{"id":1681,"date":"2026-06-09T16:07:22","date_gmt":"2026-06-09T16:07:22","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=1681"},"modified":"2026-06-09T16:07:22","modified_gmt":"2026-06-09T16:07:22","slug":"disclosure-day-review-steven-spielbergs-invigorating-chase-thriller-taps-into-the-mania-for-alien-conspiracy-theory-but-it-never-becomes-a-close-encounter-with-wonder","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=1681","title":{"rendered":"\u2018Disclosure Day\u2019 Review: Steven Spielberg\u2019s Invigorating Chase Thriller Taps Into the Mania for Alien Conspiracy Theory, but It Never Becomes a Close Encounter With Wonder"},"content":{"rendered":"
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\n<\/p>\n
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\n\tYou could say the Trump administration did a huge favor to \u201cDisclosure Day\u201d by releasing a trove of America\u2019s UFO files \u2014 excuse me, UAP<\/em> files \u2014 just last month. The timing was a coincidence, but it felt like the perfect piece of publicity to drum up anticipation for Steven Spielberg\u2019s epic thriller about a rogue attempt to disclose U.S. government evidence of alien visitations. Of course, it doesn\u2019t take rocket science to see why Trump released those files (can you say\u2026distraction?). And the grand irony is that the effect of them may not<\/em> be to set up \u201cDisclosure Day\u201d in quite the ideal way one assumed.<\/p>\n

Read more Anna Faris Reveals \u2018Scary Movie 6\u2019 Cut Her Melania Trump Takedown: \u2018I Was Always Pushing for Cindy to Be Classic MAGA\u2019<\/a><\/p>\n

\n\tThe UAP files show a lot of things we\u2019ve seen before \u2014 in grainy U.S. military surveillance videos that were officially released in 2020, and in the wealth of amateur UFO video that has flooded the web for decades. And maybe that\u2019s why the reaction to Trump\u2019s document dump has been surprisingly quiet. The hovering craft are real; it\u2019s just not clear that they\u2019re from anywhere but Earth. And then there\u2019s all the footage you can now see on X of extraterrestrials (in U.S. military compounds, in operating theaters), which to my eyes is clearly not<\/em> real, yet it\u2019s all become part of the mythology.<\/p>\n

\n\tA lot of that mythology descends from \u201cClose Encounters of the Third Kind,\u201d the great Spielberg alien-visitation drama from 1977 that established its director, two years after \u201cJaws,\u201d as our cinematic pop poet of the otherworldly. \u201cClose Encounters\u201d was a movie of true wonder, of jaw-dropping spectacle, of earthly religious rapture. And it had a major impact. Is it a coincidence that to this day just about every image you see of an alien \u2014 in drawings by people who claim to have been abducted by them; in \u201cdocumentaries\u201d \u2014 looks, more or less, like the extraterrestrial who appeared at the end of \u201cClose Encounters\u201d? Methinks not.<\/p>\n

\n\tBack then, Spielberg\u2019s vision was leading the culture. But now that we\u2019ve reached \u201cthe age of disclosure,\u201d when more and more people are convinced that alien visitations are<\/em> real and that they\u2019re being covered up by the government, I think what audiences want from \u201cDisclosure Day\u201d is to be led, once again, into a brave new world of revelation and belief. \u00a0<\/p>\n

\n\tThis time, however, Spielberg seems to be not so much leading as following the decades of lore and mythology \u2014 and gobbledygook \u2014 that his movie of 49 years ago helped inspire. \u201cDisclosure Day\u201d turns out to be a lavishly intense chase thriller with a dollop of deep-think rumination and two characters at its center whose own close encounters have shaped their lives and destinies. Scene for scene, the movie is a vigorous and diverting ride. Yet coming after the mountains of real UAP footage we\u2019ve seen, \u201cDisclosure Day\u201d never gives you the contact high of awe that \u201cClose Encounters\u201d did. It\u2019s closer to \u201cAlien Autopsy\u201d with better lighting, or perhaps a Special Edition of \u201cThe X-Files.\u201d If you think aliens are real and that they have visited us (or even if, like me, you don\u2019t), or if you just watch a lot of this stuff on YouTube, you may feel a step ahead of the movie\u2019s v\u00e9rit\u00e9 sci-fi world.<\/p>\n

Read more \u2018Act One\u2019 Director on the Sexy, Scary Teen-Actress Thriller<\/a><\/p>\n

\n\t\u201cDisclosure Day\u201d opens in media res<\/em>, with a pro wrestling match shot in jarring POV close-up, because that\u2019s the arena where Daniel Kellner (Josh O\u2019Connor), a nervous-looking cybersecurity expert, is making a hand-off under duress. (His girlfriend has been kidnapped.) Danny is a whistleblower (not unlike Edward Snowden), who has in his possession the complete archive of America\u2019s footage of alien encounters, going back to the Roswell incident of 1947. He thinks the moment has come for the world to know the truth. At the same time, Margaret Fairchild (Emily Blunt), a TV-news weatherperson in Kansas City, Missouri, undergoes a remarkable change after a cardinal flies into the loft she shares with her hipster partner, Jackson (Wyatt Russell). All of a sudden, she can speak any language. She becomes telepathic, to the point that she doesn\u2019t seem to be reading people\u2019s minds so much as inhabiting their souls. And on air, she suddenly starts \u201ctalking\u201d in a series of mysterious clicks \u2014 which Danny alone can understand.<\/p>\n

