{"id":2493,"date":"2026-06-19T08:35:58","date_gmt":"2026-06-19T08:35:58","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=2493"},"modified":"2026-06-19T08:35:58","modified_gmt":"2026-06-19T08:35:58","slug":"hayley-kiyokos-feature-film-girls-like-girls-took-a-decade-to-make-now-that-its-here-she-hopes-its-just-the-beginning-for-sapphic-media","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=2493","title":{"rendered":"Hayley Kiyoko\u2019s Feature Film \u2018Girls Like Girls\u2019 Took a Decade to Make. Now That It\u2019s Here, She Hopes It\u2019s Just the Beginning for Sapphic Media"},"content":{"rendered":"
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\n\t\u201cGirls Like Girls\u201d has been a long time in the making.<\/p>\n

Originally released as a music video in 2015 by musician Hayley Kiyoko, the tune with the lyrics \u201cGirls like girls, just like boys do\u201d quickly became a sapphic anthem, amassing 163 million views on YouTube to date.<\/p>\n

\u201cAfter we released the music video, I saw thousands of comments from fans saying, \u2018I wish I could go see a film like this. I thought to myself: I\u2019ve<\/em> never been able to see a movie like this before,\u201d Kiyoko tells Variety<\/em>. \u201cIt planted this seed, and it\u2019s been an extreme challenge of 10 years convincing the industry and the world that our voice matters; that being a queer woman of color is not niche, it is mainstream. There are millions of us, and we deserve to have stories that we can count beyond just our two hands.\u201d<\/p>\n

Read more APOS 2026 Takeaways: IP, Sport, AI Define Asia\u2019s New Content Era<\/a><\/p>\n

\n\tKiyoko\u2019s feature film, which opens in theaters nationwide on June 19, is an expansion of the music video of the same name. \u201cGirls Like Girls\u201d follows Coley (Maya Da Costa), a teenager who finds herself falling for her best friend, Sonya (Myra Molloy). After meeting through a chance encounter, the two grow closer, exchanging IM\u2019s and hanging out in every spare moment, eventually sharing a kiss after Coley opens up about her dead mother. Unable to deal with her growing feelings for Coley, Sonya (who also has a boyfriend) starts pushing Coley away, leaving the latter to navigate her growing pains alone.<\/p>\n

\n\tColey regains her footing with the help of her father (Zach Braff) and begins working at a restaurant, where she runs into Sonya after months of silence. The two finally tackle the elephant in the room, with Sonya admitting she wants to be with Coley but still views it as \u201cwrong,\u201d much to Coley\u2019s distress. The tense, tear-filled scene is also the first one Da Costa and Molloy performed together after Kiyoko brought the pair back for a chemistry read.<\/p>\n

\u201cThere was this moment where I forgot that I was in the room and I thought I was watching the movie,\u201d Kiyoko recalls, adding that she felt supported by her studio to cast two actors of Asian descent. \u201cI remember thinking: They\u2019re the ones. This is the movie I\u2019m going to be watching.\u201d<\/p>\n

For Kiyoko, who is Japanese American, seeing herself represented onscreen was non-negotiable. The story of \u201cGirls Like Girls\u201d is based on Kiyoko\u2019s own experiences, down to being set in the year 2006. \u201cYou can\u2019t control losing a location, having to pivot or cut a day of shooting. What you can control is making sure that it feels real and authentic,\u201d she says. \u201cIf I didn\u2019t connect to it, then we had to adjust or shift to make sure that I saw myself in this story, and I had to trust that my experience would be able to resonate with other people.\u201d<\/p>\n

Kiyoko originally began fleshing out the girls from the music video for her 2023 novel (also titled \u201cGirls Like Girls\u201d), on which the film is loosely based. When it was time to figure out Coley as a character, Kiyoko once again turned to a source close to her: Her mother. One of film\u2019s saddest lines comes during Coley\u2019s period of solitude, where she tells Braff\u2019s character that her mother died without ever really knowing her.<\/p>\n

\u201cMy mom lost her mom when she was really young, and I always empathize with the fact that had she been queer, what that would have been like to never really know her full self,\u201d explains Kiyoko. \u201cBeing queer is not our entire personality, but it\u2019s a huge part of who we are. There are so many of us who aren\u2019t accepted by family and are searching for their chosen family; it\u2019s really hard to process the fact that so many people are conditioned to have their love be conditional, and to not want to know all of us.\u201d<\/p>\n

\n\tColey is an easy character to sympathize with. Young, new to town, and inching out of the closet slowly isn\u2019t an easy feat for anyone, especially if said move is due to the recent death of a parent. While it makes Sonya\u2019s hot-and-cold behavior hard to watch, there\u2019s something to be said about her trying desperately to figure out who she is as well. <\/p>\n

