{"id":2366,"date":"2026-06-17T18:37:59","date_gmt":"2026-06-17T18:37:59","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=2366"},"modified":"2026-06-17T18:37:59","modified_gmt":"2026-06-17T18:37:59","slug":"bowen-yang-sarah-sherman-and-kenan-thompson-mull-their-snl-legacy-and-longevity-i-could-do-it-forever","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=2366","title":{"rendered":"Bowen Yang, Sarah Sherman and Kenan Thompson Mull Their \u2018SNL\u2019 Legacy and Longevity: \u2018I Could Do It Forever\u2019"},"content":{"rendered":"<div>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\nBowen Yang is getting a bit nostalgic about his time on \u201cSaturday Night Live.\u201d Yang, who first joined the show as a writer in 2018 (joining the cast the following year), left in December \u2014 and he says it took him a beat to realize just what he had. But when he recently shot this year\u2019s \u201cLas Culturistas Culture Awards\u201d with podcast partner Matt Rogers, it all came flooding back.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=2364\">Variety and CNN\u2019s Actors on Actors Season 24 Breaks Emmys Lineup Record With 178 Million Social Video Views<\/a><\/p>\n<p>\n\t\u201cWhen we did the culture awards, it reminded me very much of the dream factory that was \u2018SNL,\u2019 just on a much smaller scale,\u201d he says. \u201cOf course, it really broke open all these thoughts that I\u2019ve had about \u2018SNL.\u2019 I kind of spun out and started to think about how comedy overall is just like in this interesting spot where I feel like it might be a little undervalued. Because I feel people have a psychological need to have it to cope with the reality of things. Which I think \u2018SNL\u2019 still does. I watch it as a comfort now, and it\u2019s really surreal watching it from the other side, but it\u2019s amazing. It\u2019s how I grew to love it.\u201d<\/p>\n<p>\n\tYang, Kenan Thompson and Sarah Sherman stuck around backstage after the recent \u201cSaturday Night Live\u201d Emmy FYC event at the Television Academy to chat with <em>Variety<\/em> about the show, longevity and their legacies with the \u201cSNL.\u201d While doing so, <em>Variety<\/em> even got Thompson to admit that he might be willing to stay with the shows forever.<\/p>\n<p>\n\tFor starters, as Yang began talking about what it\u2019s been like to leave \u201cSNL\u201d and once again watch as a fan, Thompson had an urgent question: \u201cI\u2019m always asking folks, like, what\u2019s it like outside the walls?\u201d<\/p>\n<p>\n\tHere\u2019s a transcript of that conversation:<\/p>\n<h5>\n\t\tBowen, do you ever think maybe you would come back?\t<\/h5>\n<p>\n<strong>Yang:<\/strong> I don\u2019t have anything lined up to do that. I think you need a project!<\/p>\n<p>\n<strong>Thompson:<\/strong> Bowen, you\u2019re hosting next year, for sure. Absolutely. You\u2019re technically allowed, like you have to. That\u2019s a no-brainer, I would say<\/p>\n<p>\n<strong>Yang:<\/strong> It would be pure fan service if Lorne were to let Kenan host and, like, pull an Eddie Murphy, and have him host while he was on the cast.<\/p>\n<h5>\n\t\tWhich \u201cSNL\u201d hasn\u2019t done since?\t<\/h5>\n<p>\n<strong>Thompson:<\/strong> That wasn\u2019t a Lorne call because Lorne wasn\u2019t there, and I don\u2019t think Lorne would love that kind of thing. I think the audience loved it, but I heard it was tumultuous amongst the cast.<\/p>\n<p>\n<strong>Yang:<\/strong> That would not be the case now!<\/p>\n<p>\n<strong>Sherman:<\/strong> I\u2019ll call him. I\u2019ll text him.<\/p>\n<h5>\n\t\tWell, I\u2019m always curious for you, Kenan, having been through this, where you see people arrive, you mentor them, and then they eventually go off and do their thing. What is that like for you? In some ways, you\u2019re always being left behind at the high school.