{"id":2960,"date":"2026-06-25T15:10:10","date_gmt":"2026-06-25T15:10:10","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=2960"},"modified":"2026-06-25T15:10:10","modified_gmt":"2026-06-25T15:10:10","slug":"the-bear-ends-its-run-with-renewed-focus-but-not-quite-redemption-tv-review","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=2960","title":{"rendered":"\u2018The Bear\u2019 Ends Its Run With Renewed Focus, but Not Quite Redemption: TV Review"},"content":{"rendered":"<div>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\n\t\u201cYou did this,\u201d Donna Berzatto (Jamie Lee Curtis) kvells to her daughter Natalie (Abby Elliott), offering praise in the middle of a particularly stressful day. (Though in this family, <em>all <\/em>days are stressful days.) She\u2019s referring to the restaurant that bears \u2014 pun intended \u2014\u00a0a shortened version of their family name, and which serves as the namesake of the FX drama \u201cThe Bear.\u201d It\u2019s a full circle moment for this fraught mother-daughter relationship: a sign of how far Donna has come in performing basic parental tasks like expressing pride in her children\u2019s accomplishments, and a reminder to take a beat and admire what the Berzattos are typically too overwhelmed to appreciate. Natalie accepts the compliment, but also corrects it: \u201cWe <em>all <\/em>did this,\u201d she says.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=2958\">Wilmer Valderrama\u2018s\u00a0WV Entertainment Launches Social Media Marketing Company WV Social House (EXCLUSIVE)<\/a><\/p>\n<p>\n\tThe acknowledgement is long overdue, and comes just under the wire. For two seasons, \u201cThe Bear\u201d has all but abandoned its supporting cast to spend long stretches wallowing in the trauma-borne misery of Natalie\u2019s brother Carmy (Jeremy Allen White), the brilliant and ambitious chef who took over the family sandwich shop after eldest Berzatto child Mikey (Jon Bernthal) died by suicide and transformed it into a fine dining restaurant. Natalie\u2019s statement isn\u2019t quite a <em>mea culpa, <\/em>but it is a noted adjustment from \u201cThe Bear\u201d\u2019s prior M.O. And it comes just as \u201cThe Bear\u201d prepares to close up shop for good.<\/p>\n<p>\n\tThis creative slump, which was reflected in a complete shutout from last year\u2019s Emmy wins, was baffling in part because the choices that produced it ran directly counter to the show\u2019s own themes. Carmy invested in Mikey\u2019s employees by retraining them instead of hiring new staff \u2014\u00a0so \u201cThe Bear\u201d ignored those characters in favor of flashy cameos by famous actors and real-life chefs. Countdown clocks and mantras like \u201cevery second counts\u201d put a rigorous emphasis on time and pace \u2014\u00a0so \u201cThe Bear\u201d squandered any sense of momentum by drifting along in an aimless malaise. Carmy struggled to break the cycle of abuse he learned from both family and past mentors \u2014 so \u201cThe Bear\u201d reinforced his narcissism by putting his feelings first, even at the expense of more interesting players like his collaborator Sydney (Ayo Edebiri).\u00a0<\/p>\n<p>\n\tSeason 4 at least culminated in a promising development: Carmy decided to step away from The Bear, bequeathing the restaurant to a three-way partnership of Natalie, Sydney and Richie (Ebon Moss-Bachrach), Mikey\u2019s best friend turned feverishly devoted front of house manager. This twist was followed by the unsurprising \u2014\u00a0and frankly, not unwelcome \u2014\u00a0announcement that Season 5 would be the series\u2019 last. Practically, the schedules of the increasingly in-demand stars could only align for so long between Marvel tentpoles and Broadway stints. Emotionally, \u201cThe Bear\u201d had already spent down much of the audience\u2019s goodwill from its first two installments; the remainder might buy one last chance to wrap up the story, but not much more.<\/p>\n<p>\n\tIn the end, \u201cThe Bear\u201d can\u2019t let Carmy go entirely. To keep him around, in fact, creator Christopher Storer slows down time. Season 5 picks up almost exactly where Season 4 left off, and its eight episodes \u2014 reduced slightly from the previously standard 10 \u2014\u00a0play out over the course of a single day, tracing the build-up to and duration of a single, fateful dinner service. (Critics were shown all episodes apart from the series finale in advance.) This means the season also takes place in the narrow space between Carmy announcing his intention to leave and actually leaving. The protagonist of \u201cThe Bear\u201d is still there; he\u2019s just a ghost in his own kitchen, unsure of what to do with himself as he attempts to pass the baton. Ironically, this is also the <em>most<\/em> sure \u201cThe Bear\u201d has felt of what to do with its albatross of a main character in some time.