{"id":1549,"date":"2026-06-07T19:08:16","date_gmt":"2026-06-07T19:08:16","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=1549"},"modified":"2026-06-07T19:08:16","modified_gmt":"2026-06-07T19:08:16","slug":"ariana-grande-makes-her-audience-wish-sunshine-really-was-eternal-in-bravura-oakland-tour-opener-concert-review","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=1549","title":{"rendered":"Ariana Grande Makes Her Audience Wish \u2018Sunshine\u2019 Really Was Eternal in Bravura Oakland Tour Opener: Concert Review"},"content":{"rendered":"
\n
\n<\/p>\n
\n

\n\tOne hates to prioritize one artform over another\u2026 really, one does. But after seeing Ariana Grande\u2018s opening show on her \u201cEternal Sunshine Tour\u201d at the Oakland Arena Saturday night, it is tempting to want to send the multi-hyphenate talent a message, if you had the means to get one through, and it would go something like this: Dear Ariana\u2026 The world needs this, more than it needs \u201cFocker In-Law 2.\u201d<\/p>\n

Read more \u2018The White Lotus\u2019 Star Vincent Cassel to Play Napoleon Bonaparte in New Video Game \u2018Valor Mortis\u2019<\/a><\/p>\n

\n\tNot that it will necessarily come down to a choice, after all is said and sung and gone. But Grande did send a panic into her fandom late last year when she said, \u201cI do know that I\u2019m very excited to do this small tour, but I think it might not happen again for a long, long, long, long, long time. I\u2019m going to give it my all and it\u2019s going to be beautiful. I think that\u2019s why I\u2019m doing it because I\u2019m like, \u2018One last hurrah!\u2019\u201d She also reiterated that she\u2019s not done with music at all, but when you say the word \u201clong\u201d five times in a row, it does foster anticipatory withdrawal hysteria. We might feel better if she assured us that she was going to take a break from touring \u2014 as if the six and a half years she just spent away from it was not long (x5) enough \u2014 so that she could go make a half-dozen musicals. The fact is, the galaxy would feel like an emptier place deprived of any of those octaves, let alone all four of them.<\/p>\n

\n\tAt the Oakland Arena, you could eat the show hungrily up like it was Shrove Tuesday before the famine, in which case the 105 minutes probably seemed much too short. Or you could wishfully take it in as if this were just one tour opening among many yet to come, in which case the \u201cEternal Sunshine Tour\u201d goes down as a very satisfying meal, giving us at least enough to chew on without feeling the need to exhaustively explore every piece of the catalog. Although the night had the theatrical spotlight moments you expect out of a diva showcase, the tour feels like an easygoing romp<\/em>, not any kind of dramatic send-off. She dabbed at her moist eyes, but near the beginning of the night, when she said how glad she was to see everyone again. Who knows? That feeling may stick before she has a chance to book too many more competing gigs.<\/p>\n

\n\tThe name of the tour does not lie: Nearly half of the 23 songs in the setlist \u2014 11, to be exact \u2014 are from either her 2024 \u201cEternal Sunshine\u201d album or the bonus section on the deluxe edition that followed a year later. What this is not is the \u201cSweetener Tour\u201d\u2026 like, at all. I can say that \u201cSweetener\u201d is my favorite album of Grande\u2019s, and I\u2019d say \u201cGod Is a Woman\u201d is her all-around greatest song, and it didn\u2019t occur to me until I was an hour out of the arena that there hadn\u2019t been a trace of either in the show. (Well, a trace<\/em>\u2026 there was a brief instrumental snippet of \u201cGod\u201d as a segue.) It\u2019s a testament to how good \u201cSunshine\u201d was, and is, that it feels not just appropriate but necessary that the show was built around it. It is her most mature-feeling record, for starters \u2014 of course, any album that doesn\u2019t include \u201c34+35\u201d is going to seem mature by comparison. But it includes within itself all the musical and emotional dynamics a concert could require, from the gleefully Madonna-esque arrogance of \u201cYes, And?,\u201d which opened the show, to the actually vulnerable \u201cWe Can\u2019t Be Friends (Wait for Your Love),\u201d which served as the cathartic climax in the concert\u2019s penultimate spot.<\/p>\n

