{"id":2110,"date":"2026-06-14T13:05:34","date_gmt":"2026-06-14T13:05:34","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=2110"},"modified":"2026-06-14T13:05:34","modified_gmt":"2026-06-14T13:05:34","slug":"colman-domingo-tells-sarah-pidgeon-he-wishes-euphoria-season-3-all-came-out-at-once-as-they-unpack-ali-and-rue-love-story-fashion-and-more","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=2110","title":{"rendered":"Colman Domingo Tells Sarah Pidgeon He Wishes \u2018Euphoria\u2019 Season 3 \u2018All Came Out at Once\u2019 as They Unpack Ali and Rue, \u2018Love Story\u2019 Fashion and More"},"content":{"rendered":"
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\nThis interview is part of Variety and CNN\u2019s Actors on Actors series. Watch the full video interview now at CNN.com\/Watch (or on the CNN app)\u00a0and on Variety\u2019s YouTube channel starting at 11:59 pm ET.<\/em><\/p>\n

Read more The New York Knicks Just Did the Impossible<\/a><\/p>\n

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\nColman Domingo and Sarah Pidgeon are true thespians. Both from theater backgrounds, they approach their television work with a certain grandeur and meditativeness that turns heads \u2014 and drums up awards attention as soon as they show up on-screen. As they meet to discuss Domingo\u2019s work in HBO\u2019s \u201cEuphoria\u201d and Netflix\u2019s \u201cThe Four Seasons\u201d and Pidgeon\u2019s breakout role as Carolyn Bessette Kennedy in FX\u2019s \u201cLove Story: John F. Kennedy Jr. and Carolyn Bessette,\u201d they go deep on the transformative potential of the right costume, their perspectives on the differences between acting and directing and the way their characters stay with them long after the cameras stop rolling.<\/p>\n

\nColman Domingo: <\/strong>Your Carolyn Bessette is outstanding. I read comments online. They\u2019re like, \u201cYou had her mannerisms and her cadence, the way she walked \u2026\u201d You were that \u201990s it-girl. What kind of research went into that?<\/p>\n

\nSarah Pidgeon: <\/strong>While she was so well documented through paparazzi photos, she was so enigmatic and she never sat for an interview. There were very few videos of her speaking. It was this discovery process, and it gave me a lot of freedom. And it was quite intimidating in some ways. I know you\u2019ve played real people as well, and there is this pressure of \u2026<\/p>\n

\nDomingo: <\/strong>People are trying to get it \u201cright,\u201d which I never liked. I\u2019m like, \u201cNo, no, no. We\u2019re doing something with a dramatic arc. We\u2019re not trying to \u2018get it right.\u2019 We\u2019re trying to be authentic and truthful in our experience.\u201d<\/p>\n

\nPidgeon: <\/strong>And you don\u2019t want it to be an impersonation. Because it\u2019s your body at the end of the day, and it\u2019s your voice.<\/p>\n

\nDomingo: <\/strong>Yeah. It\u2019s gotta be attached to you.<\/p>\n<\/div>\n<\/div>\n

\nPidgeon: <\/strong>I don\u2019t know if you ever struggled with feeling like, \u201cWhat are the limitations of what I can transform?\u201d I can\u2019t change my height. Well, to a certain extent, with heels. She was 5-10 [like me], though.<\/p>\n

\n
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\nDomingo: <\/strong>You\u2019re tall. You\u2019re a tall drink of water. When you walked in, I was like, \u201cShe\u2019s tall.\u201d<\/p>\n

\nPidgeon: <\/strong>I actually think playing her has helped me embrace my height.<\/p>\n

\nDomingo:<\/strong> Wait, wait, wait, wait, wait, wait. You didn\u2019t embrace you height before? Is it because when it comes to women in Hollywood, they\u2019re mostly certain size?<\/p>\n<\/div>\n<\/div>\n

\nPidgeon: <\/strong>Yeah. And I\u2019ve always been the tallest in the ensembles that I\u2019ve been a part of. Playing Carolyn, it was so refreshing to play a woman who felt comfortable taking up space. You hope these characters rub off on you, in the positive aspects.<\/p>\n

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\nDomingo: <\/strong>Now, were you dripping in Calvin Klein?<\/p>\n