\t<\/h5>\n<p>\n<strong>Thompson:<\/strong> It\u2019s sad. There\u2019s a sadness to it, because it\u2019s like, you start to become like somewhat of an empty nester in that specific person\u2019s lane. Now my child has gone off to college, kind of thing. They come back around, but it\u2019s just a different dynamic, and it\u2019s always emotional, especially with the ones that work the hardest. And the ones that are the best of people, it seems are always the ones that catch you off guard. For some reason I just assume everybody\u2019s just gonna stay forever, because I\u2019ve been allowed to do so. So I\u2019m thinking like that\u2019s the new page, we all just stay multiple digit years. No one ever really has to leave, or why would you ever leave?<\/p>\n<h5>\n\t\tBowen, why would you ever leave?\t<\/h5>\n<p>\n<strong>Yang: <\/strong>Well, for me it\u2019s a skill transfer. I would not have been able to do the Culture Awards without the skills I learned at \u201cSNL.\u201d Now, the skills don\u2019t have to transfer, if this is what you are the best at doing, better than anybody else in the literal world \u2014 which is just a fact that Kenan Thompson is one of the best sketch performers ever. He\u2019s where he belongs, he\u2019s thriving in that belonging. And then for Sarah, it\u2019s like those skills transfer on to her putting on this indelible, singular kind of stand-up special.<\/p>\n<p>\n<strong>Sherman<\/strong>: That\u2019s why I pay him to hang out with me.<\/p>\n<h5>\n\t\tWell, Sarah, what are your thoughts on that? How long do you want to be on \u201cSNL\u201d? Are you pre-sad thinking about, \u201cwhat\u2019s my life going to be like when I do leave?\u201d\t<\/h5>\n<p>\n<strong>Sherman<\/strong>: Well, Kenan and Bowen both did the unthinkable, which is, they were able to work on big other projects outside the show, while simultaneously being on the show. [To Thompson:] You were doing your show at the same time, and [To Yang\u201d] you were flying back and forth for \u201cWicked.\u201d [Thompson\u2019s NBC sitcom \u201cKenan\u201d] was during my first season, and then two seasons ago, [Yang] was flying back and forth to London for \u201cWicked.\u201d I\u2019ve been on the show five years, and all I\u2019ve managed to squeeze out is a stand-up special \u2014 and that\u2019s on my off time. It\u2019s hard. I don\u2019t know how you guys did it. I think about Aidy [Bryant] all the time, how she did all of \u201cShrill\u201d while she was at SNL. There\u2019s so many people who were able to.<\/p>\n<p>\n<strong>Thompson:<\/strong> Fred [Armisen] did a whole other sketch show [\u201cPortlandia\u201d] while doing this sketch show, which is the craziest version of that. We are all like, how the fuck do you take an idea and decide where it goes?<\/p>\n<p>\n<strong>Sherman<\/strong>: Were there rejected sketches from \u201cSNL\u201d that ended up on \u201cPortlandia\u201d?<\/p>\n<p>\n<strong>Thompson<\/strong>: I\u2019ve never seen a thing that I\u2019ve heard before on \u201cPortlandia.\u201d<\/p>\n<h5>\n\t\tI\u2019m assuming \u201cPortlandia\u201d was different enough of a show from \u201cSNL\u201d that he was able to balance it.\t<\/h5>\n<p>\n<strong>Sherman:<\/strong> It\u2019s like, is the \u201cSNL\u201d audience gonna get this character that has gages in their nose?<\/p>\n<p>\n<strong>Thompson: <\/strong>There wasn\u2019t anything close to, like, \u201cThe Californians\u201d or anything. It was its own thing, which is crazy. Like, Fred was the first person that helped me actually catch on to the fact that, all of our bits are sketch-worthy \u2014 if you can find a way to expand it. Because a lot of times we were just doing bits in the hallway, passing the time, doing silly stuff to keep the stress away, or keep nerves away. But Fred would actually document these things that were making us laugh, and then he\u2019d break it down, turn it into an idea. We were laughing about how California people give directions, and that became a whole thing.<\/p>\n<p>\n<strong>Sherman: <\/strong>Bowen was making fun of the way people talk to each other sometimes at work, like when you\u2019re stressed out, it gets kind of passive aggressive. They\u2019ll pitch someone a sketch, like, \u201cmaybe we should both play donuts in a cop\u2019s butt,\u201d or whatever. And then someone will be afraid of saying no and doing a hard rejection, so they go, \u201cuhhh\u2026 yeah!