\n\tThe actual <\/em>closer to the night, \u201cSupernatural,\u201d is spookier and not quite so bravura, but Grande had a reason for putting it in that position. As a group of dancers surrounded her on the B-stage, she was surreptitiously harnessed into a rig that carried her aloft, limp yet belting, into the heavens, or at least into what looked like a UFO hovering over the arena. It was an impressive effect, but what\u2019s equally impressive to note is that it was the only <\/em>effect, really. <\/p>\n

\n\tThere\u2019s a fair amount of production design, as there would be for virtually any modern arena show, but the concert doesn\u2019t feel like its been built around that. On the main stage, you get Gande and her band and dancers initially performing in what looks like a bombed-out house, and later on, by the time she is singing subtler, more balladic material like the sublime \u201cImperfect for You,\u201d this two-story abode has taken on some greenery, as nature has moved in a little. But nothing in these sets is meant to be overly distracting from the performances. And it\u2019s definitely not an Eras Tour-type show where every number is so high-concept that it seems like an excerpted Broadway production number. At heart and when feet hit the ground, this is a show about singing first, and dancing second; non-choreographic visual matters have obviously been fussed over but still land somewhere in a distant third. That seems like exactly the right balance.<\/p>\n

\n\tThe first stretch will definitely bring up some deja vu for anyone who caught the \u201cSweetener\u201d tour. Early numbers have Grande mixing it up with her dancers, in mostly reddish-orangish mood lighting, without much use of single spotlights, so that you may have trouble picking her out from the ensemble at times. If you\u2019re looking to get amazing singular video shots of Grande in some of those first few tunes, it might feel frustrating, but the atmosphere this approach sets up is wonderful: As much as Grande is a superstar, you get the sense with these full-cast routines that she really does love being part of an ensemble, if not a community\u2026 and the dim lighting makes it feel like you\u2019ve eased into a very relaxed nightclub you wouldn\u2019t mind spending a few yours in, after the hustle and bustle of the concourse. <\/p>\n

\n\tAnd if its Grande lit up in bright white you want, don\u2019t worry, that is coming; most of the show takes place on the long, long, long, long, long runway leading to the B-stage, and the designers are not about to artily underlight her when she\u2019s in the middle of the crowd. As the concert goes on, we see less of those dancers until it\u2019s pretty much a one-woman show for a while. Which is what you want when the setlist is edging toward the numbers that just call for a classic single-performer-at-Caesars approach \u2014 namely, the expected show stoppers \u201cDangerous Woman\u201d (which does have her approached, as always, by a dangerous lead guitarist, in one of the few showcase moments for an instrumentalist) and \u201cHoneymoon Avenue.\u201d<\/p>\n

\n\tYou might be thinking about the shifts the show makes between warmth and coolness even before Grande performs \u201cWarm,\u201d which is a song that literally addresses the difference. The good news? She has a way of designing a show \u2014 constantly shifting color palettes in interesting ways, along with the music and emotions alternating between release and sweet reserve \u2014 so that heat and graceful breeziness constantly balance one another out. It\u2019s a subtle, tricky art\u2026 one just as tricky as turning every number into a Broadway remake.<\/p>\n

\n\tSome highlights: \u201cDandelion\u201d remains a slowly funky standout from the \u201cEternal\u201d deluxe; even if she didn\u2019t bring along a live trumpet to reproduce the tune\u2019s signature sound, the horn sample and the crimson lighting made the whole number feel like it was taking place in a fantasy roadhouse \u2014 \u201cSinners\u201d without the blood. And the lighting wasn\u2019t so dim that the audience could not see and cheer Grande extending a leg onto the sets second-floor railing\u2026 which seemed nearly impossible, since the platform shoes and boots she wears are so huge, they look like they each must weigh 10 pounds.<\/p>\n

