{"id":1514,"date":"2026-06-06T19:36:00","date_gmt":"2026-06-06T19:36:00","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=1514"},"modified":"2026-06-06T19:36:00","modified_gmt":"2026-06-06T19:36:00","slug":"house-of-the-dragon-showrunner-on-season-3s-battle-of-the-gullet-this-sequence-is-unlike-anything-thats-ever-been-done-in-television-before","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=1514","title":{"rendered":"\u2018House of the Dragon\u2019 Showrunner on Season 3\u2019s Battle of the Gullet: \u2018This Sequence Is Unlike Anything That\u2019s Ever Been Done in Television Before\u2019"},"content":{"rendered":"
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\n\t\u201cHouse of the Dragon\u201d showrunner and co-creator Ryan Condal told a whooping audience at Shoreditch Town Hall in East London that Season 3 would deliver on the promise of the preceding season, and that the Battle of the Gullet sequence that kicks off the new season \u201cis unlike anything that\u2019s ever been done in television before.\u201d<\/p>\n

Read more 35+ Father\u2019s Day Gifts for Every Type of Dad, From Luxe Headphones and Limited-Edition Vinyl to George Clooney\u2019s New Non-Alc Beer<\/a><\/p>\n

\n\t\u201cAll of the pot that was set to boil at the end of Season 2 very much picks up in Season 3, and you have these divided factions on either side, but there\u2019s now divisions within the divisions, and those things will continue to fracture, and we\u2019ll continue to see self-interested people do awful things in the name of pride and power and ego and self and family,\u201d Condal told Empire\u2019s Helen O\u2019Hara, who moderated the session Friday at SXSW London.<\/p>\n

\n\tActor Steve Toussaint explained where his character, Lord Corlys Velaryon, also known as \u201cThe Sea Snake,\u201d found himself at the start of Season 3, \u201cWhen I first met Ryan, he said we\u2019re going to start with a character who has everything, and we\u2019re going to take it all away from him. Well, he\u2019s on that journey. When we meet him at the beginning of Season 3, he\u2019s still grieving his wife [Rhaenys Targaryen] and trying desperately to make links with his illegitimate son [Alyn of Hull], who doesn\u2019t want anything to do with him, and so he\u2019s having to deal with that, basically, and that\u2019s a tough sell.\u201d<\/p>\n

\n\tHarry Collett, who plays Prince Jacaerys \u201cJace\u201d Velaryon, said of his character\u2019s relationship with his mother, Queen Rhaenyra Targaryen, who has been trying to assert her authority over him, \u201cYeah, he\u2019s just being a grumpy teenager, really. He just thinks his mother\u2019s wrong, and that she\u2019s fallen into these traps right in front of his eyes, and he thinks he\u2019s the best man in the room, but he is just a kid. But, yeah, he was born to be a leader, so he\u2019s always going have that trait.\u201d<\/p>\n

\n\tAbubakar Salim, who plays Alyn, resisted the suggestion that we\u2019ll see his character\u2019s tough persona \u201csoftening\u201d in Season 3, but he did say, \u201cI think we see him mature. It\u2019s really interesting because we left Season 2 with him very volatile and angry, and having a go at Corlys. So, I feel like we\u2019re entering with that kind of vulnerability and rawness from the get-go. So, yeah, I think we see him mature through this season and kind of evolve with what\u2019s going on.\u201d<\/p>\n

\n\tAdmiral Sharako Lohar, played by Abigail Thorn, had just been introduced in the final episode of Season 2, and was seen engaged in a mud-wrestling match with Tyland Lannister. The character is lightly sketched in the source material, George R. R. Martin\u2019s \u201cFire & Blood,\u201d but Thorn has developed her own back story for Sharako. \u201cI have my own answers in my head of what exactly happened between her and Corlys to make her so dedicated to the task of bringing him down,\u201d she said, \u201cand, also, I was really inspired this season by \u2018Moby-Dick.\u2019 I read the novel, and I watched every adaptation that I could, because she\u2019s Captain Ahab this season. She\u2019s on this quest to bring down her white whale, and we\u2019re going to see how far she goes to achieve that.\u201d<\/p>\n

\n\tToussaint added, \u201cYes, I think we both have that thing, this inexorable draw to each other, that this has to be a final phase; it\u2019s been going on for years and years, and then if they get to me, it\u2019s going to be quite something.\u201d<\/p>\n

\n\tSeason 3 will start with the Battle of the Gullet, one of the major military engagements of the civil war known as the Dance of the Dragons. It\u2019s something that Condal and production designer Jim Clay have been building up to for some time. \u201cYes, this has been haunting Jim and I for the better part of four years now, and Kevin de la Noy, our physical producer, who had to logistically schedule and pay for this whole thing. But yeah, this sequence I will confidently say is unlike anything that\u2019s ever been done in television before,\u201d Condal said. \u201cCertainly, the amount of construction that you guys [referring to Clay and his team] did for just for one episode is kind of crazy and frankly irresponsible. But it was necessary to tell the story. I mean, this is such a seminal moment in the show.\u201d<\/p>\n

\n\t\u201cI\u2019m a huge \u2018Lord of the Rings\u2019 fan, and I always said it\u2019s like if you\u2019re making \u2018Lord of the Rings,\u2019 and we\u2019re like, \u2018Well, maybe we could just say, \u201cWell, you know man, Helm\u2019s Deep, that was a crazy battle, you should have been there, you should have seen it.\u201d\u2019 No, you have to show the Battle of Helm\u2019s Deep, and I felt like, with this telling, however we got there, and however we did it, we had to dramatize this moment, that even within the bloody, awful history of the Dance of the Dragons, the Gullet stands out, even to those historians [of Westeros], as one of the worst things that happened in that history. We had to dramatize it, we had to show it, so it took a lot of blueprints, and \u2026\u201d<\/p>\n

