{"id":1469,"date":"2026-06-06T18:05:31","date_gmt":"2026-06-06T18:05:31","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=1469"},"modified":"2026-06-06T18:05:31","modified_gmt":"2026-06-06T18:05:31","slug":"from-scream-2-and-monster-to-big-mistakes-how-laurie-metcalf-has-mastered-the-art-of-the-complicated-mother","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=1469","title":{"rendered":"From \u2018Scream 2\u2019 and \u2018Monster\u2019 to \u2018Big Mistakes,\u2019 How Laurie Metcalf Has Mastered the Art of the Complicated Mother"},"content":{"rendered":"
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\nLaurie Metcalf arrived for the first day of filming Netflix\u2019s \u201cBig Mistakes\u201d with something she needed to get off her chest. She doesn\u2019t recall where she said it, but it was probably in the hair and makeup trailer sitting next to series co-creator and her co-star Dan Levy.<\/p>\n

Read more Best Horror of June 2026: \u2018Scary Movie\u2019 Returns, Spielberg Revisits Aliens, Javier Bardem Tackles Another Villain Role and More<\/a><\/p>\n

\n\t\u201cWe had just barely met at that point, but I told him, \u2018I have extremely big shoes to fill, and I know that in my heart because I\u2019m playing your second TV mom,\u2019\u201d Metcalf tells Variety<\/em>. <\/p>\n

\n\tShe, of course, was referring to Levy\u2019s previous TV mom, played by the late comedy legend Catherine O\u2019Hara in \u201cSchitt\u2019s Creek.\u201d In O\u2019Hara\u2019s hands, the character of Moira Rose was a larger-than-life presence in her son\u2019s life, learning to love him more than she loved the spotlight \u2014 or at least just as much. In \u201cBig Mistakes,\u201d Metcalf is tasked with playing a similarly oversized onscreen role, and she wanted Levy to know she understood the weight of that responsibility.<\/p>\n

\n\t\u201cWe never talked about comparisons or anything like that, and I think he wanted dynamics to be different,\u201d Metcalf says. \u201cBut I wanted to be there for his character, just as much as Moira Rose was for him in \u2018Schitt\u2019s Creek.\u2019\u201d<\/p>\n

\n\tAs frenetic mayoral candidate Linda Morelli, Metcalf is both a blessing and a curse to her son Nicky (Levy) and daughter Morgan (Taylor Ortega). The siblings definitely don\u2019t need the level of stress she brings, as they unintentionally descend further into a world of organized crime. Linda is brash, carries her moral superiority as a badge of honor and fiercely protects her children, whether they like it or not. She\u2019s a force in the Morelli family, but she\u2019s hardly the only difficult mother in Metcalf\u2019s recent filmography.<\/p>\n

\n\tAlso on Netflix this year, the Emmy-winner tackled the role of Augusta Gein, the mother of infamous serial killer Ed Gein (Charlie Hunnam) in \u201cMonster: The Ed Gein Story.\u201d Augusta is a deeply religious woman who haunts her son\u2019s psyche even before she dies \u2014 and he \u201cresurrects\u201d her with the exhumed body of another woman. It is perhaps the darkest role Metcalf has ever played, at least since 1997\u2019s \u201cScream 2,\u201d when she was cast as the mother of another serial killer, Billy Loomis (Skeet Ulrich), and ended up breaking bad herself.<\/p>\n

\n\tBut in \u201cMonster,\u201d Metcalf wasn\u2019t interested in playing an evil mom who was cruel to her child just for the sake of it. She needed depth, something more to grab onto.<\/p>\n

\n\t\u201cThe challenge for me was that the darkness came from their dysfunctional relationship, and knowing that her influence on him is part of the reason why his life went in a certain direction,\u201d she says of playing Gein\u2019s mother. \u201cThat\u2019s a huge responsibility to accept, to know that your character is responsible for steering him into the darkness. That, and, of course, his mental disorder. The challenges can\u2019t just be black and white. She can\u2019t just be pure evil and he\u2019s pure good, and she just beats him down and beats him down. So Charlie and I tried to find, in each scene, a little bit of heart in there, a little connection, and a little bit of how he did look up to his mother, no matter how she treated him.\u201d<\/p>\n

\n\tIn choosing any role, the Tony-winning actress \u2014 who was nominated again this year for \u201cDeath of a Salesman\u201d\u2014 is always looking for the exhilaration of being on a stage. She said both \u201cBig Mistakes\u201d and \u201cMonster\u201d gave her that opportunity.<\/p>\n