\u201d<\/p>\n<p>\n<strong>Yang<\/strong> [sarcastically]: And it turned into a wildly successful sketch.<\/p>\n<p>\n<strong>Sherman: <\/strong>But you always know what\u2019s funny enough to be a sketch.<\/p>\n<p>\n<strong>Yang: <\/strong>I had varying success with that. But there are people like Fred who take an observation, and package it and transmute it, and can see the utility of something and tailor it to the show.<\/p>\n<h5>\n\t\tWhat\u2019s it like once you\u2019re no longer the newbie, but you\u2019ve become a tenured \u201cSNL\u201d player, and then you become sort of an elder statesman? Is there a moment where you feel like that switch has happened? When did that happen for all of you? And Sarah, are you now feeling that now, since you\u2019ve been there five years?\t<\/h5>\n<p>\n<strong>Sherman:<\/strong> Well, that\u2019s my problem. \u201cOh, you\u2019re a vet, you\u2019ve been there for five years.\u201d But new people come in, and I\u2019m like, \u201cDo you guys like think I\u2019m cool?\u201d<\/p>\n<p>\n<strong>Yang: <\/strong>I can clock that moment for Sarah. And it\u2019s not about utility again, but it\u2019s the fact that she\u2019s reliably someone that the show can put into, let\u2019s say, a Weekend Update slot, and be like, \u201cYou\u2019re playing another animal of note in the news,\u201d and she\u2019s the go-to.<\/p>\n<p>\n<strong>Sherman <\/strong>[to Yang]: You are the reason that people put me in \u201cstraight man\u201d characters now. I came in and I look crazy and I act crazy, so people were like, \u201cOh, she\u2019ll do whatever, her own thing.\u201d But Bowen and Sudi [Green] and Celeste [Yim[ were writing me always as the straight girl in the sketch, going, \u201cYou\u2019re acting crazy.\u201d No one was doing that. In my first two seasons, I was in, like, one sketch a show,. But because of you guys, you would put me in sketches going, \u201cHey, now that\u2019s pretty bizarre behavior!\u201d<\/p>\n<p>\n<strong>Yang:<\/strong> And how can we deny that?<\/p>\n<h5>\n\t\tBowen, do you remember your transformation, the moment where you went from newbie to vet?\t<\/h5>\n<p>\n<strong>Yang<\/strong>: I think there\u2019s a thing that happens when you\u2019ve got to hold the center in a cold open. Where you go, \u201cOK, I really got to ratchet this up, so that the ball is high up in the air for the rest of the show.\u201d<\/p>\n<p>\n<strong>Sherman: <\/strong>The one where you were on the piano as George Santos, that was crazy. That was a full Broadway number that was getting literally edited to the second he went on stage, changing full song lyrics, and then having to do a whole new song five seconds before air. You won\u2019t be seeing me doing that.<\/p>\n<p>\n<strong>Thompson<\/strong>: The cold open is definitely the mature territory of the show. That\u2019s where it feels like the adults are, \u201cwhat do you got this week to start us off?\u201d kind of thing, because it\u2019s usually so political and so heady a lot of the time, but only in undertone, and then everything else is the silly version of what we all do, like the impressions. So yeah, anytime you have some sketch catered around you that\u2019s in the cold open, that\u2019s a mature experience there. You feel like, \u201coh, I know how to do this kind of thing,\u201d once it goes well.<\/p>\n<h5>\n\t\tBowen, going back to what you were saying about comedy, and how tough it is to even find joy in comedy right now. How tough is it right now, being on this show, and everyone\u2019s thinking about the dark stuff going on in the world. But maybe you just want to do a fun, ridiculous sketch. Is it tougher? Are you feeling more distracted?