Read more New \u2018Spyro\u2019 Game, Complete With Franchise\u2019s First Dragon-Flight Feature, Set for Spring 2027<\/a><\/p>\n

\n\tAs if there weren\u2019t enough girls and boys in the audience wearing bunny ears, the cat mask returned for \u201cThe Boy Is Mine,\u201d as the color scheme turned a sexy blue, and a whip appeared for a tug of war between Grande and one of her male dancers. (The tug of war is about all it was used for; this is a pretty PG-rated show, if you\u2019re not considering the lyrical F-bombs that would technically earn it an R.)<\/p>\n

\n\tFor \u201cEternal Sunshine,\u201d Grande stood alone on the B-stage, asking the audience to be quiet while she stood at a keyboard bank and developed some vocal loops to sing over. (The acoustics at the arena rarely allowed anything she said to be heard clearly, but everyone did get the instruction about piping down for a second.) A nice, counterintuitively symbolic touch, having a series of vocal additions add up to a lusciously choral effect in a song that is about the consideration of erasure.<\/p>\n

\n\t\u201cThank U, Next\u201d was the most effective use of the choreography-as-community vibe, with Grande being joined on the pretty-in-pink A-stage with dancers on or around a couch, vibing from side to side. The crowd loudly chanted the part where Grande sings that \u201cAri\u201d is her own new BFF, but the dancers established a counternarrative, that you need real friends to Netflix-and-chill with in any post-relationship moment. \u201cThank U, Next\u201d is nobody\u2019s idea of one of Grande\u2019s greatest vocal showcases, yet the casual little run into her highest range that she did going into the song\u2019s final chorus put the thrill in trill<\/em>.<\/p>\n

\n\tAnd hair highlights? It\u2019s not picking low-hanging fruit to want to discuss Grande\u2019s low-hanging ponytail, if just for a moment. In \u201c7 Rings,\u201d she had her hair in a bun, but one of her dancers undid it and thoroughly brushed it out so that, during the group runway strutting that ensued, the singer could recreate the famous \u201cWicked\u201d hair toss, more than once. Unless it was undeliberate and that just comes naturally now, but we\u2019d all like to think that hair flip was, in effect, the night\u2019s sole \u201cWicked\u201d cover.<\/p>\n

\n\tAs much as the emphasis was on the newest material, Grande knows it\u2019s worth dipping into the golden oldies to get a rave going with \u201cBreak Free.\u201d But after that good, cheap thrill, there was more satisfaction to be had in the less effusive number that followed, \u201cTwilight Zone,\u201d which marked the one time Grande played to a camera for an entire song, as seen on the overhead screen. <\/p>\n

\n\t(There are no truly \u201cbig\u201d screens in this stage design, by the way; the camera coverage appears on a fairly thin strip that wraps around the top of the A-stage proscenium. If you were planning to spend the night staring at a 50-foot face on video all night, prepare to have your attention redirected\u2026 which is no chore, given the effective way this production plays to the entire bowl.)<\/p>\n

\n\tThe lowlight was a revival of her Lady Gaga duet, \u201cRain on Me,\u201d with piped-in Gaga vocals. It\u2019s hard to imagine there was more than a soul or two in the Oakland crowd who wouldn\u2019t have rather gotten another actual solo Grande original in place of this not-overly-cherished collaboration; with or without a canned duet part, it\u2019s ahead-scratcher of a choice, given what was left on the setlist\u2019s cutting room floor.<\/p>\n

\n\tBut standout moments were plentiful, and it\u2019s rare, at this level of superstar arena show, for every one of them to be strictly performance-based, regardless of all the calibrated bells and whistles. Best of all, perhaps, in the closing stretch, was \u201cHampstead,\u201d one of several songs that made the extended \u201cSunshine\u201d reissue a rare example of a deluxe edition where the bonus tracks outstrip much of the standard edition. Seated on a stool for the duration, Grande held the audience in her proverbial grip for several motionless minutes. That was maybe not so tough of a task, given that hers is a fan base that can name each tune in her set in one-and-a-half notes or less. But even a more demanding crowd would have agreed: This was one of the great voices, making an arena her homestead. So get your hands off her, Fockers.<\/p>\n