\n\tIn the case of \u201cMonster,\u201d Metcalf\u2019s scenes with Hunnam are essentially a two-hander play. Their interactions are bound to the home, where he is haunted by the ghost of her influence, criticism and ill will, before and after her death. Director Max Winkler worked closely with the two actors to create a rapport that could inform their face-offs, which operate on rage and fear.<\/p>\n

\n\t\u201cAny scene in film or TV that has any kind of length to it, I really appreciate because that\u2019s where you can find some traction,\u201d Metcalf says. \u201cThat\u2019s where you can, as an actor, get some momentum going and really lock in with your scene partners and start to find a pace. It was really just me, Charlie and Max on set. We explored a lot. Nothing was set in stone on the page, and anybody\u2019s idea was welcome. The best idea wins, and that\u2019s a really comforting way to work.\u201d<\/p>\n

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\n\tBecoming Augusta Gein was a leap of faith for Metcalf, who says there were no scripts available when the role came up. \u201cI didn\u2019t know what to expect walking in the door,\u201d she says.<\/p>\n

\n\t\u201cBig Mistakes\u201d was a different kind of leap. Levy and co-creator Rachel Sennott\u2019s fast-paced pilot script came with lengthy scenes and a lot of moving parts, Metcalf says.<\/p>\n

\n\t\u201cI think the more we rehearsed them, the more all the actors got into the groove and found our own rhythms,\u201d she says. \u201cWe found where we could overlap, and cut each other off and cross the camera in front of each other. It was very organic, very present like theater is. I am intimidated by cameras being in the room, but less so in working that way.\u201d<\/p>\n

\n\tMetcalf says she immediately figured out how Linda was supposed to come barging into the lives of her children. \u201cDan wrote my first line of the whole series in all caps,\u201d she says, laughing. \u201cI knew what to do with that. It immediately got loud, and we just built from there.\u201d<\/p>\n

\n\tTrusting the process paid off. Metcalf\u2019s entire \u201cBig Mistakes\u201d family came to see her in Broadway\u2019s \u201cDeath of a Salesman\u201d on opening night.<\/p>\n

\n\tNavigating the darkness and the light of both roles brought back memories of her \u201dScream 2\u201d experience. As Debbie Salt, a fake journalist-turned-vengeful killer, Metcalf got to play in the meta sandbox of Kevin Williamson\u2019s humor-laced horror. Nearly 30 years later, she looks back on that production as even more challenging than the dreary depths of \u201cMonster.\u201d<\/p>\n

\n\t\u201cI was very new to film back then, so the \u2018Scream\u2019 experience, for me, was a huge learning curve,\u201d she says. \u201cIt was intense, and there were days where there wasn\u2019t really what I would call a lightness around the set because we\u2019re doing such heavy stuff.\u201d<\/p>\n

\n\tAfter three decades, Metcalf briefly reprised her role this year in \u201cScream 7.\u201d And just like mamas Gein and Morelli, her \u201cScream\u201d matriarch still has something to say.<\/p>\n

\n\t\u201cI find super opinionated people really funny and fun to play, because they are giving 110 percent no matter what,\u201d she says. \u201cRight, wrong, can\u2019t read the room, whatever\u2019s happening. They are giving their all.\u201d<\/p>\n

Read more How AMC Is Relaunching \u2018Interview With the Vampire\u2019 as \u2018The Vampire Lestat\u2019 \u2014 Complete With Rock Concert, Major Marketing Tie-Ins and 20 Original Songs<\/a><\/p>\n

\n\tJust like Laurie Metcalf.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Laurie Metcalf reflects playing many different mothers on ‘Monster,’ ‘Big Mistakes’ and in the ‘Scream’ franchise.<\/p>\n","protected":false},"author":1,"featured_media":1468,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[1398,227,1399],"class_list":["post-1469","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tv","tag-big-mistakes","tag-laurie-metcalf","tag-monster-the-ed-gein-story"],"yoast_head":"\nFrom \u2018Scream 2\u2019 and \u2018Monster\u2019 to \u2018Big Mistakes,\u2019 How Laurie Metcalf Has Mastered the Art of the Complicated Mother - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=1469\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"From \u2018Scream 2\u2019 and \u2018Monster\u2019 to \u2018Big Mistakes,\u2019 How Laurie Metcalf Has Mastered the Art of the Complicated Mother - 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