\t<\/h5>\n<p>\n<strong>Thompson: <\/strong>For me? No, I tend to stay in the playful. So, yes, I\u2019m aware, and I read a lot. But I also know that this is an escape for a lot of people. There are plenty of shows that are going to break down what\u2019s happening in the world. By the time it gets to Saturday, it feels like we\u2019ve had enough of that, and we would like another version of escapism. I like to service that, that\u2019s where it\u2019s fun for me. When it\u2019s so serious, and it gets heady, that\u2019s when it gets hard, it becomes a job for real. So I pity the writers more, because I feel like even if they don\u2019t write political humor, they\u2019re very aware of the circumstance of every single joke idea, and how it may land. I\u2019m more trying to just put a ball cap on and do, like, a silly security guard, that kind of stuff.<\/p>\n<p>\n<strong>Yang<\/strong>: I feel like that is like the essence of it, right?<\/p>\n<p>\n<strong>Thompson<\/strong>: \u201cSilly, silly.\u201d<\/p>\n<p>\n<strong>Yang<\/strong>: \u201cSilly, silly,\u201d which is, between the three of us, our favorite thing. But I just mean, in terms of the current TV landscape, it\u2019s like, comedy is expected to be served with some rounded-out gravitas.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=2362\">Lil Nas X Opens Up About Bipolar Diagnosis and Improved Mental Health: \u2018Black, Gay and Bipolar? I\u2019m Living Life on Extreme Hard Mode\u2019<\/a><\/p>\n<h5>\n\t\tHas to make you cry.\t<\/h5>\n<p>\n<strong>Yang: <\/strong>I love these shows just as much as anyone else, but there\u2019s something about the job of \u201cSNL\u201d that I undervalued in myself. Where I was like, we gotta just have the silly and relief with the obviously dark stuff that we can\u2019t necessarily face head on. Unless it\u2019s in the cold open, or that Colin [Jost] and [Michael] Che kind of have more of a direct line to.<\/p>\n<p>\n<strong>Sherman<\/strong>: Lorne calls it \u201chard comedy.\u201d You have to have a joke-per-minute pace. There has to be a bunch of jokes. There\u2019s not that many things on TV that are hard comedy. But there just because we have to generate so much new stuff every week, it\u2019s kind of hard not to wade a little bit into the darkness. You have to come up three sketches a week, and it\u2019s like, the only thing I\u2019m thinking about is ICE. And then I write a crazy Weekend Update where I\u2019m an ICE guy, shooting up steroids and being like, \u201cI\u2019m a fucking Nazi!\u201d And then I do it at table, and everyone\u2019s like, \u201cWhoa!\u201d And then it bombs and you\u2019re like, \u201criiight.\u201d It\u2019s impossible to avoid becaus it\u2019s all around you, it\u2019s all you think about, and you\u2019re just writing what\u2019s happening. But I trust that everybody\u2019s instincts around me are pretty right. So if everybody\u2019s like, \u201cthat character you\u2019re doing is scary and not funny, no one wants to see that right now,\u201d I\u2019m like \u201cOK, I won\u2019t be doing that, thank you!\u201d<\/p>\n<p>\n<strong>Yang:<\/strong> But then Sarah can do a looksmaxxing piece that\u2019s dark, but is ultimately so funny. And just to contain that in three minutes or less in an Weekend Update piece, it\u2019s like, \u201coh well, that\u2019s virtuosic.\u201d<\/p>\n<h5>\n\t\tKenan, are there any characters or bits or sketches from your early days that you would love to revisit one day?\t<\/h5>\n<p>\n<strong>Thompson:<\/strong> It\u2019s so funny, Brian Tucker pulled a sketch out from 12 or 13 years ago that got cut at dress rehearsal and got cut again.<\/p>\n<p>\n<strong>Yang<\/strong>: No! Which one?<\/p>\n<p>\n<strong>Thompson<\/strong>: It\u2019s called \u201cThe Devin Avery Show,\u201d and the bit is he\u2019s a talk show host that just goes along with the guests. He\u2019s always pingponging, getting mad, but then they say something that\u2019s valid, he immediately agrees with them. It\u2019s a lot of fun to read, and we\u2019re getting close to it, but it fell short again.<\/p>\n<p>\n<strong>Sherman<\/strong>: But it\u2019s that rare sketch that gets funnier as it goes.