\nSetlist for Ariana Grande at the Oakland Arena, June 6, 2026:<\/strong><\/p>\n

\n\tYes, And?
Positions
Dandelion
The Boy Is Mine
Eternal Sunshine
Just Like Magic
Thank U, Next
7 Rings
Imperfect for You
Warm
Safety Net
One Last Time
Rain on Me
Break Free
Twilight Zone
Past Life
Dangerous Woman
Honeymoon Avenue
Hampstead
Into You
Hate That I Made You Love Me
We Can\u2019t Be Friends (Wait for Your Love)
Supernatural<\/p>\n

Read more L.A. Mayor\u2019s Race: Nithya Raman Closes in on Spencer Pratt, Who Grows Frustrated With Slow Vote Counting<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Ariana Grande turned in a brava vocal performance in the opening of her ‘Eternal Sunshine Tour’ at the Oakland Arena.<\/p>\n","protected":false},"author":1,"featured_media":1548,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[1410,1411],"class_list":["post-1549","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-ariana-grande-2","tag-eternal-sunshine-tour"],"yoast_head":"\nAriana Grande Makes Her Audience Wish \u2018Sunshine\u2019 Really Was Eternal in Bravura Oakland Tour Opener: Concert Review - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=1549\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ariana Grande Makes Her Audience Wish \u2018Sunshine\u2019 Really Was Eternal in Bravura Oakland Tour Opener: Concert Review - Relocation Observer\" \/>\n<meta property=\"og:description\" content=\"Ariana Grande turned in a brava vocal performance in the opening of her 'Eternal Sunshine Tour' at the Oakland Arena.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/relocationobserver.com\/?p=1549\" \/>\n<meta property=\"og:site_name\" content=\"Relocation Observer\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-07T19:08:16+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=1549#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=1549\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#\\\/schema\\\/person\\\/2243ff062b31c5195cd0d9f83884e83e\"},\"headline\":\"Ariana Grande Makes Her Audience Wish \u2018Sunshine\u2019 Really Was Eternal in Bravura Oakland Tour Opener: Concert Review\",\"datePublished\":\"2026-06-07T19:08:16+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=1549\"},\"wordCount\":2188,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=1549#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/8b5342f5a8439812fdc92aa6899fe8d9.webp\",\"keywords\":[\"Ariana Grande,\",\"Eternal Sunshine Tour\"],\"articleSection\":[\"Music\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/relocationobserver.com\\\/?p=1549#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=1549\",\"url\":\"https:\\\/\\\/relocationobserver.com\\\/?p=1549\",\"name\":\"Ariana Grande Makes Her Audience Wish \u2018Sunshine\u2019 Really Was Eternal in Bravura Oakland Tour Opener: Concert Review - Relocation Observer\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=1549#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=1549#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/8b5342f5a8439812fdc92aa6899fe8d9.webp\",\"datePublished\":\"2026-06-07T19:08:16+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#\\\/schema\\\/person\\\/2243ff062b31c5195cd0d9f83884e83e\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=1549#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/relocationobserver.com\\\/?p=1549\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=1549#primaryimage\",\"url\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/8b5342f5a8439812fdc92aa6899fe8d9.webp\",\"contentUrl\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/8b5342f5a8439812fdc92aa6899fe8d9.webp\",\"width\":1000,\"height\":563},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=1549#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/relocationobserver.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ariana Grande Makes Her Audience Wish \u2018Sunshine\u2019 Really Was Eternal in Bravura Oakland Tour Opener: Concert Review\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#website\",\"url\":\"https:\\\/\\\/relocationobserver.com\\\/\",\"name\":\"Relocation Observer\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/relocationobserver.