\nPidgeon: <\/strong>Oh, there was a lot of Calvin. I mean, you<\/em> have such strong sartorial choices.<\/p>\n

\nDomingo: <\/strong>Thank you.<\/p>\n

\nPidgeon: <\/strong>The power of dressing, it really changes how you feel.<\/p>\n

\nDomingo: <\/strong>I\u2019ve been known to dress well on red carpets, but I always tell people that I\u2019m very detailed about every character too. Like Ali in \u201cEuphoria\u201d is a very different character than Danny in \u201cThe Four Seasons.\u201d When I go into fittings for Ali, I gave this directive. I said, \u201cEverything I wear probably costs a total of $30. He shops secondhand. He\u2019s got secondhand Timberland boots. Everything is very utilitarian, and he does not care about fashion or style.\u201d Anything that had too much flash, I was like, \u201cOh no, no.\u201d But Danny, he\u2019s a man of the world.<\/p>\n

\nPidgeon: <\/strong>He\u2019s so well-dressed. I love the hats you wear.<\/p>\n<\/div>\n<\/div>\n

\nDomingo: <\/strong>With our costume designer there, I was like, \u201cHe\u2019s a creature of the world. We can find him in Milan. We can find him in Japan. He\u2019s an architect, and as a Black man navigating that space, he doesn\u2019t mind standing out. He doesn\u2019t want to fit in. He wants you to embrace all of him. It\u2019s urban, and it\u2019s worldly and it\u2019s designer.<\/p>\n

\nPidgeon: <\/strong>Carolyn understood the power of clothing. There were such few photos of her before her relationship with JFK Jr. So [we tried] to find that through line: what she might have worn at 26 years old when she didn\u2019t have the budget that she did at 30, and understanding how the world changed the choices she wore.<\/p>\n

\nDomingo: <\/strong>And I saw that. Watching the arc of your show, I saw your body language change.<\/p>\n

\nPidgeon: <\/strong>The clothes helped. It changes how you feel. When I\u2019m in a sweatshirt, it makes me feel different than what I\u2019m wearing now. You have to hold yourself differently. Yohji Yamamoto is a designer that she wore a lot, and he likes to imagine his clothing as armor for women. I just love that idea. She needed to don this clothing to feel a sense of security while being in the public eye. It changed how I saw her. I understood the person behind the clothes versus just this fashion figure. She really understood the power of the image that she was representing.<\/p>\n

\nDomingo:<\/strong> That\u2019s one of the first moments [of the show], getting the red polish and then suddenly changing it up.<\/p>\n

\nPidgeon:<\/strong> I loved that. There\u2019s a lot of speculation about this sense of vanity that she had. And my sense in playing that scene was her understanding how scrutinized she would be. She was going to a wedding, and somehow, she knew if she wore the red nails, people would talk about her nail color instead of the couple that was meant to be celebrated. I think it was so much less about her being picky. It was more an understanding of just how under a microscope she was, and feeling that pressure from outsiders.<\/p>\n

\nDomingo: <\/strong>Do you <\/em>feel that? \u201cLove Story\u201d has become such a huge part of a zeitgeist right now. How do you navigate that?<\/p>\n

\nPidgeon: <\/strong>It\u2019s crazy how fast things can change. It\u2019s rarely helpful taking in the conversation that\u2019s happening online. Not to say I don\u2019t. Curiosity has killed this cat. But I want to be able to disappear into roles. And when you become well-known \u2014 I want to protect my privacy and my sense of Sarah<\/em>, because I want to play a whole litany of characters. How have you navigated it?<\/p>\n

\nDomingo: <\/strong>I try to make big swings. In one year, people can see me in drag in a Sabrina Carpenter video \u2014<\/p>\n

Read more Berlin, Toronto and Hong Kong Film Festival Chiefs Gather at Shanghai to Champion New Talent<\/a><\/p>\n

\nPidgeon: <\/strong>Oh, that was fantastic.<\/p>\n

\nDomingo: <\/strong>\u2014 and then suddenly I\u2019m playing Joe Jackson in a Michael Jackson film. I never want to do the same thing twice, because we could get known for that thing. I was on a show called \u201cFear the Walking Dead\u201d for many years, and I noticed that I would always get scripts where they wanted me to play a morally ambiguous villain. I would say, \u201cNo, I\u2019ve done a version of that already.\u201d<\/p>\n

