{"id":1788,"date":"2026-06-10T15:37:58","date_gmt":"2026-06-10T15:37:58","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=1788"},"modified":"2026-06-10T15:37:58","modified_gmt":"2026-06-10T15:37:58","slug":"if-hollywood-is-so-liberal-why-did-movies-and-shows-like-dirty-dancing-party-of-five-and-sex-and-the-city-portray-abortion-as-dangerous-and-sham","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=1788","title":{"rendered":"If Hollywood Is So Liberal, Why Did Movies and Shows Like \u2018Dirty Dancing,\u2019 \u2018Party of Five\u2019 and \u2018Sex and the City\u2019 Portray Abortion as Dangerous and Shameful?"},"content":{"rendered":"
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\n\tOn Nov. 14, 1972, Maude Findlay, a 47-year-old woman living in suburban New York with her fourth husband found herself unexpectedly pregnant. It was a year before Roe vs. Wade was passed, and like many women in America, Maude wasn\u2019t interested in having another child and found herself weighing an abortion. The dilemma played out over a two-episode arc of \u201cMaude,\u201d a hit CBS sitcom that was produced by Norman Lear, who was no stranger to taking on hot button issues in the \u201cAll in the Family\u201d media empire he had built. But even Lear struggled to get this story on the air.<\/p>\n

Read more David Harbour Is Ready to Talk About His Mental Health, Lily Allen\u2019s \u2018West End Girl\u2019 and the End of \u2018Stranger Things\u2019<\/a><\/p>\n

\n\t\u201cWe did the first part of the two abortion episode, and then we were told that we would not be filming the second half until we premiered. If our numbers were not good, we wouldn\u2019t even film the other one,\u201d remembers Adrienne Barbeau, who played Maude\u2019s daughter Carol\u00a0on the show. \u201cThere was a lot of pressure.\u201d<\/p>\n

\n\tWhen the episode did air, multiple stations in the South refused to air it. But the numbers were strong enough to convince CBS to let Lear wrap up the story. Maude ultimately opted to go through with the procedure, with abortion portrayed on the program as a safe medical option for women who didn\u2019t want to have a baby. Lear could have had Maude suffer a miscarriage, but he ultimately decided that doing so would be a \u201ccop out.\u201d<\/p>\n

\n\tThe show reflected changing social mores. But a new documentary, \u201cHollywood Does Abortion,\u201d which premiered at Tribeca Festival argues the entertainment industry\u2019s portrayal of abortion often shaped the public\u2019s views on the procedure, fostering a culture that viewed it as disgraceful or dangerous. In programs like \u201cRoseanne\u201d and \u201cParty of Five\u201d or movies like \u201cJuno,\u201d characters often agonized over whether to have the kid and either had a false positive or miscarriage that prevented them from needing to make a choice or opted to give birth. Other films and series like \u201cDirty Dancing\u201d or \u201cThe Sopranos\u201d depicted women nearly dying from their abortions or having longterm medical consequences that left them unable to have children. The negative portrait of abortion in these films and series contributed to is counterintuitive because Hollywood is often seen as a bastion of liberal politics.<\/p>\n

\n\t\u201cThe majority of people making movies and TV are pro-choice and pro-science,\u201d says Rachel Bloom, the creator of \u201cCrazy Ex-Girlfriend\u201d and a producer on the documentary.<\/p>\n

\n\tBloom thinks in most cases writers were just looking to use abortion as \u201ca dramatic device.\u201d \u201cBut you do have a responsibility to be accurate,\u201d she says. <\/p>\n

\n\tAnd, as the documentary notes, the complications that many films and shows depicted don\u2019t align with the facts. Less than 0.25% of abortions in the U.S. result in a major complication, and less than 1% of abortions result in a complication that is treated in an emergency room, according to a study by the University of California, San Francisco\u2019s Advancing New Standards in Reproductive Health. Moreover, abortion is more common than some of these shows made it out to be, with Planned Parenthood reporting that one in four women have had an abortion by the time they are 45 years old. <\/p>\n

\n\t\u201cHollywood Does Abortion\u201d notes that the change in how abortion was depicted in film coincided with Ronald Reagan\u2019s election in 1980 and the rise of the religious right. It accelerated as abortion proponents changed their messaging around the procedure with the likes of Hillary Clinton arguing that it should be \u201csafe, legal and rare.\u201d<\/p>\n

