{"id":230,"date":"2026-05-19T12:36:54","date_gmt":"2026-05-19T12:36:54","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=230"},"modified":"2026-05-19T12:36:54","modified_gmt":"2026-05-19T12:36:54","slug":"adam-driver-and-james-gray-on-sneaking-out-of-the-paper-tiger-cannes-premiere-and-how-hollywood-abuses-artists-the-system-is-designed-to-humiliate-you","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=230","title":{"rendered":"Adam Driver and James Gray on Sneaking Out of the \u2018Paper Tiger\u2019 Cannes Premiere and How Hollywood Abuses Artists: \u2018The System Is Designed to Humiliate You\u2019"},"content":{"rendered":"
\n
\n<\/p>\n
\n

\nAdam Driver gamely walked the red carpet at the Cannes Film Festival premiere of \u201cPaper Tiger\u201d on Saturday, posing for pictures alongside his co-star Miles Teller and the film\u2019s writer and director James Gray. But as soon as the Lumi\u00e8re Theatre darkened and the film began to play, Driver slipped out of his seat.<\/p>\n

Read more \u2018Law & Order Toronto: Criminal Intent\u2019 Adds Luke Kirby to Season 4, Aden Young Exits Series<\/a><\/p>\n

\n\t\u201cI can\u2019t stand to watch myself,\u201d Driver says. \u201cI have a whole system where I wait until everything is starting and I go through these mazes into a room that overlooks all these boats. And then I sneak back in and try not to be noisy so I can be there as the lights come up.\u201d <\/p>\n

\n\tIt\u2019s a routine that Driver has perfected over several Cannes Film Festival appearances \u2014 though he did sit through the 2024 premiere of \u201cMegalopolis\u201d to support its director Francis Ford Coppola. \u201c[His wife] Eleanor had just passed away,\u201d Driver explains. <\/p>\n

\n\t\u201cPaper Tiger,\u201d in which he plays a former cop turned smooth-talking businessman, who struts around in designer suits like he owns the city, marks his eighth film to debut at the festival. And though Driver seems at ease on screen in his latest, the experience of being observed as you\u2019re observing yourself on screen, hasn\u2019t gotten easier. <\/p>\n

\n\t\u201cI used to have a couple drinks, just to calm down, but I can\u2019t go overboard because sometimes you come back and you don\u2019t match the mood of a movie,\u201d he admits. \u201cSometimes people are crying, and you\u2019re like, \u2018Hey everybody!’\u201d<\/p>\n

\n\tIt\u2019s the day after \u201cPaper Tiger\u2019s\u201d opening night and the reviews have bordered on the ecstatic with one critic calling it Driver\u2019s \u201ccareer-best performance\u201d and others praising Gray\u2019s blend of a gritty crime thriller and family drama. Both men are sitting in a small room in the Carlton Hotel, gushing over each other\u2019s talents. <\/p>\n

\n\t\u201cI love Adam Driver!\u201d Gray declares, admonishing the actor to \u201cclose your ears.\u201d<\/p>\n

\n\t \u201cI wrote this part for him,\u201d Gray continues. \u201cIt\u2019s very uncommon to find an actor who can convey vulnerability and danger. These are the two most valuable commodities for a director. I can only think of one performance in the history of movies where there\u2019s no danger, and it\u2019s great. And that\u2019s Jeff Bridges as the Dude in \u2018Big Lebowski.\u2019 Everything else has kind of an undercurrent of menace.\u201d<\/p>\n

\n\tDriver was eager to work with Gray, having binged his New York-set stories on the Criterion Channel, a collection of urban masterworks that includes \u201cWe Own the Night,\u201d \u201cTwo Lovers\u201d and \u201cThe Yards.\u201d <\/p>\n

\n\t\u201cHe tells these really intimate stories where there\u2019s always an amazing cinematic sequence,\u201d Driver says. \u201cBut it\u2019s always grounded in character.\u201d<\/p>\n

\n\tIn the lead up to production, the two met frequently at Driver\u2019s house in New York to hone the script.<\/p>\n

\n\t\u201cIf I don\u2019t understand a part, then it\u2019s hard to play it,\u201d Driver says. \u201cAnd the biggest enemy on a film is time. We had official rehearsals, but whatever you can do in advance to drill down into the characters is so important, so then you don\u2019t waste time on set having debates about everything.\u201d<\/p>\n