\n\tWith that, Clay continued the sentence, \u201c\u2026 a huge number of pieces of an enormous jigsaw, which eventually came together through all the different departments, and these amazing guys putting it together narratively, but, paying credit to producer Kevin de la Noy, who constantly said, \u2018You\u2019ve been utterly profligate,\u2019 all the way through the design process, he actually designed the tanks, the dry tank and the wet tank, so he played his part as well.\u201d<\/p>\n

Read more Patrick Godfrey, \u2018Ever After: A Cinderella Story\u2019 Star, Dies at 93<\/a><\/p>\n

\n\tClay, who said that \u201cMaster and Commander\u201d was an inspiration for the Battle of the Gullet, had his team build a full-scale version of Corlys\u2019s ship, \u201cThe Queen That Never Was,\u201d and put it in a dry tank on a gimbal, and then they moved part of it to a wet tank on another gimbal. \u201cWe\u2019d throw water at all these guys all the time, and the ship\u2019s going up and down, and in both directions, and then we did it all again with [Sharako\u2019s ship] \u2018The Bitchfist,\u2019\u201d Clay said. \u201cIt was a dangerous environment. The floor was slippery, with blood everywhere.\u201d<\/p>\n

\n\tToussaint said of the preparations for the battle sequence, which was directed by Loni Peristere, \u201cInitially, Loni called us all, way before we began shooting anything, to talk us through all of the models and the pictures, and also to discuss the emotional journey that each of us go through in this battle. Then there was the stunt choreography, which was \u2026 I don\u2019t know how many weeks that was, but an awful lot of it, going over it over and over again. And then, when you get onto the wonderful set, which is a lot smaller than the gym that we were training in, with water all over the deck, the deck\u2019s moving up and down, and they had a few corpses there for us to jump over, and, of course, when we were doing the training fights we were all in track suits. I had all these wonderful sexy moves, and then, once I put the armor on, I couldn\u2019t do any of them.\u201d<\/p>\n

\n\tThorn added, \u201cAs soon as I got the contract for Season 3, I hit the gym. I put on like 10-15 kilos [22-33 pounds] of muscle between seasons, so I guess the \u2018Bitchfist\u2019 must have a chest press on it in the hold, and then it was sword fighting and boxing training with the stunt team, and the stunt team have all doubled for superheroes in the past, so the people who trained us to fight were Captain America, Thor, Deadpool and Wonder Woman.\u201d<\/p>\n

\n\tSalim said of the armor, \u201cIt was a lot, like it was definitely something. I mean, you\u2019ve got three people to help you put these things on, so that can kind of give you an idea of how cumbersome they are, and the helmet was ridiculous, because every now and then you\u2019d swing at something and the helmet would go over your eyes, and then suddenly you\u2019re swinging and you look like you don\u2019t know what you\u2019re doing, but I think it helped sell the madness and the kind of chaos that was on the actual deck itself. I think it really helped sell the fear and the kind of instinct and primal energy that comes when you\u2019re in a fight, because that was something that was really a big lesson for me.\u201d<\/p>\n

\n\t\u201cI remember the first day when we were filming with the stunt team, and it was the first clash, and when Loni, the director, yelled action, and we all kind of clashed together \u2013 keep in mind, we\u2019ve been rehearsing for months and trying to get ready in our minds for this \u2013 the energy was almost like a mosh pit, and it was frightening, because everyone became \u2026 it wasn\u2019t about picking sides, it was about surviving, and you could feel that. I remember swiping at someone on my own side, and it was crazy but that\u2019s what was really kind of cool and magical about it.\u201d<\/p>\n

\n\tSpeaking about Season 3 overall, Condal said, \u201cThe season does have a feeling of relentlessness to it. The events set in motion at the end of Season 2 do flip the boulder that starts to roll down the hill, and there is the sense of inexorability. I think at points in the story up to here it felt like, \u2018Oh, maybe we can claw this all back from the abyss, and maybe there is a chance.\u2019 The reasonable, responsible adults in the story see that Armageddon is a possibility for one of the endpoints of this, but I think in this season it just feels like it starts moving at speed and never stops.\u201d<\/p>\n

\n\t\u201cThis is the biggest season we have made by a huge margin. I mean, just the number of shoot days, number of locations that we\u2019re on, the amount of construction that Jim and his team did.\u201d<\/p>\n

\n\tSpeaking about the question of leadership in the series and the flawed nature of those that seek to lead, Condal said, \u201cOne of the big themes in this season is, \u2018What does the throne make you? What does the throne do to you when you are in proximity of it? And it\u2019s something that\u2019s always interested me about this world.\u201d<\/p>\n

Read more From \u2018Scream 2\u2019 and \u2018Monster\u2019 to \u2018Big Mistakes,\u2019 How Laurie Metcalf Has Mastered the Art of the Complicated Mother<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The \u201cHouse of the Dragon\u201d showrunner said Friday the Battle of the Gullet sequence “is unlike anything that\u2019s ever been done in television before.”<\/p>\n","protected":false},"author":1,"featured_media":1513,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[883,1402,1087],"class_list":["post-1514","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tv","tag-house-of-the-dragon","tag-ryan-condal-2","tag-sxsw-london-2"],"yoast_head":"\n\u2018House of the Dragon\u2019 Showrunner on Season 3\u2019s Battle of the Gullet: \u2018This Sequence Is Unlike Anything That\u2019s Ever Been Done in Television Before\u2019 - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=1514\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018House of the Dragon\u2019 Showrunner on Season 3\u2019s Battle of the Gullet: \u2018This Sequence Is Unlike Anything That\u2019s Ever Been Done in Television Before\u2019 - 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