{"id":2253,"date":"2026-06-16T09:36:25","date_gmt":"2026-06-16T09:36:25","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=2253"},"modified":"2026-06-16T09:36:25","modified_gmt":"2026-06-16T09:36:25","slug":"riofilme-has-boosted-shanghai-presence-as-filmmakers-praise-continuous-support-and-increased-investment-in-local-films","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=2253","title":{"rendered":"RioFilme Has Boosted Shanghai Presence, as Filmmakers Praise \u2018Continuous Support\u2019 and \u2018Increased Investment\u2019 in Local Films"},"content":{"rendered":"
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\n\tIt\u2019s been two years since Walter Salles\u2019s Oscar-winning \u201cI\u2019m Still Here\u201d catapulted Rio de Janeiro to screens all over the world, and momentum has continued to build thanks to coordinated efforts by RioFilme. The municipal film and audiovisual agency of Rio de Janeiro has ramped up investment in the city\u2019s audiovisual industry, supporting projects that now bring the city\u2019s name all over the world.\u00a0<\/p>\n

Read more Asia Argento to Be Honored at Locarno Film Festival<\/a><\/p>\n

\n\tAnd the agency is reaping what they sowed, with RioFilme having backed three films set to play at this year\u2019s high-profile Shanghai Film Festival: Alan Minas\u2019s \u201cLuiza\u2019s Desert\u201d (\u201cO Deserto de Luiza\u201d) in main competition; Eliza Capai\u2019s \u201cThe Fabulous Time Machine\u201d in the Focus Brazil selection delivered as part of the 2026 China-Brazil Year of Culture, and\u00a0Rogerio Nunes\u2019s \u201cHeart of Darkness,\u201d playing as part of the animation section. See below for full information on the titles.\u00a0<\/p>\n

\n\tSpeaking with Variety <\/em>ahead of the world premiere of \u201cLuiza\u2019s Desert,\u201d Minas says he is thrilled to be starting the film\u2019s journey at a festival of \u201csuch high importance.\u201d \u201cI believe that, despite the geographical distance and the cultural differences, this distance can be made smaller thanks to the themes of the film,\u201d he adds, emphasizing the universality of family.\u00a0<\/p>\n

\n\t\u201cThe entire film was thought within a Brazilian context, more specifically within Rio de Janeiro,\u201d continues the director. \u201cBut, despite that, it exists in dialogue with people all over the world because it broaches mental health and care. The film opens the possibility of discussing mental health beyond the diagnosis, to talk about how it affects people around it.\u201d<\/p>\n

\n\tCapai, who started her film\u2019s journey at the Berlin Film Festival earlier this year, speaks fondly about the film\u2019s festival run and her excitement about the Shanghai selection. \u201cThe film cites China twice, so we are thrilled to be at the festival and it is a huge prestige and pride for us to be selected.\u201d\u00a0<\/p>\n

\n\tLike \u201cLuiza\u2019s Desert,\u201d \u201cThe Fabulous Time Machine\u201d deals with a very specific social and cultural context, but Capai says the film also has great universality as it broaches its issues through the lens of infancy. \u201cI often heard after a screening that the film brought someone back to their own childhood. The film broaches fears, the transition from infancy to adolescence, becoming a woman\u2026 It generates an immediate connection to audiences.\u201d<\/p>\n

\n\tDaniela Vitorino, who produced \u201cLuiza\u2019s Desert\u201d via Caraminhola Filmes, says RioFilme had an \u201cessential impact\u201d on the film. \u201cThey are co-producers of the film, as well as supporting us with distribution,\u201d she adds. \u201cCombining regional and federal institutions is very important. It strengthens production as well as reach for these films. The visibility is much higher. RioFilme has been a great partner for Caraminhola Filmes for years. They have managed to maintain a regular funding calendar and increase resources every year, which increases the chances of films getting made and finding audiences.\u201d\u00a0<\/p>\n

\n\tMinas echoes his producer in saying that, without RioFilme\u2019s support, \u201cLuiza\u2019s Desert\u201d \u201cwould not have gotten made.\u201d \u201cI think the presence of a public entity not only makes it possible for films to get made, but also allows for a direct dialogue with society.\u201d\u00a0<\/p>\n

\n\tMariana Genesc\u00e1, who produced \u201cThe Fabulous Time Machine\u201d under her Amana Cine production company also uses the word \u201cessential\u201d when referring to RioFilme\u2019s support. The producer says their support has allowed the film not only to be at Shanghai but also travel the world through major festivals like Berlin, Thessaloniki, Cartagena and Guadalajara.\u00a0<\/p>\n

Read more \u2018Vikram Betal\u2019 AI-Enabled Show Set at India\u2019s Collective Studios Historyverse (EXCLUSIVE)<\/a><\/p>\n