\nPidgeon: <\/strong>Watching your performances, there\u2019s this sense of ease that you have. You transform so wildly, but that\u2019s what is believable about your big transformations and swings.<\/p>\n

\nDomingo: <\/strong>You know what I think it is? I tell people that I feel like I liberated myself years ago from being right or making sure something was perfect. I look for the rough edges. I hosted \u201cSNL\u201d a couple weeks ago. People kept asking, \u201cAre you nervous?\u201d And I was like, \u201cShould I be nervous? Why am I not nervous?\u201d Because I\u2019m OK with being a little messy. I trust that I have a deep sense of research and development and curiosity. I\u2019m like, \u201cI believe I have everything I need to go out and do the thing. Now let me go do it.\u201d Any director out there will know: My first three takes are terrible.<\/p>\n

\nPidgeon: <\/strong>I\u2019m sure they\u2019re not.<\/p>\n

\nDomingo:<\/strong> They\u2019re terrible.<\/p>\n

\nPidgeon: <\/strong>Playing Ali throughout these three seasons, I don\u2019t know how much about his backstory you knew.<\/p>\n

\nDomingo:<\/strong> I didn\u2019t know a lot of his backstory. Sam Levinson wrote this character for me based on his sponsor. I did a lot of research on people who suffer from the disease of addiction. I looked at people in my own life, and created this character. In Season 3, we get into his origins. Ali is someone who\u2019s hung onto faith, and he\u2019s trying to instill that into Zendaya as Rue. And he\u2019s now being tested about the thing he\u2019s been preaching. I love working with Sam Levinson. He really is truly one of the best storytellers that I know.<\/p>\n

\n\tDid you have many directors over the arc of \u201cLove Story\u201d? How was that? Because after you start owning a character, I\u2019ve had this experience with a director coming in and saying, \u201cOK, this is who I think she is.\u201d And you\u2019re like, \u201cWell, wait a minute \u2026\u201d Did you ever get that?<\/p>\n

\nPigeon: <\/strong>No, I felt very lucky with Ryan Murphy and the collaborators that he brings in. I would call myself a trusting person. I guess maybe I can be a bit naive, but \u2014<\/p>\n

\nDomingo: <\/strong>What\u2019s your sign?<\/p>\n

\nPidgeon: <\/strong>Cancer. What about you?<\/p>\n

\nDomingo: <\/strong>I\u2019m a Sagittarius.<\/p>\n

\nPidgeon: <\/strong>My mother\u2019s a Sagittarius. Actually, she might be a Capricorn.<\/p>\n

\nDomingo: <\/strong>What do you mean you don\u2019t know what sign your mom is? We\u2019re going to have to unpack that in another episode. <\/p>\n

\nPidgeon: <\/strong>That\u2019s another 45 minutes.<\/p>\n

\n\tMaybe it\u2019s because I\u2019m trying to figure out the language they\u2019re speaking and what they mean by their direction. But it takes me a little bit, and television\u2019s so quick. I don\u2019t know how long it took you guys to do \u201cThe Four Seasons\u201d or \u201cEuphoria.\u201d<\/p>\n

\nDomingo: <\/strong>\u201cEuphoria\u201d is seven months at a time, but I really did my scenes maybe over the course of a month. Now, \u201cFour Seasons\u201d is my first experience with half-hour comedy, and I\u2019m a director on the show too. Do I love<\/em> that schedule or what? It\u2019s three months. We get to go to all these different locations.<\/p>\n

\nPidgeon: <\/strong>I mean, you have to do four seasons.<\/em><\/p>\n

\nDomingo: <\/strong>Tina [Fey, series co-creator] wanted a show where it\u2019s 50-something-year-old people, and we\u2019re going to wear cute sweaters, and we\u2019re going to have witty banter, and we\u2019re going to fun places. I\u2019m like, \u201cSign me up.\u201d And then she asked me to be a director on the show. \u201cSign me up.\u201d This season, she directs as well. \u201cSign me up.\u201d We get to really craft the show. A couple of our writers also direct, so it does feel in-house. It\u2019s the first time I\u2019ve had that experience, not having a lot of outside directors. These are all people who understand what we\u2019re making.<\/p>\n

