{"id":1535,"date":"2026-06-07T15:36:53","date_gmt":"2026-06-07T15:36:53","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=1535"},"modified":"2026-06-07T15:36:53","modified_gmt":"2026-06-07T15:36:53","slug":"interview-with-the-vampire-transforms-into-the-vampire-lestat-for-a-gloriously-glam-season-3-tv-review","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=1535","title":{"rendered":"\u2018Interview With the Vampire\u2019 Transforms Into \u2018The Vampire Lestat\u2019 for a Gloriously Glam Season 3: TV Review"},"content":{"rendered":"
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\n<\/p>\n
\n

\n\tThroughout the third season of AMC\u2019s \u201cInterview With the Vampire,\u201d characters speak with equal parts dread, anticipation and awe of something called the \u201cGreat Transformation.\u201d The phrase has its own meaning within Anne Rice\u2019s lush, grandiose world of bloodsuckers and spell-casters as interpreted by creator and showrunner Rolin Jones. But it\u2019s also a meta description of the show, which has undergone a remodel to accompany a change in perspective so total it extends to the name. \u201cInterview With the Vampire\u201d is (un)dead. Long live \u201cThe Vampire Lestat.\u201d<\/p>\n

Read more Jafar Panahi\u2019s One-Year Prison Sentence Upheld by Iranian Court<\/a><\/p>\n

\n\tOverhauls of established, well-liked shows are high-risk endeavors. Just this past week, HBO\u2019s \u201cEuphoria\u201d ended on a sour note, having taken a high-school show and unsuccessfully reimagined it as a neo-Western. But turning \u201cInterview With the Vampire\u201d into a mock documentary centered on the title character (Sam Reid), who\u2019s simply decided to become a rock star in his third century of existence, isn\u2019t as big a leap for the series as it sounds. \u201cInterview\u201d has always indulged in excess and a flair for the dramatic, qualities channeled just as well by the onetime French aristocrat\u2019s new Iggy Pop persona as they were by last season\u2019s vampiric theater troupe. Perhaps even better: as \u201cThe Vampire Lestat\u201d reaches new heights of operatic emotion and gleeful depravity, music starts to feel like a way to express what mere words and images cannot.<\/p>\n

\n\tThe first two seasons of \u201cInterview,\u201d of course, were framed as a dialogue between journalist Daniel Molloy (Eric Bogosian, having the time of his life) and Louis de Pointe du Lac (Jacob Anderson), reimagined by Jones and his collaborators as a gay Black man from World War I-era New Orleans recounting his seduction by a certain beguiling European. The second installment, which aired in 2024, incorporated Louis\u2019 post-Lestat rebound Armand (Assad Zaman), and shifted more of the action to the present tense, where Louis and Armand\u2019s relationship began to fracture and Armand made Daniel another immortal creature of the night.<\/p>\n

\n\t\u201cThe Vampire Lestat\u201d still hopscotches around in time, but even more freely and less predictably than its predecessors. There are flashbacks to Lestat\u2019s childhood in 18th-century Europe, in which we learn he had a traumatic stutter and once killed eight wolves with just a musket and his bare hands. But between that origin story and Lestat\u2019s North American tour with his reluctant human band as captured by Daniel, who interviews Lestat in his capacity as the documentary\u2019s producer the way he once peppered Louis and Armand with invasive questions, there are cutaways to the band\u2019s formation a couple years prior, and to Lestat\u2019s emergence from 80 years of exile following his breakup with Louis. In keeping with the series\u2019 maximalism, there\u2019s even a framing device layered on top of this framing device: an opening flash-forward depicts the (posthumous, it\u2019s implied) auctioning off of Lestat\u2019s estate, including an audio memoir of sorts dubbed \u201cThe Failures.\u201d Oh, and there\u2019s also incest.<\/p>\n

\n\tLestat\u2019s mother Gabriella (Jennifer Ehle) is the sort of authorial creation a more conservative adaptation might shy away from, the way Denis Villeneuve\u2019s \u201cDune\u201d movies seem unlikely to turn Timoth\u00e9e Chalamet into a giant sandworm. But we live in a post-\u201cGame of Thrones\u201d world, and besides, Jones has never been in the business of sanding down Rice\u2019s edges to make her work more franchise-friendly. (That strategy is counterproductive, as we saw last year with the generic and quickly canceled \u201cTalamasca.\u201d) If anything, \u201cInterview\u201d \u2014\u00a0and now \u201cThe Vampire Lestat\u201d \u2014 loves to heighten <\/em>Rice\u2019s world. Just as the homoerotic charge between Louis and Lestat is here a full-blown, decades-spanning love affair, the Oedipal frisson between Lestat and the parent he saved from consumption by giving what vampires call \u201cthe gift\u201d is, uh, explicit.<\/p>\n

