{"id":2242,"date":"2026-06-16T06:36:00","date_gmt":"2026-06-16T06:36:00","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=2242"},"modified":"2026-06-16T06:36:00","modified_gmt":"2026-06-16T06:36:00","slug":"sicko-director-on-why-gory-kazakh-parasite-not-as-violent-as-life-itself-life-has-much-more-to-be-afraid-of","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=2242","title":{"rendered":"\u2018Sicko\u2019 Director on Why Gory Kazakh \u2018Parasite\u2019 \u2018Not as Violent as Life Itself\u2019: \u2018Life Has Much More to Be Afraid Of\u2019"},"content":{"rendered":"<div>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\n\tThere will be blood \u2014 and lots of it \u2014 in Kazakh director Aitore Zholdaskali\u2019s solo debut, \u201cSicko,\u201d a hard-boiled crime thriller about an internet scam gone wrong that plays this week at the Transilvania Intl. Film Festival.\u00a0<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=2240\">Inside APOS 2026: AI, Microdramas and the Future of Asian Streaming Take Center Stage in Bali<\/a><\/p>\n<p>\n\tWritten by Zholdaskali, Kazybek Orazbek and Aldiyar Zhaparkhanov,\u00a0\u201cSicko\u201d follows a cash-strapped couple who hatch a get-rich-quick scheme to pay off their mounting debts. With the help of a crooked lab assistant, they fake a terminal illness and start a crowdfunder for \u201clifesaving\u201d treatment that swiftly goes viral. <\/p>\n<p>\n\tTheir rapid ascent to fame and fortune at first seems like a dream come true, but soon their celebrity attracts attention from Almaty\u2019s criminal underworld, and their scheme spins dangerously out of control.<\/p>\n<p>\n\t\u201cSicko\u201d stars Ayan Utepbergen and Dilnaz Kurmangali as the conniving couple and is produced by Kuanysh Beisekov, Anna Kachko, Ashkat Shmanov and Almas Zhali. The film had its international premiere in the Bright Future Competition section of the Intl. Film Festival Rotterdam following a blockbuster theatrical release in Kazakhstan. Loco Films is handling world sales.<\/p>\n<p>\n\tBy Zholdaskali\u2019s own admission, \u201cSicko\u201d \u201cstarted as a joke,\u201d fueled by the growing number of stories he and his co-writers were encountering about internet scams in Kazakhstan. The trio conceived a bloody, black comedy that explored how far a desperate man might go to survive at the crossroads of late-stage capitalism and the attention economy, where viral fame and fortune are just a few clicks away.<\/p>\n<p>\n\t\u201cIt was important to understand why this is happening to a normal person,\u201d he says. \u201cThere are many people we see every day in the news who are ready to kill a friend, to do a robbery, to commit a moral crime, to do evil things. For us, it was important for us to understand where it comes from.\u201d<\/p>\n<p>\n\t\u201cSicko\u201d serves up blood and gore by the bucket, and it\u2019s that \u2014 along with a steady helping of social satire \u2014 that have earned it comparisons to South Korean genre films. (Zholdaskali, who confesses a weakness for \u201cultra-violent\u201d movies, counts Korean cinema among his many influences.)<\/p>\n<p>\n\tYet whether you consider \u201cSicko\u201d a sort of Kazakh \u201cParasite,\u201d Zholdaskali insists the film is in fact a toned-down version of the world it depicts. \u201cIn my opinion, this film is not as violent as life is,\u201d the director says, noting that even the most gruesome and absurd plot twists in \u201cSicko\u201d were drawn from actual news stories. \u201cLife has much more to be afraid of.\u201d<\/p>\n<p>\n\tZholdaskali did not follow a straightforward path to filmmaking. Raised in a strict household by a father for whom a college degree for his son was paramount, he found himself out in the cold when he copped to his cinematic ambitions. His father kicked him out of the house \u2014 \u201cIt was winter. I left home in my flip-flops,\u201d the director says \u2014 and Zholdaskali was forced to fend for himself, armed with a camera he bought with savings from a part-time job and \u201cshooting anything I could.