{"id":2877,"date":"2026-06-24T16:08:32","date_gmt":"2026-06-24T16:08:32","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=2877"},"modified":"2026-06-24T16:08:32","modified_gmt":"2026-06-24T16:08:32","slug":"supergirl-review-milly-alcock-takes-charge-in-a-dystopian-superhero-movie-so-flat-its-super-horrendous","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=2877","title":{"rendered":"\u2018Supergirl\u2019 Review: Milly Alcock Takes Charge in a Dystopian Superhero Movie So Flat It\u2019s Super-Horrendous"},"content":{"rendered":"
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\n\tLast summer\u2019s reboot of \u201cSuperman\u201d was a movie that provoked reactions all over the map. Some liked it, some didn\u2019t, but even if (like me) you were in the positive camp, the movie was trying to be so many things at once that your appreciation for how close it came to echoing the vibe and style of comic books might have scraped up against your feeling that it was all a bit\u2026busy<\/em>. That said, there was one thing about \u201cSuperman\u201d that perhaps the whole world could agree on: In that 12-minute-long argument between Clark Kent and Lois Lane (mostly a very good scene), the moment when Clark made the case that Superman\u2019s wholesome valor was \u201cpunk rock\u201d\u2026 well, that<\/em> was cringe. The second you call anything \u201cpunk rock,\u201d it has ceased, in that moment, to be \u201cpunk rock.\u201d (It has instead become lame.) And Superman calling what he<\/em> does \u201cpunk rock\u201d is super-cringe.<\/p>\n

Read more \u2018My Life With the Walter Boys\u2019 Season 3 to Premiere on Netflix in August (TV News Roundup)<\/a><\/p>\n

\n\tIn that light, here\u2019s the key thing to know about \u201cSupergirl,\u201d the second outing from James Gunn\u2019s DC Studios: The entire movie thinks it\u2019s \u201cpunk rock.\u201d It opens with Krypto the superdog peeing on a newspaper headline about Superman saving a small town. From there, the film introduces us to Kara Zor-El (Milly Alcock), who rather than being the spunky Supergirl of legend, saving earthly lives in a primary-colored spandex suit, is an interplanetary drunk in a Blondie T-shirt (how punk rock!), bopping from one arid dystopia to the next, seeking out junk-heap bars on junk-heap planets, getting into fights set to razory anthems by Wet Leg and Halsey. The villain, Krem of the Yellow Hills, is an overly derivative \u201cMad Max\u201d reject, played by the Belgian actor Matthias Schoentaerts with a shaved head and scraggly ponytail and rows of silver pellets piercing his face and an accent that might be from Transylvania \u2014 think the Lord Humungus meets Pinhead meets Adam Sandler. We\u2019re told that Krem, a human trafficker who leads a group of space pirates known as the Brigands, possesses the strength of 10,000 men. But we\u2019d be happier if he had the magnetism of one interesting one. \u00a0\u00a0\u00a0<\/p>\n

\n\tThe Australian actress Milly Alcock is 26, but as Kara she has the look and aura of someone younger, with a touch of wild-child \u201970s androgyny. She\u2019s like Kristy McNichol crossed with the Feral Kid from \u201cThe Road Warrior\u201d in oversize Penny Lane sunglasses. Alcock is likable enough (underneath it all, she often seems like Little Orphan Annie with desert-wastrel hair), but the character as written is so one-note that it\u2019s hard to have much investment in what she\u2019s up to.<\/p>\n

\n\tOf course, maybe that\u2019s because the movie has no story! As Kara plays hooky from her life on Earth (just because), we see Krem commit a pair of brutish actions that set off what passes for the plot of \u201cSupergirl.\u201d The beloved terrier Krypto gets shot with a poison dart that will kill him in 72 hours; that\u2019s how long Kara has to retrieve the antidote. And then there\u2019s the matter of Ruthye Marye Knoll (these names! Are they trying to make the \u201cStar Wars\u201d prequel monikers look elegant?), who watches Krem slaughter her entire family, starting with her father, who\u2019s an artisan of weapons. She\u2019s able to salvage one of his swords (an artifact that feels very sub-\u201cLord of the Rings\u201d), and she now has one agenda: to get her revenge by killing Krem. We know that because Eve Ridley, as Ruthye, never stops declaiming this goal or deviating from her tone of stoic petulance.<\/p>\n

\n\tKill Krem! Save the dog! Those are the motivations driving the entire not-even-interesting-enough-to-be-convoluted plot of \u201cSupergirl.\u201d Maybe that\u2019s why the movie is full of action yet numbingly flat.<\/p>\n

Read more \u2018The Other Bennet Sister\u2019 Sets Christmas Special at BritBox and BBC<\/a><\/p>\n