\n\tBoth characters are being pursued by Noah Scanlon (Colin Firth), Danny\u2019s boss at the Wardex Corporation, which since 1973 has been overseeing and documenting the U.S.\u2019s top-secret alien research program. (It\u2019s a private corporation so that the funds can remain untraceable; even the U.S. president is cut out of the loop.) Scanlon is played as a sinister clampdown type, but his rationale is that if the evidence ever did get out, it would cause chaos and a kind of global breakdown. Interestingly, Danny\u2019s girlfriend, the good-hearted Jane (Eve Hewson), who first hides him in a monastery where she was once a novitiate, agrees with Scanlon. She thinks that if the revelation of alien encounters were allowed to leak out, it would destroy humankind\u2019s relationship with God.<\/p>\n

\n\t\u201cDisclosure Day\u201d has a fair amount of heady discussion on these matters, and while it\u2019s nice to see a mainstream thriller aim high, the debates still function mostly as a suspenseful delaying tactic. The conspiracy aspect \u2014 the fact that the U.S., in the movie, has been covering all this up for 79 years \u2014 is, in a certain way, a red herring. For about an hour, Spielberg orchestrates \u201cDisclosure Day\u201d as a hurtling cat-and-mouse action movie, with Danny poised between the dark Scanlon and the saintly Hugo (Colman Domingo), another Wardex defector. But David Koepp\u2019s script introduces complicating factors, like a piece of alien hardware Scanlon holds in his hand so that he can teleport and jump into people\u2019s minds. And Danny and Margaret share a secret that goes back to a trauma she experienced in the \u201990s, when she was 10. The flashback to this incident is both a little too mystical and a little too literal.<\/p>\n

\n\tSpielberg, as part of the film\u2019s publicity, has suggested that he believes in alien visitations, and that he\u2019s an advocate for disclosure. But where \u201cClose Encounters\u201d tapped into the mystery of all this with an innocence that was both starry-eyed and spectacular, \u201cDisclosure Day\u201d feels like a thriller docudrama that\u2019s too cut-and-dried about what it believes. The actors are quite good (especially Blunt, who makes you feel she\u2019s seeing the uncanny), but for all the film\u2019s slow build it doesn\u2019t take us anywhere overly surprising. It just confirms the \u201ctruth\u201d that\u2019s been out there for so long it\u2019s starting to feel like a fairy tale for the dispossessed.<\/p>\n

Read more Don\u2019t Forget About Maggie Q<\/a><\/p>\n<\/div>\n<\/div>\n

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\t\t\u2018Disclosure Day\u2019 Review: Steven Spielberg\u2019s Invigorating Chase Thriller Taps Into the Mania for Alien Conspiracy Theory, but It Never Becomes a Close Encounter With Wonder<\/p>\n<\/h2>\n

\n

\t\tReviewed at AMC Lincoln Square, New York, June 4, 2026. MPA rating: PG-13. Running time: 145 MIN.<\/p>\n<\/h2>\n

    \n
  • \nProduction:<\/strong>
    \nA Universal Pictures release of an Amblin Entertainment production. Producers: Kristie Macosko Krieger, Steven Spielberg. Executive producers: Adam Somner, Chris Brigham.\t\t\t<\/li>\n
  • \nCrew:<\/strong>
    \nDirector: Steven Spielberg. Screenplay: David Koepp. Camera: Janusz Kami\u0144ski. Editor: Sarah Broshar. Music: John Williams.\t\t\t<\/li>\n
  • \nWith:<\/strong>
    \nEmily Blunt, Josh O\u2019Connor, Colin Firth, Eve Hewson, Colman Domingo. \u00a0 \t\t\t<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    It’s an invigorating chase thriller, but where Spielberg once seemed to be leading the culture, he’s now following decades of lore and mythology.<\/p>\n","protected":false},"author":1,"featured_media":1024,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[871,872,1526,867],"class_list":["post-1681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-disclosure-day","tag-emily-blunt","tag-josh-oconnor-2","tag-steven-spielberg"],"yoast_head":"\n\u2018Disclosure Day\u2019 Review: Steven Spielberg\u2019s Invigorating Chase Thriller Taps Into the Mania for Alien Conspiracy Theory, but It Never Becomes a Close Encounter With Wonder - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=1681\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Disclosure Day\u2019 Review: Steven Spielberg\u2019s Invigorating Chase Thriller Taps Into the Mania for Alien Conspiracy Theory, but It Never Becomes a Close Encounter With Wonder - 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