\n\tEhle is a wonderful addition to an already stacked cast, swanning about in a razor-sharp bob and operating in the show\u2019s proud tradition of questionably accurate but undoubtedly entertaining accent work. (Sometimes, Gabriella sounds Italian, as she\u2019s supposed to; sometimes, she\u2019s got an Eastern European, Countess Dracula thing going on.) And as the newly centered protagonist, Reid keeps Lestat\u2019s peacocking vanity \u2014 as the perfectionist frontman frogmarching his colleagues through marathon recording sessions, he\u2019s now an almost literal diva \u2014 while imbuing the character with previously obscured vulnerability and hurt.<\/p>\n

Read more Tribeca 2026 After Hours: A Guide to the Fest\u2019s Best After Parties and Events<\/a><\/p>\n

\n\tBut in terms of new characters, it\u2019s the music, much of it original songs by in-house composer Daniel Hart, that makes the biggest impression. (You can stream \u201cButterscotch Bitch\u201d online right now!) Preening onstage for fans he deems the Beautiful Unwell, a moniker I hope quickly transposes onto the show\u2019s online evangelists, Lestat howls lyrics like \u201cWhy the long face, pretty baby \/ I\u2019ve got long fangs, come appraise me.\u201d As Molloy gradually succeeds in puncturing Lestat\u2019s aloof, arrogant outer shell, his sound correspondingly shifts from assaultive punk to more contemplative ballads.<\/p>\n

\n\t\u201cInterview With the Vampire\u201d has always been a writerly show, and \u201cThe Vampire Lestat\u201d remains so, with scripts full of dense, tongue-twisting dialogue often shouted at full volume. (One Lestat monologue begins by describing \u201cthe vainglorious homogeny of the Toronto skyline.\u201d) But music gives the show another medium with which to channel the deep feelings of characters whose passions run as hot as their blood runs cold. The songs are how Lestat processes the highs and lows of a life he deems \u201ca three century train wreck\u201d: his rebirth via kidnapping and assault by a creepy, lonely older vampire; the loss of his and Louis\u2019 adopted daughter Claudia (Delainey Hayles), which continues to haunt them both; his messy, protracted breakup, which involves the vampire version of divorce lawyers squaring off in a highly amusing negotiation.<\/p>\n

\n\tBesides, in its surreal fantasy and perverse sense of humor, \u201cInterview\u201d already operated like a musical in spirit. In \u201cThe Vampire Lestat,\u201d the songs slip neatly inside a world that already allows for possibilities like the ghost of a woman in the midst of a drug overdose lecturing Lestat while she floats on the ceiling. Lestat justifies his, uh, connection with Gabriella by arguing that vampires transcend petty human concepts like conventional morality. That\u2019s certainly true, in the sense that entanglements among ancient, telepathic beings play out on a time scale us humans struggle to comprehend. But if the project of \u201cInterview With the Vampire\u201d was to make these interactions legible for those of us with finite lifespans, \u201cThe Vampire Lestat\u201d adds a new weapon to that arsenal, one that lands with all the force of a stake through the heart.<\/p>\n

\n\u201cThe Vampire Lestat\u201d will premiere on AMC and AMC+ on June 7 at 9 p.m. ET, with remaining episodes airing weekly on Sundays.<\/em><\/p>\n

Read more Paul Anthony Kelly and Patrick Ball on Surviving \u2018The Pitt\u2019 Panic Attacks, Going Left-Handed to Become JFK Jr. and Playing Emotional TV Heartthrobs<\/a><\/p>\n<\/div>\n<\/div>\n

\n

\n

\t\t\u2018Interview With the Vampire\u2019 Transforms Into \u2018The Vampire Lestat\u2019 for a Gloriously Glam Season 3: TV Review<\/p>\n<\/h2>\n

    \n
  • \nProduction:<\/strong>
    \nAMC Studios, Gran Via Productions, Dwight Street Book Club\t\t\t<\/li>\n
  • \nCrew:<\/strong>
    \nCreated by Rolin Jones\t\t\t<\/li>\n
  • \nCast:<\/strong>
    \nSam Reid, Jacob Anderson, Assad Zaman, Eric Bogosian, Jennifer Ehle, Delainey Hayles \t\t\t<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    AMC’s ‘Interview With the Vampire’ transforms itself for Season 3 into the gloriously glam rock musical ‘The Vampire Lestat’.<\/p>\n","protected":false},"author":1,"featured_media":1534,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[1391,1393],"class_list":["post-1535","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tv","tag-interview-with-the-vampire","tag-the-vampire-lestat"],"yoast_head":"\n\u2018Interview With the Vampire\u2019 Transforms Into \u2018The Vampire Lestat\u2019 for a Gloriously Glam Season 3: TV Review - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=1535\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Interview With the Vampire\u2019 Transforms Into \u2018The Vampire Lestat\u2019 for a Gloriously Glam Season 3: TV Review - 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