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#\\\/schema\\\/person\\\/2243ff062b31c5195cd0d9f83884e83e\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"caption\":\"admin\"},\"sameAs\":[\"http:\\\/\\\/relocationobserver.com\"],\"url\":\"https:\\\/\\\/relocationobserver.com\\\/?author=1\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Ariana Grande Makes Her Audience Wish \u2018Sunshine\u2019 Really Was Eternal in Bravura Oakland Tour Opener: Concert Review - Relocation Observer","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/relocationobserver.com\/?p=1549","og_locale":"en_US","og_type":"article","og_title":"Ariana Grande Makes Her Audience Wish \u2018Sunshine\u2019 Really Was Eternal in Bravura Oakland Tour Opener: Concert Review - Relocation Observer","og_description":"Ariana Grande turned in a brava vocal performance in the opening of her 'Eternal Sunshine Tour' at the Oakland Arena.","og_url":"https:\/\/relocationobserver.com\/?p=1549","og_site_name":"Relocation Observer","article_published_time":"2026-06-07T19:08:16+00:00","author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"11 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/relocationobserver.com\/?p=1549#article","isPartOf":{"@id":"https:\/\/relocationobserver.com\/?p=1549"},"author":{"name":"admin","@id":"https:\/\/relocationobserver.com\/#\/schema\/person\/2243ff062b31c5195cd0d9f83884e83e"},"headline":"Ariana Grande Makes Her Audience Wish \u2018Sunshine\u2019 Really Was Eternal in Bravura Oakland Tour Opener: Concert Review","datePublished":"2026-06-07T19:08:16+00:00","mainEntityOfPage":{"@id":"https:\/\/relocationobserver.com\/?p=1549"},"wordCount":2188,"commentCount":0,"image":{"@id":"https:\/\/relocationobserver.com\/?p=1549#primaryimage"},"thumbnailUrl":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/06\/8b5342f5a8439812fdc92aa6899fe8d9.webp","keywords":["Ariana Grande,","Eternal Sunshine Tour"],"articleSection":["Music"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/relocationobserver.com\/?p=1549#respond"]}]},{"@type":"WebPage","@id":"https:\/\/relocationobserver.com\/?p=1549","url":"https:\/\/relocationobserver.com\/?p=1549","name":"Ariana Grande Makes Her Audience Wish \u2018Sunshine\u2019 Really Was Eternal in Bravura Oakland Tour Opener: Concert Review - Relocation Observer","isPartOf":{"@id":"https:\/\/relocationobserver.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/relocationobserver.com\/?p=1549#primaryimage"},"image":{"@id":"https:\/\/relocationobserver.com\/?p=1549#primaryimage"},"thumbnailUrl":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/06\/8b5342f5a8439812fdc92aa6899fe8d9.webp","datePublished":"2026-06-07T19:08:16+00:00","author":{"@id":"https:\/\/relocationobserver.com\/#\/schema\/person\/2243ff062b31c5195cd0d9f83884e83e"},"breadcrumb":{"@id":"https:\/\/relocationobserver.com\/?p=1549#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/relocationobserver.com\/?p=1549"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/relocationobserver.com\/?p=1549#primaryimage","url":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/06\/8b5342f5a8439812fdc92aa6899fe8d9.webp","contentUrl":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/06\/8b5342f5a8439812fdc92aa6899fe8d9.webp","width":1000,"height":563},{"@type":"BreadcrumbList","@id":"https:\/\/relocationobserver.com\/?p=1549#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/relocationobserver.com\/"},{"@type":"ListItem","position":2,"name":"Ariana Grande Makes Her Audience Wish \u2018Sunshine\u2019 Really Was Eternal in Bravura Oakland Tour Opener: Concert Review"}]},{"@type":"WebSite","@id":"https:\/\/relocationobserver.com\/#website","url":"https:\/\/relocationobserver.com\/","name":"Relocation Observer","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/relocationobserver.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/relocationobserver.com\/#\/schema\/person\/2243ff062b31c5195cd0d9f83884e83e","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","caption":"admin"},"sameAs":["http:\/\/relocationobserver.com"],"url":"https:\/\/relocationobserver.com\/?author=1"}]}},"_links":{"self":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/posts\/1549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1549"}],"version-history":[{"count":0,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/posts\/1549\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/media\/1548"}],"wp:attachment":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}