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=2238\">Neymar Jr. Partners With FlareFlow on 16-Title AI Microdrama Franchise<\/a><\/p>\n<p>\n\tBefore long, he gained recognition making music videos and posting shortform content on social media, trying to build an identity \u201cas a visual filmmaker, as a creative artist,\u201d he says. His big break came at 23, when a producer reached out on Instagram to offer him the reins of an upcoming TV show. The series would be shot on a shoestring budget \u2014 so much so that most of his colleagues, he eventually learned, had passed on the show \u2014 but for Zholdaskali, \u201cit was a huge opportunity.\u201d\u00a0<\/p>\n<p>\n\t\u201cSheker,\u201d about a desperate college student who turns to drug running to pay his tuition, would go on to become a massive hit in Kazakhstan and draw some 200 million viewers from across the CIS region, winning a prize for shortform drama at Busan and screening at Canneseries in 2022. That was followed by \u201cShulamah,\u201d which he co-directed with Igor Tsay, about three friends from the sticks who try to make it big as rappers in Almaty.<\/p>\n<p>\n\tNow making his solo debut, \u201cSicko\u201d marks Zholdaskali\u2019s biggest swing yet. The film screened at Rotterdam following a rapturous response back home, where it grossed more than $2 million last fall despite being slapped with a 21+ rating \u2014 a move that effectively restricted screenings to between 10 p.m. and 6 a.m.\u00a0<\/p>\n<p>\n\tThe release marked the latest example of a domestic industry that continues to capture an increasing share of the local box office while winning accolades abroad. Zholdaskali is among a generation of promising young Kazakh filmmakers \u2014 including Berlinale prizewinner Askar Uzabayev (\u201cHappiness\u201d), Askhat Kuchinchirekov (\u201cAdoption\u201d) and Aisultan Seitov (\u201cHunger\u201d) \u2014 who have stirred echoes of the Kazakh New Wave, a movement of independent, post-Soviet cinema that emerged 40 years ago in the dying days of the Soviet Union.\u00a0<\/p>\n<p>\n\tDoes Zholdaskali think his country could be on the cusp of a New Kazakh New Wave?<\/p>\n<p>\n\t\u201cI don\u2019t believe so much in a \u2018wave,\u2019 but I think there are so many opportunities that we as filmmakers have,\u201d he says. \u201cThere are new AI technologies that give much more freedom. There are many options for how you can implement them, and it gives you real freedom and a real opportunity to step up into the international market right away on a different level that was not possible before.\u201d<\/p>\n<p>\n\tPartnering with AI startup Higgsfield, Zholdaskali recently directed the action-fantasy \u201cHell Grind,\u201d which he co-wrote with Adilkhan Yerzhanov, and which Higgsfield says was created entirely on its platform for $500,000 \u2014 and completed in just two weeks.<\/p>\n<p>\n\tZholdaskali cites the film as an example of \u201ca big democratization of the filmmaking process [that\u2019s created more] opportunities\u201d in Kazakhstan. \u201cI don\u2019t like to talk about a wave, because at the moment, it\u2019s about dreams \u2014 about dreaming big,\u201d he adds. \u201cI think there\u2019s so much to do to be called a \u2018wave.\u2019 But we\u2019re already making it happen.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=2236\">Sheryl Crow Slams Trump Administration for Staging UFC Fight at White House: \u2018Disgraceful and Void of Decency\u2019<\/a><\/p>\n<p>\n\tThe Transilvania Intl. Film Festival runs June 12 \u2013 21.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The solo directorial debut of Aitore Zholdaskali follows a scheming couple whose get-rich-quick plan spirals out of control.<\/p>\n","protected":false},"author":1,"featured_media":2241,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1896,1679],"class_list":["post-2242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-aitore-zholdaskali","tag-transilvania-film-festival"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018Sicko\u2019 Director on Why Gory Kazakh \u2018Parasite\u2019 \u2018Not as Violent as Life Itself\u2019: \u2018Life Has Much More to Be Afraid Of\u2019 - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=2242\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Sicko\u2019 Director on Why Gory Kazakh \u2018Parasite\u2019 \u2018Not as Violent as Life Itself\u2019: \u2018Life Has Much More to Be Afraid Of\u2019 - 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