<\/p>\n<p>\n<strong>Thompson<\/strong>: It was crazy that he just pulled something up from so long ago that I was like, \u201coh yeah, I remember this was like a fun game.\u201d We do a lot of fun game sketches, where the game of the sketch is a lot of fun. But making it an actual sketch that works is really hard. It\u2019s a hard bullseye to hit.<\/p>\n<h5>\n\t\tAnother thing that you changed, Kenan, is you no longer kick off SNL broadcasts with the crowd warm-up before the show starts. You\u2019d been doing that for so many years, because I was going to SNL tapings 20 years ago, and you were doing it then, entertaining the crowd with a song and dance before the show. Even three years ago you were still doing it. I was impressed with your commitment.\t<\/h5>\n<p>\n<strong>Thompson:<\/strong> It was a long walk down that road, and speaking of being on the other side of things, that\u2019s my closest version of experiencing something that\u2019s a new dynamic in my life. Because I\u2019m not stressed about the show at all anymore. I used to stress about the warm-up only. It\u2019s an old showbizzy kind of thing to warm up the audience, but it\u2019s also a legendary comedy show, and then here you are doing karaoke.<\/p>\n<h5>\n\t\tYou had to have high energy at the start of the show, every week.\t<\/h5>\n<p>\n<strong>Thompson<\/strong>: When the song doesn\u2019t work, the song really doesn\u2019t work1<\/p>\n<p>\n<strong>Yang<\/strong>: Or if you had your sketch cut at dress and you got to go back up there.<\/p>\n<p>\n<strong>Thompson<\/strong>: All of that. Pushing emotion to the side and just focusing on the micro job at hand. It was the only thing that would have me pacing around. And then once I did it, I would be like, \u201cthank God, now we can do the show,\u201d which is crazy.<\/p>\n<p>\n<strong>Sherman<\/strong>: Was all the anxiety for the show like a defense mechanism, packaged up?<\/p>\n<p>\n<strong>Thompson<\/strong>: No, it was just because no one came to see [the warm-up]. They came to see sketches. They were fine with the band just playing jazz for 40 minutes.<\/p>\n<p>\n<strong>Yang<\/strong>: But they were seeing Kenan Thompson singing live, that\u2019s pretty cool.<\/p>\n<p>\n<strong>Thompson<\/strong>: It\u2019s like, \u201cby the way, we want to sing you this song real quick, and hope you like it!\u201d<\/p>\n<h5>\n\t\tAnd it was never televised, so people never actually got to see your warm-up, even though you put so much effort into it.\t<\/h5>\n<p>\n<strong>Thompson<\/strong>: It was a in-the-room surprise gift or not gift, kind of thing, depending on how you take it. But it always felt somewhat forced, and that would make me nervous. Now, to not have that anymore, I\u2019m like, man, if I\u2019m not in the cold open or the first sketch or the monologue, I\u2019ve got like 25 minutes still into the show to just relax! Craziness.<\/p>\n<h5>\n\t\tSo this means you have another good like 10, 15, 20 years on the show now, right?\t<\/h5>\n<p>\n<strong>Thompson<\/strong>: I could do it for forever, if that\u2019s the case. You know what I mean, because, I\u2019m completely fearless when it comes to doing shows. Writing stresses me out. Like, Tuesday night is a stressful night, or Wednesday is a stressful time. But Saturday is cake now. It\u2019s amazing.<\/p>\n<p>\n<strong>Yang<\/strong>: I love that.<\/p>\n<h5>\n\t\tI asked Bowen what he misses most about the show. So, what do you guys miss about not having Bowen around?\t<\/h5>\n<p>\n<strong>Sherman<\/strong>: Literally, one of the writers said to me, \u201cWhen Bowen\u2019s gone, no one is gonna laugh at anything you do at table.\u201d To this person\u2019s credit, I would come out in a scene and be like, \u2018Your waters,\u201d and he would be like, \u201cgirrrrrl!\u201d Dying. Anything I said!<\/p>\n<p>\n<strong>Thompson<\/strong>: You guys had a supportive dynamic friendship, yes. It\u2019s just a supportive, lovely energy and it never felt disingenuous.<\/p>\n<p>\n<strong>Yang<\/strong>: I think she\u2019s the funniest woman.<\/p>\n<p>\n<strong>Sherman<\/strong>: He kills me. He has a Bowen way!