Read more Viva Kids Acquires Three New Animated Films as Upcoming Releases \u2013 Film News in Brief<\/a><\/p>\n

\n\t\u201cTo be honest, it\u2019s taken me a long time to navigate Sonya\u2019s character and find that line of empathy, and also the messiness,\u201d says Kiyoko. \u201cWhen you\u2019re a kid, you\u2019re navigating things for the first time, so you\u2019re not necessarily going to say the best things or handle it the right way. It was important for me to highlight that doesn\u2019t mean that you\u2019re a bad person, but there was a line of having accountability within your actions.\u201d<\/p>\n

Much has changed for Kiyoko in the decade since the characters of Sonya and Coley were created.When the music video first aired, Kiyoko, then 24, was terrified of coming out in such a public manner, which wasn\u2019t helped by the fact that the only outlet that premiered the video was AOL.com. Over ten years later and now engaged, she\u2019s become somewhat of a queer icon and has been dubbed \u201cLesbian Jesus\u201d by fans.<\/p>\n

Said fans have grown up alongside her, too. Multiple people have told Kiyoko that the \u201cGirls Like Girls\u201d universe helped them figure out their sexuality as young teens and pre-teens, and they are now able to buy tickets to the film with their friends and community.<\/p>\n

There\u2019s a certain pressure on the movie to deliver in both terms of content and box office numbers as well, one that Kiyoko feels immensely.<\/p>\n

\u201cSapphic love stories aren\u2019t told all the time. And if they are, it\u2019s once every decade, or we don\u2019t have a theatrical release, or we have a TV show that gets canceled after one season,\u201d says Kiyoko. \u201cJust as women in general, it\u2019s harder to be able to get into those rooms. 5% of women of color directors represent the entire industry, so you\u2019re starting a journey where there\u2019s already a massive hill to climb, beyond what the story is going to be.\u201d<\/p>\n

\u201cI feel like sapphic-led films are so behind gay male culture, and every person in the alphabet deserves to have their stories told and amplified,\u201d adds Kiyoko when asked about the success of gay male media, which she feels gets the greenlight more frequently. With \u201cGirls Like Girls,\u201d the hope is it will signal to studios that there is a demand for representation, especially if done accurately. <\/p>\n

When queer women are<\/em> depicted on-screen, there\u2019s often the problem of them being objectified or fetishized, treated as a punchline or something sensual for a man to be pleased by. \u201cThroughoutmy career, people have mentioned to me how non-sexualized my stories are; how grounded and real they feel, and they always ask me why,\u201d says Kiyoko. \u201cIt\u2019s because I\u2019m a woman, and I have experienced this kind of love. A lot of our representation wasn\u2019t necessarily told through an authentic lens for so long, so that stereotype and that narrative was created from someone who had never experienced what we\u2019ve experienced.\u201d<\/p>\n

\n\tIt\u2019s clear that Kiyoko is in charge of her own story \u2013 and that\u2019s why she changed the ending.<\/p>\n

The movie ends with a shot of the girls sitting by the pool, with Sonya\u2019s head resting on Coley\u2019s shoulder. When the credits begin playing, viewers who\u2019ve seen the music video may experience some d\u00e9j\u00e0 vu.
In the 2015 track, Sonya\u2019s boyfriend finds them by the pool and starts cussing them out, pushing Coley to the ground, who, in turn, punches him. It\u2019s by far the most dramatic scene of the video, leaving a bruised and bloody but smiling Coley to bike home after sharing a kiss with Sonya.<\/p>\n

\u201cI tried it a couple of different ways,\u201d Kiyoko says about figuring out her film\u2019s conclusion. \u201cI ended up realizing that if I did the original ending, it would have made it all about him. I didn\u2019t want the last beat to be about him, because this story is about the girls.\u201d<\/p>\n

\u201cColey and Sonya have been on a very beautiful, long journey of continually peeling this onion down to the most authentic version of the story, which is this film,\u201d says Kiyoko, who hopes that her next directing opportunity won\u2019t take another decade. She aims to continue to get sapphic stories \u201ctold and seen.\u201d<\/p>\n

\n\tAs for what happens to the girls next? It\u2019s up to the viewer where they go from here.<\/p>\n

Read more Anne Curtis Leads Mikhail Red\u2019s Manila Paranoia Thriller \u2018Remote\u2019 (EXCLUSIVE)<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Hayley Kiyoko breaks down the creative process behind her film “Girls Like Girls” and sapphic representation.<\/p>\n","protected":false},"author":1,"featured_media":2492,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2120,2121],"class_list":["post-2493","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-girls-like-girls","tag-hayley-kiyoko"],"yoast_head":"\nHayley Kiyoko\u2019s Feature Film \u2018Girls Like Girls\u2019 Took a Decade to Make. 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