{"id":190,"date":"2026-05-18T22:38:06","date_gmt":"2026-05-18T22:38:06","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=190"},"modified":"2026-05-18T22:38:06","modified_gmt":"2026-05-18T22:38:06","slug":"i-punched-a-hole-in-the-box-and-got-out-nathan-lane-laurie-metcalf-and-a-tony-nominated-death-of-a-salesman-revival-for-the-ages","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=190","title":{"rendered":"\u2018I Punched a Hole in the Box and Got Out\u2019: Nathan Lane, Laurie Metcalf and a Tony-Nominated \u2018Death of a Salesman\u2019 Revival for the Ages"},"content":{"rendered":"
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\n\tThe best onstage production of Arthur Miller\u2019s \u201cDeath of a Salesman\u201d in a generation is also, conveniently, the one that settles two long-running perceptions of its two Tony-nominated thespians.<\/p>\n

Read more Music Industry Moves: Red Light Founder Coran Capshaw to Be Honored at T.J. Martell Foundation Gala; Japanese Trio Number_i Signs With Atlantic<\/a><\/p>\n

\n\tThe first is about Nathan Lane \u2014 and, as it turns out, the 70-year-old veteran offers the clearest read on where he is in this career moment and what it means to finally be taken seriously as a dramatic performer. \u201cI punched a hole in the box and got out,\u201d he says of the comedy-and-musical typecasting others built around him. \u201cThere are people who will never let go of the fact that I had some success in musical theater or comedy. No matter what I do, whether it\u2019s Hickey, Roy Cohn or Dominick Dunne in the Menendez miniseries, they\u2019re never going to let me forget I made them laugh.\u201d<\/p>\n

\n\tFor most of his career, Lane has been told \u2014 in both kind and unkind ways \u2014 that he is the funniest man in the building. He heard it through every comedy that made him a star, none louder than his Max Bialystock in \u201cThe Producers\u201d in 2001.<\/p>\n

\n\tHe has spent much of the last quarter-century trying to prove there was more.<\/p>\n

\n\tThe evidence has been mounting: Theodore \u201cHickey\u201d Hickman in Eugene O\u2019Neill\u2019s \u201cThe Iceman Cometh,\u201d in Chicago in 2012 and at the Brooklyn Academy of Music in 2015; Roy Cohn in Tony Kushner\u2019s Pulitzer Prize-winning \u201cAngels in America\u201d in 2018; and now Willy Loman, eight shows a week at the Winter Garden Theatre alongside an ensemble that includes Laurie Metcalf, Christopher Abbott and Ben Ahlers.mOnstage, the argument is over. This Willy is not a comedian reaching for gravity. It is a full, unsparing performance from an actor who has been capable of it the whole time and was rarely asked.<\/p>\n

\n\tLane has thought a lot about why it took so long.<\/p>\n

\n\t\u201cI just wanted to take on challenging, interesting roles and do a variety of things,\u201d he tells Variety<\/em>. \u201cThat\u2019s certainly what I\u2019ve been trying to do over the last 10 or 15 years, because I felt I had more to offer. I wondered if I could shift the perception a little, because some of the things I\u2019d done in musical theater and comedy were very successful, and that\u2019s how people tend to see you.\u201d<\/p>\n

\n\tHe is not bitter and is, to no surprise, characteristically funny about it all.<\/p>\n

\n\t\u201cBut even while I was doing all those things, I was also doing the work of Terrence McNally, Simon Gray and Jon Robin Baitz, and \u2018Waiting for Godot.\u2019 I\u2019d like to think I had a well-rounded diet as an actor.\u201d
The emotional spine of his account relates to the late actor Brian Dennehy, his friend and mentor, who encouraged him toward Willy Loman before and after he played the role in the 1999 stage revival.<\/p>\n

\n\tLane\u2019s nom is the latest in a notable pattern around the role, which has delivered five Tony-recognized portrayals in 50 years \u2014 George C. Scott (1976), Dennehy (1999), Philip Seymour Hoffman (2012), Wendell Pierce (2023) and now Lane. In that time, Loman has produced only one winner, Dennehy. Lane is battling the likes of John Lithgow from \u201cGiant\u201d and Mark Strong from \u201cOedipus\u201d this season, and even as he\u2019s an early favorite, he\u2019s thinking of his friend, missing him dearly. \u201cIt\u2019s very emotional just thinking about him,\u201d Lane says of Dennehy. \u201cHe was such a great friend, and so supportive when we did \u2018The Iceman Cometh.\u2019 He had played that part in 1990 at the Goodman Theatre.\u201d<\/p>\n