<\/p>\n<p>\n<strong>Thompson<\/strong>: It\u2019s nice to see that. It\u2019s also nice to see everyone\u2019s nuanced sense of humor, because we\u2019ll all laugh really hard at individual things, random ass things, and that\u2019s always really fun. To be like, \u201coh, look, that one really got Bowen,\u201d or, \u201cthat one really got Tommy.\u201d<\/p>\n<p>\n<strong>Sherman<\/strong>: There\u2019s always one line in a Bowen sketch where it\u2019s a new kind of catchphrase when he says something.<\/p>\n<h5>\n\t\tOK, let\u2019s embarrass Kenan now. I mean, when you came to the show and there\u2019s the legend Kenan Thompson, what was that like getting to know him? And how he was just this reassuring presence from the start?\t<\/h5>\n<p>\n<strong>Sherman<\/strong>: He\u2019s never sweating, even though you were just saying you sweat that open, I had no idea. He\u2019s never sweating. So it\u2019s like, you\u2019ll be all twisted up and rocking back and forth, so mad about something, or anxious about something, and he\u2019s so zen that it gives you perspective. And then, one day we were walking down the hallway in my second year, I\u2019ll never forget this. And I was like, \u201cit\u2019s cold in here.\u201d Literally, 15 minutes later, I have a space heater in my room with a note from Kenan. He doesn\u2019t have to be nice to anyone! He doesn\u2019t have to talk to anyone, he doesn\u2019t have to listen. He\u2019s still putting in effort to be nice to everyone and making everyone feel comfortable and welcome.<\/p>\n<p>\n<strong>Yang<\/strong>: There\u2019s every kind of behavior modeling going on with Kenan. It\u2019s like, \u201coh, this is how I should arrive on time. I should deliver a note this way. I should give feedback in this way, I should advocate for myself.\u201d It is always the most natural. It\u2019s never didactic, it\u2019s never him pulling you aside and being, \u201cthis is how you should do the job.\u201d It is by example, always.<\/p>\n<p>\n<strong>Sherman:<\/strong> I will watch Kenan in rehearsal, and even though our job sometimes is, all we\u2019re there to do is say a line, he\u2019s so good at the job that he\u2019ll be paying attention to the camera shots. He\u2019s like, \u201cit should be on that camera,\u201d and it\u2019s like, \u201cright! We should be producing and directing.\u201d He\u2019s really good at the job. I\u2019m like, oh yeah, I should be paying attention to that kind of stuff!<\/p>\n<p>\n<strong>Yang<\/strong>: It\u2019s literally community building.<\/p>\n<h5>\n\t\t\u201cWhat Would Kenan Do?\u201d\t<\/h5>\n<p>\n<strong>Sherman<\/strong>: What Would Kenan Do! \u201cRegard the cards!\u201d And all the producers, when you first get there, they\u2019re like, \u201cwatch the way Kenan moves, and just learn from him.\u201d And you\u2019re like, OK. The way he looks at cards, the way he does it all.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=2360\">Walter Parazaider, Chicago Co-Founder, Flutist and Sax Player, Dies at 81<\/a><\/p>\n<p>\n<strong>Thompson<\/strong>: I love you both. I can\u2019t handle that!<\/p>\n<p>\n<strong>Sherman<\/strong>: That\u2019s why he\u2019s got his sunglasses on.<\/p>\n<p>\n<strong>Yang<\/strong>: He\u2019s sobbing underneath.<\/p>\n<p>\n<strong>Thompson<\/strong>: Full tears.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;SNL&#8221; superstars Bowen Yang, Sarah Sherman and Kenan Thompson discuss their legacy on the show, Yang&#8217;s departure and why Thompson could do it forever.<\/p>\n","protected":false},"author":1,"featured_media":2365,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[1461,2010,2011,1716],"class_list":["post-2366","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tv","tag-bowen-yang","tag-kenan-thompson","tag-sarah-sherman","tag-saturday-night-live"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bowen Yang, Sarah Sherman and Kenan Thompson Mull Their \u2018SNL\u2019 Legacy and Longevity: \u2018I Could Do It Forever\u2019 - 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