\nPidgeon: <\/strong>How did you find directing [on \u201cThe Four Seasons\u201d]?<\/p>\n

\nDomingo: <\/strong>I leaned into 360 turns and group elements, so that when the show goes on and it\u2019s more complicated, you\u2019re going to long for that feeling again. You see people from above, coming in and out, flowing together \u2014 that sense of community you can get with your camera lenses. And then when it falls apart, you miss it.<\/p>\n

\n\tHave you ever thought about directing?<\/p>\n

\nPidgeon: <\/strong>Yeah, I\u2019d like to be on the other side. Have you found that it\u2019s helped your acting?<\/p>\n

\nDomingo: <\/strong>Yes. It\u2019s made me a more patient actor as well, looking at what a director has to do, and how they\u2019re there way before you, prepping. A lot of times, actors come to the set like, \u201cWhy is this set up this way?\u201d There\u2019s all these reasons.<\/p>\n

\nPidgeon: <\/strong>Exactly. You think so much about your<\/em> character, and you\u2019re your character\u2019s advocate. Speaking of, in \u201cEuphoria,\u201d there\u2019s a sense of finality in this season. How did you navigate that?<\/p>\n

\nDomingo: <\/strong>The thing about Sam Levinson is, every season, he said, should feel like a finale, and there\u2019s always a possibility of more. You give every last drop of the character\u2019s story, so if this was the end of it all, you really investigated every part of it. And I feel like we have. I love working with Zendaya so much, and I do know that that<\/em> is final, because it\u2019s very clear in the storytelling. You can always go to flashbacks, but I love the grace notes that we have with each other, and it makes the whole season make sense. If people started judging the season by the first two episodes, it\u2019s kind of false because it\u2019s all a setup for the whole arc. I actually wish it all just came out at once so people can see that.<\/p>\n

\n\tHow about you? How do you feel about that?<\/p>\n

\nPidgeon: <\/strong>It\u2019s interesting telling a story when the majority of the audience knows how it ends. We meet these people at the very end of their lives, and then the next scene flashes back six years. But in terms of the finality of working on this show, I\u2019m just so grateful for it. I feel so lucky to embody this woman, to hopefully have taken some of her qualities.<\/p>\n

\nDomingo: <\/strong>Do you feel that way with most characters, that you want to take something with you?<\/p>\n

\nPidgeon: <\/strong>I think you automatically do. I think everyone should take an acting class. It\u2019s radical empathy. And who knows what bad qualities I\u2019ve taken from characters. But you know what? I don\u2019t know if any of them have bad qualities, because when you\u2019re playing them \u2014<\/p>\n

\nDomingo: <\/strong>You\u2019re their cheerleader.<\/p>\n

\nPidgeon: <\/strong>Exactly.<\/p>\n

\nDomingo: <\/strong>There\u2019s a darkness in Ali this season that comes out, and people have asked me, \u201cWell, how do you find that darkness?\u201d And you\u2019re like, \u201cWe all have it. It\u2019s not something so foreign. It is the human experience.\u201d<\/p>\n

Read more Honor and Arri\u2019s Robot Phone Debuts on Shanghai Film Festival Red Carpet<\/a><\/p>\n

\n\t\tProp styling and art direction: Shawn Patrick Anderson\/Acme Studios; Assistant prop styling: Joseph Bell\t<\/h6>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Colman Domingo and Sarah Pidgeon unpack the most meaningful looks in ‘Euphoria’ and ‘Love Story’ as they discuss their approaches to acting and fame.<\/p>\n","protected":false},"author":1,"featured_media":2109,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[],"class_list":["post-2110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tv"],"yoast_head":"\nColman Domingo Tells Sarah Pidgeon He Wishes \u2018Euphoria\u2019 Season 3 \u2018All Came Out at Once\u2019 as They Unpack Ali and Rue, \u2018Love Story\u2019 Fashion and More - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=2110\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Colman Domingo Tells Sarah Pidgeon He Wishes \u2018Euphoria\u2019 Season 3 \u2018All Came Out at Once\u2019 as They Unpack Ali and Rue, \u2018Love Story\u2019 Fashion and More - 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