\n\tMany of Gray\u2019s stories are drawn from his outer boroughs childhood. He grew up in Queens. His father was an electronics contractor, his mother was a teacher. While he was studying film at USC, his mother was struggling with the brain cancer that would kill her and his father was charged with bribing a MTA employee to get a contract \u2014 he\u2019d ultimately pay a fine after pleading guilty. \u201cPaper Tiger\u201d isn\u2019t a facsimile of those experiences, but it is heavily autobiographical. In the film, Teller and Driver are brothers Irwin and Gary Pearl, whose plan to profit from the redevelopment of the Gowanus Canal goes off the rails when they run afoul of the Russian mob. Scarlett Johansson\u00a0is Hester, Irwin\u2019s wife, whose terrible headaches and blurred vision result in a devastating medical diagnosis.<\/p>\n

\n\t\u201cIt\u2019s embarrassing to talk about the parallels,\u201d Gray says. \u201cThe time frame was different. It was probably about a year and two months, but in cinema you have to contract so everything happens in a few weeks. But in my own experience, I had a brother and a mother and a father, and within a short period I moved to Los Angeles, my father\u2019s legal troubles began where he faced prison time, and my mother died of brain cancer. That familial unit was shattered very quickly, and that sense of loss has stayed with me.\u201d <\/p>\n

Read more Yukiko Sode on Cannes Un Certain Regard Title \u2018All the Lovers in the Night\u2019: \u2018Two People on the Margins of the World\u2019<\/a><\/p>\n

\n\tIn the film, Irwin makes the disastrous decision to revisit the Gowanus at night with his teenage sons, where they see something they shouldn\u2019t. That\u2019s when the boys are held at knifepoint in the back of a car by two menacing Russian hoods. Is that something, I ask, that happened to Gray?<\/p>\n

\n\t\u201cPretty much,\u201d he says, slowly nodding. \u201cAnd I live with that every day.\u201d<\/p>\n

\n\t\u201cPaper Tiger\u201d has the weight of a Greek tragedy (it begins with a quote by Aeschylus, after all), but despite its classical influences, Gray tries to keep things light and loose on set. He shoots rehearsals and encourages the stars to find their way into a scene instead of storyboarding something to death. <\/p>\n

\n\t\u201cHe reveres actors,\u201d Driver says. <\/p>\n

\n\tHe\u2019s certainly studied them. About midway through our interview, Gray launches into a long discusion about how Maximilian Schell, the star of Gray\u2019s first film \u201cLittle Odessa,\u201d shared a dirty little secret about Spencer Tracy\u2019s approach on the set of \u201cJudgment at Nuremberg.\u201d <\/p>\n

\n\t\u201cHe said, \u2018the mark would go down for the actor, and then I would watch Spencer Tracy, and he\u2019d\u201d \u2014 at the point, Gray gets out of his chair, starts shuffling Tracy-like while looking at his feet, stops and then looks up as if staring into the barrel of a camera. \u201cAnd then he\u2019d say his line.\u201d <\/p>\n

\n\t\u201cHe absolutely fucked up Spencer Tracy for me!\u201d Gray thunders. \u201cI can\u2019t watch him now!\u201d<\/p>\n

\n\tFor Driver, \u201cPaper Tiger\u201d was another chance to operate in the indie realm after an extended stint going over to the dark side playing Kylo Ren in the most recent \u201cStar Wars\u201d trilogy.<\/p>\n

\n\t\u201cI like the scale of those bigger movies, and I like the reach of them,\u201d Driver says. \u201cI more naturally gravitate towards smaller films. The rhythm is completely different. It\u2019s a little faster. I don\u2019t mind having to do something technical. And I feel like that was the only debate that we would have on set was James apologizing in advance for something complicated. And I\u2019m like, \u2018I understand there is an artificiality here. I\u2019m aware that all of this is not real.’\u201d<\/p>\n

\n\t\u201cPaper Tiger,\u201d like many of Gray\u2019s films, is about how various systems \u2014 political, judicial, criminal \u2014 can eat up and spit out an individual. The American Dream is a myth that claims that great ambition and hard-work will be rewarded, but the American Experience isn\u2019t one in which virtue prevails. I wonder how Gray, an artist and an auteur who must navigate the business of Hollywood, has avoided being crushed by a different kind of corporate system. <\/p>\n

\n\t\u201cI have to shut it out because I think it is very damaging to creativity,\u201d Gray says. \u201cI hate it when people call me up and say things like, \u2018This is what\u2019s selling right now, this is what\u2019s hot.\u2019 If I tried to retrofit something so it would sell, it would be very artificial. Steven Spielberg is someone who people hold up as a commercial director. But Steven Spielberg is actually a very sincere director. There\u2019s no cynicism there. He\u2019s not trying to cash in.\u201d<\/p>\n

