, I\u2019m not quite sure how that happened. Maybe [if] the start of my career was as a 40 year old, it would be different, but my career started at 17-18-19, so you have kind of grown up with me. I\u2019ve sort of managed to stay on my path, you know?<\/p>\n

\nI think that comes through when, in the second episode, we see you doing something unconventional: performing poetry on stage with Nick Cave. This moment feels like you are testing yourself a little bit to see what you can\u2019t <\/em>do.<\/strong> <\/h5>\n

\n\tAbsolutely. Going for that audition for \u201cNeighbours.\u201d Leaving \u201cNeighbours.\u201d Going to [music label] Deconstruction. I mean, who wasn\u2019t going indie in the \u201990s? That\u2019s what I was listening to, that\u2019s what I was wearing, that\u2019s where I was going.\u00a0<\/p>\n

\nWhat did you think of Jason Donovan\u2019s reflections on that time?<\/strong> <\/h5>\n

\n\tSo heartfelt and moving. \u201cLove hurts, mate.\u201d That is the quote, and he\u2019s not wrong. It does sometimes, so I appreciated his honesty so much. And hilarious. And F-bombs. He\u2019s so<\/em> Jason Donovan. I can see just him being him.\u00a0<\/p>\n

\n\tI think all the contributors are very natural, and that\u2019s a praise to Michael [Harte] and the team, and that they felt they could talk from the heart. And I\u2019m realizing now, I talk a lot about all the firsts with Michael [Hutchence], but [not] how many firsts I had with Jason as well. We stumbled into fame together. We were rocking up to \u201cNeighbours\u201d every day. Then we were dating, then we were navigating mayhem. Mayhem!\u00a0So props to Jason.<\/p>\n

\nOne thing that really left an impression on me was how Michael Hutchence left such an impression on you (Hutchence and Kylie dated from 1989 to 1991, and he died in 1997). It feels as if he left an impact on all that you did next, what he taught you and how you reflect on life.<\/strong> <\/h5>\n

\n\tIt\u2019s hard to define him, because he was so many things. First, he was like an adult, and I don\u2019t think I felt [that at] the time, but I was 21, 22. He was such a sincere, amazing person, which the world knows, because the world fell in love with him. I think I say it as well as I can in the documentary \u2026 [his] presence and feeling like he\u2019s in the room and like, \u201cKeep it together!\u201d <\/p>\n

\n\tObviously, my memories are really pure and I\u2019ll always have those, but it is within the movement of memory. If it was Jason, I could say, \u201cHey, come on, let\u2019s go get a drink, let\u2019s have a catch-up,\u201d and [Michael] left us many years ago, so he\u2019s just kind of around<\/em>. So aside from it being truthfully an incredible moment in time for me, I think because of his departure, it just lives in its own little cosmos. It just lives as its own thing.\u00a0And I just let it be lovely.<\/p>\n

\nAs a final question, what do you think you\u2019ve learnt about yourself from this experience?\u00a0<\/strong> <\/h5>\n

\n\tI could get into all sorts of strife. Here we go again!\u00a0What happens is in my mind, and it\u2019s a quiet determination. It\u2019s a quiet sense of achievement. <\/p>\n

\n\tI talk about not being boxed in, and I still don\u2019t think I\u2019m that definable after a three-hour documentary. And I\u2019m happy with that.\u00a0<\/p>\n

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\nThis interview has been condensed for length and clarity.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Kylie Minogue on her new Netflix docuseries “Kylie,” navigating ’90s tabloids and her memories of Michael Hutchence.<\/p>\n","protected":false},"author":1,"featured_media":128,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[156,157],"class_list":["post-129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-kylie-minogue","tag-netflix-2"],"yoast_head":"\nKylie Minogue on Opening Up for a Netflix Docuseries, Refusing to Be \u2018Boxed In\u2019 and Navigating \u201990s Tabloids: \u2018Thankfully, I Gave Myself a Chance\u2019 - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=129\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kylie Minogue on Opening Up for a Netflix Docuseries, Refusing to Be \u2018Boxed In\u2019 and Navigating \u201990s Tabloids: \u2018Thankfully, I Gave Myself a Chance\u2019 - 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