\n\tOf course, Lane carries Dennehy, along with the late playwright Terrence McNally, into the role. He recalls that both men told him for years, \u201cI can\u2019t wait to see your Willy Loman someday.\u201d<\/p>\n

\n\tNow, sitting at the precipice of major recognition, which already includes three Tonys on his shelf at home, it never gets old.<\/p>\n

Read more \u2018Run Amok\u2019 and Stanley Tucci\u2019s \u2018Big Night\u2019 Among Long Beach Island\u2019s Lighthouse Film Festival\u2019s Line-Up \u2013 Film News in Brief<\/a><\/p>\n

\n\t\u201cYou become part of history,\u201d he says. \u201cAnd these giants whom I was lucky enough to work with \u2014 I know they would be thrilled to see the success of this production.\u201d<\/p>\n

\n\t\u201cDeath of a Salesman,\u201d a radical reimagining of Arthur Miller\u2019s look at capitalism\u2019s corrosive influence, was the top play nominated at the Tonys, earning nine nominations. The show also marks the comeback of Scott Rudin, the superstar producer who retreated from Broadway following multiple allegations of bullying and abuse in 2021. Rudin not only produced \u201cSalesman,\u201d he also oversaw \u201cLittle Bear Ridge Road,\u201d which earned a best play nomination.<\/p>\n

\n\tLane talks about the producer and the long path that led from \u201cThe Iceman Cometh\u201d to this iteration of \u201cSalesman.\u201d According to Lane, Rudin controlled the rights to the O\u2019Neill revival, which cleared the earlier \u201cIceman\u201d stagings, and had the producer never giving up on mounting \u201cDeath of a Salesman\u201d for him and director Joe Mantello. <\/p>\n

\n\tAnother major piece of the equation surrounds his co-star, Laurie Metcalf.<\/p>\n

\n\tOne of the most decorated stage actors of her generation, Metcalf approaches Linda Loman like an architect studying where the structure actually bears weight.<\/p>\n

\n\t\u201cEach one brings its own difficulties and mysteries. You never know what you\u2019re going to uncover in any role you tackle,\u201d she says. \u201cThis one has been a learning curve, figuring out how to be a true partner to Willy and not just someone cleaning the house. I also had to learn how protective she is of the family, especially of the boys and, of course, of Willy.\u201d<\/p>\n

\n\tMetcalf also appeared this season in \u201cLittle Bear Ridge Road,\u201d the Sam Hunter piece nominated for best play. Working on two shows in the season can be daunting, which she was well aware of. \u201cI had to be careful because I don\u2019t want to burn out doing it,\u201d Metcalf shares. \u201cBack-to-back is more daunting than I thought it would be, honestly. A lot depends on the project. These were really daunting and complex.\u201d<\/p>\n

\n\tMany predicted she could become only the seventh performer to earn double acting nominations in a single Tony season alongside \u201cDeath of a Salesman.\u201d The Tony gods had other plans. Still, it hardly dents her impeccable resum\u00e9. The 70-year-old, two-time Tony winner (\u201cA Doll\u2019s House, Part 2,\u201d \u201cThree Tall Women\u201d) is one of the nine performers to earn Oscar, Emmy and Tony nominations in the same year \u2014 most recently in 2018 for \u201cLady Bird,\u201d \u201cRoseanne\u201d and \u201cThree Tall Women.\u201d<\/p>\n

\n\tPut this duo together in the same production, and their underestimation runs in opposite directions. Lane spent decades being seen as too funny to be taken seriously. Metcalf spent decades so consistently excellent that surprise was no longer part of the response. They both have changed their trajectories.<\/p>\n

Read more Paramount+\u2019s \u2018The Madison\u2019 Goes Market to Table in a Wide Mix of Themed FYC Promotions (EXCLUSIVE)<\/a><\/p>\n

\n
\n
\n\t\tSee all Tony Awards predictions\t<\/h5>\n

\n
Variety Awards Circuit: Tonys<\/p>\n

<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Nathan Lane “punched a hole in the box” as Willy Loman. 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