\n\t\u201cMore broadly, I believe institutions like RioFilme play a strategic role in developing the Brazilian audiovisual industry, especially when it comes to independent filmmaking and documentary,\u201d adds Genesc\u00e1. \u201cThose institutions are often the ones to make viable projects that would otherwise struggle to find financing through the regular market, but that possess an enormous artistic relevancy and social impact.\u201d\u00a0<\/p>\n

\n\tGenesc\u00e1 cites RioFilme as \u201can important example\u201d of an institution that allows for the \u201cstrengthening of a sustainable audiovisual industry\u201d through \u201ccontinuous and predictable chain of investments that contemplate from development to production and distribution.\u201d \u201cWe have recently had an Emmy-nominated documentary series that was supported by RioFilme during the development phase,\u201d she adds. \u201cThis shows how consistent and long-term investment can generate real impact and amplify the presence of audiovisual work produced in Rio de Janeiro.\u00a0<\/p>\n

\n\tAsked about how they take the temperature of Brazilian cinema \u2014 and the Brazilian film industry today \u2014 both Minas and Capai are positive in their analysis. Minas mentions how the success of Salles\u2019 \u201cI\u2019m Still Here\u201d and Kleber Mendon\u00e7a Filho\u2019s \u201cThe Secret Agent\u201d have made audiences \u201cmore accepting of a Portuguese-speaking film, which used to be an issue. There was a certain resistance.\u201d<\/p>\n

\n\tCapai movingly labels cinema as a \u201ccreator of a national image\u201d in the sense that it sparks curiosity in international audiences for a country they may otherwise not be as familiar with, or have had a certain stereotypical image of. Recalling her experience of showing the film in Berlin, the director says she had children come to her and say they would now like to visit Brazil after watching it on the screen. \u201cI feel very honored to belong to this moment in our cinema\u2019s history where we are projecting ourselves internationally but nurturing a self-esteem within our own home.\u201d<\/p>\n

\n\tRead below for more information on the RioFilme-supported films at this year\u2019s Shanghai Film Festival:<\/p>\n

\n\u201cLuiza\u2019s Desert,\u201d dir. Alan Minas<\/strong><\/p>\n

\n\tA co-production between Brazil (Caraminhola Films) and the U.K. (Union Content), Alan Minas\u2019s film follows the titular 15-year-old. Living in Rio de Janeiro, Luiza dreams of being an artist, eventually befriending a local graffiti group. As her life is starting, her mother suffers from an acute schizophrenic episode. With her father increasingly distant and her younger sister moving in with their aunt, the responsibility for holding the family together falls heavily on Luiza\u2019s shoulders. Begin Again Films handles sales.\u00a0<\/p>\n

\n\u201cThe Fabulous Time Machine,\u201d dir. Eliza Capai<\/strong>\n<\/p>\n

\n\tCapai\u2019s documentary follows a group of young girls living in the arid Brazilian town of Guaribas, formerly known as \u201cBrazil\u2019s hunger capital\u201d but seismically changed thanks to public policies established by President Lula. Capai\u2019s tender film follows a generation of girls allowed to dream and think of a future beyond the limitations their mothers experienced. SplitScreen handles sales. Produced by Amana Cine.\u00a0<\/p>\n

\n\u201cHeart of Darkness,\u201d dir. Rog\u00e9rio Nunes\u00a0<\/strong><\/p>\n

\n\tAdapted from Joseph Conrad\u2019s classic 1899 eponymous novella, Nunes\u2019s fast-paced thriller is set in a near future Rio de Janeiro torn apart by civil war and social unrest. There, Marlon must cross the polluted waters of the festering Guanabara Bay in search of a former commander turned messianic cult leader to stop the spread of their paramilitary group. Inspired by Umbanda mythology and religion and filled to the brim with rich cultural references, \u201cHeart of Darkness\u201d is a striking Brazilian genre offering. Produced by Special Touch Studios and Karmatique Imagens<\/p>\n

Read more \u2018Vikram Betal\u2019 AI-Enabled Film Set at India\u2019s Collective Studios Historyverse (EXCLUSIVE)<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Rio de Janeiro’s film and audiovisual agency RioFilme has banner year at Shanghai with filmmakers praising ‘stable funding calendar’ and investment.<\/p>\n","protected":false},"author":1,"featured_media":2252,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[74,1907,1802,1908],"class_list":["post-2253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-brazil","tag-rio-de-janeiro","tag-riofilme-2","tag-shanghai-internatioal-film-festival"],"yoast_head":"\nRioFilme Has Boosted Shanghai Presence, as Filmmakers Praise \u2018Continuous Support\u2019 and \u2018Increased Investment\u2019 in Local Films - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=2253\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RioFilme Has Boosted Shanghai Presence, as Filmmakers Praise \u2018Continuous Support\u2019 and \u2018Increased Investment\u2019 in Local Films - 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