{"id":1333,"date":"2026-06-04T13:08:52","date_gmt":"2026-06-04T13:08:52","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=1333"},"modified":"2026-06-04T13:08:52","modified_gmt":"2026-06-04T13:08:52","slug":"scary-movie-review-the-sixth-scary-movie-has-a-few-choice-gags-but-mostly-its-so-meta-its-meh","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=1333","title":{"rendered":"\u2018Scary Movie\u2019 Review: The Sixth \u2018Scary Movie\u2019 Has a Few Choice Gags, but Mostly It\u2019s So Meta It\u2019s Meh"},"content":{"rendered":"
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\n\tEvery once in a while in \u201cScary Movie\u201d (which really should<\/em> have been called \u201cScary Movie 6,\u201d but never mind), there\u2019s a gag that connects. Like the one where Ray Wilkins (Shawn Wayans) gets up in front of a church congregation to declare that he\u2019s not gay, and then proceeds to rattle off an insanely detailed laundry list of all the gay activities he isn\u2019t going to be doing. Or the one where Jack (Cameron Robert Stock), the love-interest-who\u2019s-so-square-he-must-be-the-killer (he keeps getting compared to Ted Bundy), shows up at a party with his girlfriend, the high-strung Sara (Olivia Rose Keegan), and her sister, the Wednesday-like Tuesday (Savannah Lee Nassif), and the three try to get themselves invited in \u2014 as Remmick the vampire did in \u201cSinners\u201d \u2014 by, in this case, playing a traditional banjo version of \u201cMovin\u2019 On Up\u201d from \u201cThe Jeffersons.\u201d Or the one where Sydney Park plays a high-school student who\u2019s so scoldingly politically sensitive that when she\u2019s being stabbed by Ghostface on the subway, an alarmed passenger refers to the victim as \u201cshe,\u201d which makes Park cry out that they\/them are her correct pronouns \u2014 at which point the alarmed passenger is annoyed enough to begin stabbing her as well.<\/p>\n

Read more VFX House DNEG, Spain\u2019s SETT Supercharge Canary Islands\u2019 Anima Kitchent With a Multi-Million Investment<\/a><\/p>\n

\n\tBut then there are the jokes that work better in theory than execution. Like the one where Shorty (Marlon Wayans), that nasty stoner wastrel, is pulled down on a chair into a sunken place \u2014\u00a0a send-up of \u201cGet Out\u201d that becomes the set-up for an anime fantasy where he sings a variation on \u201cGolden\u201d built around the pleasures of weed (it sounds<\/em> funny, but just kind of sits there). Or the one where we appear to be watching a trailer for \u201cMichael,\u201d and the great Kenan Thompson is playing Michael Jackson, which is a little weird, except the joke turns out to be that it\u2019s a trailer for\u2026 \u201cJermaine.\u201d An amusing idea that doesn\u2019t quite gel. Or take Doofy Gilmore (Dave Sheridan), a lisping geek so unclean he washes with his own spit. He\u2019s a character so ineffectual yet grating that you\u2019re relieved when he\u2019s offed.\u00a0\u00a0\u00a0\u00a0<\/p>\n

\n\tAt its best, the \u201cScary Movie\u201d school of comedy \u2014 like the \u201cNaked Gun\u201d and \u201cAirplane!\u201d school and all the other parodies that have sustained this genre for half a century \u2014\u00a0makes witty use of exaggeration<\/em>, blowing up the clich\u00e9s you didn\u2019t know were there, taking overfamiliar tropes and inflating them into glorious outsize goofs. What makes a \u201cScary Movie\u201d sequel hilarious as opposed to merely warmed over? It can be hard to put into words, but you know it when your funny bone feels it. You know it when you laugh out loud.<\/p>\n

\n\tI didn\u2019t laugh out loud too much at \u201cScary Movie,\u201d which is a lot less funny than last summer\u2019s \u201cNaked Gun\u201d reboot, though it\u2019s got the relentless energy of a mad-dog comedy. The majority of the jokes come off as more asserted than delighted. And maybe that\u2019s because the film doesn\u2019t feel like it\u2019s discovering anything new about what\u2019s happening between the lines of the \u201cScream\u201d genre. There have been seven \u201cScream\u201d films; this is the sixth \u201cScary Movie,\u201d the first of which came out 26 years ago (and that one was a parody of \u201cScream\u201d). The new film, which steps up to mock itself for being a \u201crebooty-call,\u201d is as thick and layered with legacy characters, and also new characters, as the most convoluted straining-for-a-demographic-home-run \u201cScream\u201d sequel. It\u2019s jammed with spoof-genre history, but that makes it feel more exhausting than exhilarating. It\u2019s a top-heavy satirical party that\u2019s become so meta it\u2019s meh.<\/p>\n