\n\tKara has a backstory, which turns out to be an overinflated CGI bummer. Superman\u2019s version of my-home-turned-into-the-apocalypse was at least short and sweet: His planet was getting ready to blow up, so his father, Jor-El, stowed him as an infant into a spaceship, and it landed on Earth. All very clean and mythological. But Kara, who is Superman\u2019s cousin (she\u2019s the daughter of Jor-El\u2019s brother, Zor-El), was born eight years after Krpyton began to implode. The punk-rock dystopia surrounded her from the outset. So by the time she\u2019s<\/em> packed into a spaceship, she\u2019s losing the family she loves. All of which could have made her a comic-book heroine with a haunted underside, if the move had<\/em> a haunted underside.<\/p>\n

\n\tJames Gunn, along with Peter Safran, knew that he was launching DC Studios right into the teeth of superhero fatigue. Gunn got asked a lot about how he was going to avoid that, and the key thing he said was: We\u2019re not going into production on any movie until the script we have is rock-solid. For that was the overriding problem with the superhero overkill era: The films had lousy scripts, which were used as grids on which to layer the visual effects. Gunn was right to want to take the comic-book genre back to well-structured screenwriting basics. So what has he done in his second DC outing? He\u2019s given us a comic-book movie with the worst script I can remember. (It\u2019s by Ana Nogueria.)<\/p>\n

\n\tI\u2019ve never bought the idea that movies were ruined by \u201cJaws\u201d and \u201cStar Wars,\u201d but watching \u201cSupergirl\u201d you might well think that they were ruined by the Mos Aisley Cantina scene of \u201cStar Wars.\u201d Because that<\/em> seems to be the movie\u2019s dominant influence. One set piece after another features rubbery creatures with heads like melting anvils and tentacles coming out of strange places, as if this, after 50 years, was still charming and awesome. (Industrial Light & Magic is one of the film\u2019s visual-effects houses.) Actually, the cantina scene was corny even back then, and creatures like these now make you feel trapped in a Muppet movie.<\/p>\n

\n\t\u201cSupergirl\u201d plods along, poised between sodden spectacle and snark. Jason Momoa shows up as Lobo, a stogie-sucking bounty-hunter biker who\u2019s groomed like a lost member of Kiss, and he gives the film a jolt of untidy energy. David Corenswet pops up for a few scenes as Superman, and that\u2019s enough to make you wish that it wouldn\u2019t take the whole damn movie for Kara to accept her Supergirl identity. \u201cHe sees the good in everyone,\u201d she says of her super-cousin, \u201cand I see the truth.\u201d Dark! I was shocked to see that the director, Craig Gillespie, who made the arresting \u201cI, Tonya\u201d and the fabulous \u201cCruella,\u201d could churn out a piece of product this generic in its action and its attitudinizing. What happened to his barbed humanistic wit? Maybe Gillespie, who\u2019s Australian, convinced himself that the \u201cMad Max\u201d Lite trappings of \u201cSupergirl\u201d make it a subversion of the genre. It\u2019s all so desperate to be \u201cpunk rock.\u201d But \u201cSupergirl\u201d is a punk crock.<\/p>\n

Read more Netflix\u2019s \u2018La Bola Negra\u2019 Sets Four-Week Theatrical Run Before Streaming Debut<\/a><\/p>\n<\/div>\n<\/div>\n

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\t\t\u2018Supergirl\u2019 Review: Milly Alcock Takes Charge in a Dystopian Superhero Movie So Flat It\u2019s Super-Horrendous<\/p>\n<\/h2>\n

\n

\t\tReviewed at Warner Bros. Screening Room, New York, June 23, 2026. MPA rating: PG-13. Running time: 107 MIN.<\/p>\n<\/h2>\n

    \n
  • \nProduction:<\/strong>
    \nA Warner Bros. Pictures release of a DC Studios, Troll Court Entertainment, The Safran Company production. Producers: James Gunn, Peter Safran. Executive producers: Peter Chiappetta, Nigel Gostelow, Andrew Lary, Chantal Nong Vo, Anthony Tittanegro, Lars P. Winther.\t\t\t<\/li>\n
  • \nCrew:<\/strong>
    \nDirector: Craig Gillespie. Screenplay: Ana Nogueria. Camera: Rob Hardy. Editors: Fred Raskin, Tatiana S. Riegel. Music: Claudia Sarne.\t\t\t<\/li>\n
  • \nWith:<\/strong>
    \nMilly Alcock, Matthias Schoenaerts, Eve Ridley, David Corenswet, David Krumholtz, Emily Beecham, Jason Momoa. \t\t\t<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Milly Alcock takes charge in a dystopian superhero movie with a terrible script and a “punk rock” attitude of corporate pretension.<\/p>\n","protected":false},"author":1,"featured_media":2876,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2434,2088,2089],"class_list":["post-2877","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-matthias-schoenaerts","tag-milly-alcock","tag-supergirl"],"yoast_head":"\n\u2018Supergirl\u2019 Review: Milly Alcock Takes Charge in a Dystopian Superhero Movie So Flat It\u2019s Super-Horrendous - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=2877\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Supergirl\u2019 Review: Milly Alcock Takes Charge in a Dystopian Superhero Movie So Flat It\u2019s Super-Horrendous - 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