\n\tNow Gray is rolling, growing more animated and excited as he talks about his desire to make his<\/em> stories, his <\/em>way in a business that wants filmmakers to tailor their creativity to fit the latest fashion.<\/p>\n

\n\t\u201cJust focus on the work, focus on the work,\u201d he says. \u201cIt\u2019s not easy. The system is designed to humiliate you. To keep you in line. Don\u2019t step out of line, don\u2019t fight. If you fight, you\u2019re going to lose, you can be humiliated, and won\u2019t that be awful? Look at the house I got, look at the car I got. I have a new deal at this studio. Do you have one? I got this prize. Did you win one? These are all weapons that are used to humiliate the artist. It can be fatal, if you let it.\u201d <\/p>\n

Read more AI-Created Vintage Adult Film Unveiled at Cannes (EXCLUSIVE)<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Adam Driver and James Gray talk about the Cannes premiere of ‘Paper Tiger’ and how Hollywood abuses artists.<\/p>\n","protected":false},"author":1,"featured_media":229,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[36,3,275,276],"class_list":["post-230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-adam-driver","tag-cannes-film-festival","tag-james-gray","tag-paper-tiger"],"yoast_head":"\nAdam Driver and James Gray on Sneaking Out of the \u2018Paper Tiger\u2019 Cannes Premiere and How Hollywood Abuses Artists: \u2018The System Is Designed to Humiliate You\u2019 - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=230\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Adam Driver and James Gray on Sneaking Out of the \u2018Paper Tiger\u2019 Cannes Premiere and How Hollywood Abuses Artists: \u2018The System Is Designed to Humiliate You\u2019 - Relocation Observer\" \/>\n<meta property=\"og:description\" content=\"Adam Driver and James Gray talk about the Cannes premiere of 'Paper Tiger' and how Hollywood abuses artists.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/relocationobserver.com\/?p=230\" \/>\n<meta property=\"og:site_name\" content=\"Relocation Observer\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-19T12:36:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/05\/3ab4d7b949282aa80843687398e7fd7b.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"563\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=230#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=230\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#\\\/schema\\\/person\\\/2243ff062b31c5195cd0d9f83884e83e\"},\"headline\":\"Adam Driver and James Gray on Sneaking Out of the \u2018Paper Tiger\u2019 Cannes Premiere and How Hollywood Abuses Artists: \u2018The System Is Designed to Humiliate You\u2019\",\"datePublished\":\"2026-05-19T12:36:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=230\"},\"wordCount\":1520,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=230#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/3ab4d7b949282aa80843687398e7fd7b.webp\",\"keywords\":[\"Adam Driver,\",\"Cannes Film Festival,\",\"James Gray,\",\"Paper Tiger\"],\"articleSection\":[\"Film\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/relocationobserver.com\\\/?p=230#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=230\",\"url\":\"https:\\\/\\\/relocationobserver.com\\\/?p=230\",\"name\":\"Adam Driver and James Gray on Sneaking Out of the \u2018Paper Tiger\u2019 Cannes Premiere and How Hollywood Abuses Artists: \u2018The System Is Designed to Humiliate You\u2019 - Relocation Observer\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=230#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=230#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/3ab4d7b949282aa80843687398e7fd7b.webp\",\"datePublished\":\"2026-05-19T12:36:54+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#\\\/schema\\\/person\\\/2243ff062b31c5195cd0d9f83884e83e\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=230#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/relocationobserver.com\\\/?p=230\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=230#primaryimage\",\"url\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/3ab4d7b949282aa80843687398e7fd7b.webp\",\"contentUrl\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/3ab4d7b949282aa80843687398e7fd7b.webp\",\"width\":1000,\"height\":563},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=230#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/relocationobserver.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Adam Driver and James Gray on Sneaking Out of the \u2018Paper Tiger\u2019 Cannes Premiere and How Hollywood Abuses Artists: \u2018The System Is Designed to Humiliate You\u2019\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#website\",\"url\":\"https:\\\/\\\/relocationobserver.com\\\/\",\"name\":\"Relocation Observer\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/relocationobserver.