\n\t\u201cWe think of Hollywood as being very progressive, yet we went through a pretty big era where abortion was severely stigmatized,\u201d says Barbara Attie, one of the documentary\u2019s co-directors. \u201cIt was made to be shameful. There would be a plot line where somebody would thinking about getting an abortion. They would ask their friends what they should do, and they would agonize over it, and then they would miscarry. The kind of messaging that TV and films were giving us was eye-opening.\u201d<\/p>\n

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\n\tEven characters who had abortions described them as wrenching experiences. \u201cHollywood Does Abortion\u201d contains footage from an episode of \u201cSex and the City\u201d in which Miranda (Cynthia Nixon) becomes pregnant by her ex-boyfriend. She ultimately keeps the baby, but only after consulting with Carrie (Sarah Jessica Parker) who says she is still haunted by her decision to have an abortion years earlier.<\/p>\n

\n\t\u201cIt continues this idea that there will be long-term regret,\u201d says Janet Goldwater, one of the documentary\u2019s co-directors. \u201cThere\u2019s a study that shows people who are turned away and who don\u2019t have abortions are actually the ones who experience regret and long-term negative financial and emotional repercussions. And it turns out that people who have abortions don\u2019t experience much regret. They experience a lot of relief.\u201d<\/p>\n

\n\tThe politics around abortion shifted once again in 2022 when the U.S. Supreme Court officially overturned Roe v. Wade in the landmark Dobbs v. Jackson Women\u2019s Health Organization decision, leaving it up to the states to decide whether the procedure should be legal. Once again, that\u2019s changed how abortion is dramatized in pop culture.<\/p>\n

\n\t\u201cThere\u2019s more abortion being portrayed last year than ever, which is positive,\u201d says Goldwater. \u201cBut we\u2019re still not seeing very many barriers to abortion. It\u2019s mostly people making an appointment at the Planned Parenthood down the block.\u201d<\/p>\n

\n\tThat doesn\u2019t reflect the reality for people in the 13 states where abortion is banned with almost no exceptions, or in the many other states where new restrictions have been instituted. The makers of \u201cHollywood Does Abortion\u201d feel like even these more recent portrayals fall short of the groundbreaking two-episode arc on \u201cMaude.\u201d<\/p>\n

\n\t\u201cIt still feels revolutionary,\u201d says Mike Attie, the film\u2019s co-director. \u201cHow often do we see a woman taking control and having agency over her decision making?\u201d<\/p>\n

\n\tFor Barbeau, it\u2019s upsetting to consider the setbacks that the pro-choice movement has suffered in the more than 50 years since the \u201cMaude\u201d abortion episodes aired.<\/p>\n

\n\t\u201cWe\u2019ve gone backwards,\u201d she says. \u201cIt is as important and as timely now as it was then, if not more so. There are three or four generations of young women who lived under Roe v. Wade. They didn\u2019t have any idea up until 2022 what it would be like to have that law overturned. I did.\u201d<\/p>\n

Read more L\u00e9a Seydoux Set to Present Three Films, Including \u2018The Unknown,\u2019 at Rome\u2019s Il Cinema in Piazza Screening Series (EXCLUSIVE)<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

‘Hollywood Does Abortion,’ a new Tribeca documentary, argues ‘Dirty Dancing,’ ‘Party of Five’ and ‘Sex and the City’ hurt the pro-choice movement<\/p>\n","protected":false},"author":1,"featured_media":1787,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1570,1571,1572],"class_list":["post-1788","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-abortion","tag-hollywood-does-abortion","tag-maude"],"yoast_head":"\nIf Hollywood Is So Liberal, Why Did Movies and Shows Like \u2018Dirty Dancing,\u2019 \u2018Party of Five\u2019 and \u2018Sex and the City\u2019 Portray Abortion as Dangerous and Shameful? - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=1788\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"If Hollywood Is So Liberal, Why Did Movies and Shows Like \u2018Dirty Dancing,\u2019 \u2018Party of Five\u2019 and \u2018Sex and the City\u2019 Portray Abortion as Dangerous and Shameful? 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