Read more Bob Odenkirk Is Sadly Pulling Out of Freedom 250. But David Cross Will Be Taking His Place.<\/a><\/p>\n

\n\tThese movies have always been catch-all genre spoofs, which in the case of horror means there\u2019s a lot of ripe terrain that \u201cScary Movie\u201d could have plowed. I liked the nods toward skewering \u201cSinners,\u201d but why didn\u2019t that movie play a bigger part? \u201cScary Movie 5\u201d came out 13 years ago; a lot of horror has passed under the bloody bridge since then. So why not expand the film with juicy jabs at \u201cMidsommar\u201d or the \u201cConjuring\u201d films? \u201cScary Movie\u201d features a brief skewering of \u201cThe Substance\u201d (which somehow becomes an off-center joke about the Epstein files), but the movie is presented, more than anything, as a family franchise that\u2019s riding shotgun on the power of the \u201cScream\u201d franchise. The script is by Marlon Wayans, Shawn Wayans, Keenen Ivory Wayans, Craig Wayans, and Rick Alvarez (the film even makes jokes about how many Wayans there are), and they have bound themselves to the Ghostface saga as if it were the only thing that mattered in horror. The killer keeps popping up, as in a \u201cScream\u201d film, and that sustains the tone of comic aggression. But the knockabout violence has the effect of steamrolling the wit.<\/p>\n

\n\tAs if it needed to be pointed out, the \u201cScream\u201d films have always been parodies of themselves (that was true of the first one in 1996), and by this point they\u2019ve become mega-parodies of their own decadence. So \u201cScary Movie,\u201d in ridiculing that quality, just seems to be adding another layer to the schlock-cake of overkill. Teyana Taylor, seated at a bar in the skimpiest of gold lam\u00e9, talks to the killer in the opening sequence, but the real gag is that she\u2019s playing a super-brassy version of herself, complete with Oscar jokes. Maybe the reason the film doesn\u2019t spend more time skewering the nuances of contempo horror (though we do get to see M3GAN do a booty dance) is that its real other subject is raunch. The Wayans brothers let fly with sex gags, whether it\u2019s the quivering purple butt plug the lascivious Ruby Snowber character carries around or the incendiary oral-sex-as-rolling-a-blunt session she receives from her boyfriend (Gregg Wayans).<\/p>\n

\nAnna Faris and Regina Hall have been in every movie of this series (except for the misbegotten \u201cScary Movie 5\u201d), and both are back with good-sport glee. Faris\u2019s Cindy Campbell is now the den mother of the franchise, Hall\u2019s Brenda Meeks the self-described \u201ccool Black mom.\u201d Kim Wayans has a few good moments as an incredibly hostile ICU nurse. The climax, which features more characters playing Ghostface than you can count, is long on unbilled cameos, which I won\u2019t reveal. But that joke is past its sell-by date. \u201cScary Movie,\u201d which is set to find a big audience this weekend, shows you that a comedy series can be successful even when it\u2019s making a joke of how recycled it is.<\/p>\n

Read more Marjane Satrapi, French-Iranian Director of Oscar-Nominated \u2018Persepolis,\u2019 Dies at 56<\/a><\/p>\n<\/div>\n<\/div>\n

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\t\t\u2018Scary Movie\u2019 Review: The Sixth \u2018Scary Movie\u2019 Has a Few Choice Gags, but Mostly It\u2019s So Meta It\u2019s Meh<\/p>\n<\/h2>\n

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\t\tReviewed at AMC Empire, New York, June 3, 2026. MPA rating: R. Running time: 95 MIN.<\/p>\n<\/h2>\n

    \n
  • \nProduction:<\/strong>
    \nA Paramount Pictures release, in association with Miramax, of a Wayan Brothers Entertainment production. Producers: Rick Alvarez, Craig Wayans, Marlon Wayans, Shawn Wayans, Keenen Ivory Wayans. Executive producers: Jonathan Glickman, Thom Zadra, Alexandra Loewy, Marsha L. Swinton.\t\t\t<\/li>\n
  • \nCrew:<\/strong>
    \nDirector: Michael Tiddes. Screenplay: Marlon Wayans, Shawn Wayans, Keenen Ivory Wayans, Craig Wayans, Rick Alvarez. Camera: Terry Stacey. Editor: Jonathan Schwartz. Music: Haim Mazar.\t\t\t<\/li>\n
  • \nWith:<\/strong>
    \nMarlon Wayans, Shawn Wayans, Anna Faris, Regina Hall, Kenan Thompson, Dave Sheridan, Lochlyn Munro, Kim Wayans, Cheri Oteri, Chris Elliott, Damon Wayans Jr., Heidi Gardner. \t\t\t<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    The Wayans brothers have forged a family franchise that’s riding shotgun on the power of the “Scream” franchise. 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