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#\\\/schema\\\/person\\\/2243ff062b31c5195cd0d9f83884e83e\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"caption\":\"admin\"},\"sameAs\":[\"http:\\\/\\\/relocationobserver.com\"],\"url\":\"https:\\\/\\\/relocationobserver.com\\\/?author=1\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Adam Driver and James Gray on Sneaking Out of the \u2018Paper Tiger\u2019 Cannes Premiere and How Hollywood Abuses Artists: \u2018The System Is Designed to Humiliate You\u2019 - Relocation Observer","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/relocationobserver.com\/?p=230","og_locale":"en_US","og_type":"article","og_title":"Adam Driver and James Gray on Sneaking Out of the \u2018Paper Tiger\u2019 Cannes Premiere and How Hollywood Abuses Artists: \u2018The System Is Designed to Humiliate You\u2019 - Relocation Observer","og_description":"Adam Driver and James Gray talk about the Cannes premiere of 'Paper Tiger' and how Hollywood abuses artists.","og_url":"https:\/\/relocationobserver.com\/?p=230","og_site_name":"Relocation Observer","article_published_time":"2026-05-19T12:36:54+00:00","og_image":[{"width":1000,"height":563,"url":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/05\/3ab4d7b949282aa80843687398e7fd7b.webp","type":"image\/webp"}],"author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/relocationobserver.com\/?p=230#article","isPartOf":{"@id":"https:\/\/relocationobserver.com\/?p=230"},"author":{"name":"admin","@id":"https:\/\/relocationobserver.com\/#\/schema\/person\/2243ff062b31c5195cd0d9f83884e83e"},"headline":"Adam Driver and James Gray on Sneaking Out of the \u2018Paper Tiger\u2019 Cannes Premiere and How Hollywood Abuses Artists: \u2018The System Is Designed to Humiliate You\u2019","datePublished":"2026-05-19T12:36:54+00:00","mainEntityOfPage":{"@id":"https:\/\/relocationobserver.com\/?p=230"},"wordCount":1520,"commentCount":0,"image":{"@id":"https:\/\/relocationobserver.com\/?p=230#primaryimage"},"thumbnailUrl":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/05\/3ab4d7b949282aa80843687398e7fd7b.webp","keywords":["Adam Driver,","Cannes Film Festival,","James Gray,","Paper Tiger"],"articleSection":["Film"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/relocationobserver.com\/?p=230#respond"]}]},{"@type":"WebPage","@id":"https:\/\/relocationobserver.com\/?p=230","url":"https:\/\/relocationobserver.com\/?p=230","name":"Adam Driver and James Gray on Sneaking Out of the \u2018Paper Tiger\u2019 Cannes Premiere and How Hollywood Abuses Artists: \u2018The System Is Designed to Humiliate You\u2019 - Relocation Observer","isPartOf":{"@id":"https:\/\/relocationobserver.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/relocationobserver.com\/?p=230#primaryimage"},"image":{"@id":"https:\/\/relocationobserver.com\/?p=230#primaryimage"},"thumbnailUrl":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/05\/3ab4d7b949282aa80843687398e7fd7b.webp","datePublished":"2026-05-19T12:36:54+00:00","author":{"@id":"https:\/\/relocationobserver.com\/#\/schema\/person\/2243ff062b31c5195cd0d9f83884e83e"},"breadcrumb":{"@id":"https:\/\/relocationobserver.com\/?p=230#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/relocationobserver.com\/?p=230"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/relocationobserver.com\/?p=230#primaryimage","url":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/05\/3ab4d7b949282aa80843687398e7fd7b.webp","contentUrl":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/05\/3ab4d7b949282aa80843687398e7fd7b.webp","width":1000,"height":563},{"@type":"BreadcrumbList","@id":"https:\/\/relocationobserver.com\/?p=230#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/relocationobserver.com\/"},{"@type":"ListItem","position":2,"name":"Adam Driver and James Gray on Sneaking Out of the \u2018Paper Tiger\u2019 Cannes Premiere and How Hollywood Abuses Artists: \u2018The System Is Designed to Humiliate You\u2019"}]},{"@type":"WebSite","@id":"https:\/\/relocationobserver.com\/#website","url":"https:\/\/relocationobserver.com\/","name":"Relocation Observer","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/relocationobserver.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/relocationobserver.com\/#\/schema\/person\/2243ff062b31c5195cd0d9f83884e83e","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","caption":"admin"},"sameAs":["http:\/\/relocationobserver.com"],"url":"https:\/\/relocationobserver.com\/?author=1"}]}},"_links":{"self":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/posts\/230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=230"}],"version-history":[{"count":0,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/posts\/230\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/media\/229"}],"wp:attachment":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}