<\/p>\n<p>\n\tCarmy\u2019s imminent departure isn\u2019t the only existential threat looming over The Bear. It\u2019s the restaurant\u2019s first night of operation since the deadline imposed by chief investor Uncle Jimmy (Oliver Platt) for the restaurant to fund itself, and the place is hardly any closer to turning a profit. An epic rainstorm is battering Chicago, putting deliveries and reservations in jeopardy. The plumbing is acting up. The booking system is on the fritz. As previewed in \u201cGary,\u201d the standalone flashback episode released last month, Richie gets in a car accident on the way into work. Just as each season of \u201cThe Pitt\u201d focuses on a particularly hellacious day in the ER, Murphy\u2019s Law proves a productive story engine.<\/p>\n<p>\n\tThe structure of Season 5 is not without its drawbacks. A side plot that sees Uncle Jimmy, his number-crunching colleague Computer (Brian Koppelman) and their new, much younger sidekick Cheese (Elsie Fisher) drive around Chicago in a desperate search for a new revenue stream comes off as both tangential and artificially compressed to match the season\u2019s concept. That the entire storyline relies on the trio\u2019s ignorance of Ebra\u2019s (Edwin Lee Gibson) proposal to franchise The Bear\u2019s more casual beef sandwich window \u2014 and plays out while Ebra gets little to do during this nightmare shift except keep watch over the silverware \u2014 proves the show\u2019s issue with serving its whole ensemble equally remain at least partially in place. And on a series where repetition is already an issue, blowing out the premise of Season 1\u2019s 20-minute, mostly single-take episode \u201cReview\u201d into an entire season risks spreading an already stretched concept too thin.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=2956\">\u2018Evangelion\u2019 Studio Khara and SlowCurve Board \u2018Baahubali: The Eternal War\u2019 (EXCLUSIVE)<\/a><\/p>\n<p>\n\tBut evoking Season 1 also accurately forecasts a partial return to form. \u201cThe Bear\u201d broke out with a rigorous focus on the kitchen, introducing the audience to an insular world\u2019s rhythms and norms. Season 5 restores that emphasis, excising much of the extra weight that bogged it down. Flashy guest stars are nearly nonexistent; hourlong detours, like last season\u2019s wedding-set \u201cBears,\u201d have been excised; Claire (Molly Gordon), Carmy\u2019s one that got away, is nowhere to be seen. (Gordon is a skilled actor, but Carmy\u2019s love life was never where \u201cThe Bear\u201d did its best work.) The final act of \u201cThe Bear\u201d is not, in the strictest sense of the term, a bottle season \u2014\u00a0there <em>are <\/em>other locations besides the restaurant, though they\u2019re sparingly used. In spirit, however, the last hours of \u201cThe Bear\u201d are about The Bear and pretty much only The Bear, which is as it should be.<\/p>\n<p>\n\tBy returning to its core characters and throwing them into the fray, \u201cThe Bear\u201d is able to re-sync the style and substance that became so unmoored at its nadir. Rather than absorbing the agony and ecstasy of restaurants through glimpses of Carmy\u2019s time at Noma, we get Natalie explaining that The Bear can\u2019t <em>afford <\/em>to close for the storm, a handy illustration of the Catch-22 facing so many hospitality workers. Rather than Sydney endlessly mulling whether she\u2019s ready to strike out on her own, we get Carmy\u2019s former sous actually testing her ability to be a better, calmer leader than her soon-to-be-ex-boss in some of the toughest possible circumstances. Rather than Tina (Liza Col\u00f3n-Zayas) plating pasta or Marcus (Lionel Boyce) toying around in R&amp;D, we get both budding chefs ditching the sidelines and joining the fight to stretch a finite food supply into a luxury experience. Even Natalie gets on the line.<\/p>\n<p>\n\tThis unity of purpose is amplified by a newly uniform soundscape. In lieu of Pearl Jam, Wilco and other \u201890s rock standards, a pounding electronic score by Hans Zimmer provides the music. (Zimmer is evidently the composer of choice for once-red-hot, now diminished TV shows aiming to go out on a high note.) The heart-pounding, Reznoresque theme instills a sense of urgency in the viewer to match that of the kitchen crew.<\/p>\n<p>\n\tEven an unqualified triumph might not be enough to restore \u201cThe Bear\u201d to its former level of acclaim, and Season 5 is not exactly that. The show continues to lean on its preferred crutches: catchphrases like Mikey\u2019s old adage \u201clet it rip,\u201d clich\u00e9s about the redemptive power of feeding others and a cloying sentimentality that started to grate once the spell wore off. But for those who\u2019ve stuck with \u201cThe Bear\u201d through its low point \u2014\u00a0and anecdotally, I know many one-time fans who have not \u2014\u00a0these final episodes may cement a memory of the show that\u2019s more than its worst moments. Like Carmy\u2019s effort to make his final act at The Bear an example of the humility he otherwise lacked, \u201cThe Bear\u201d seems aware that last impressions are what can lock in a legacy. \u201cThe Bear\u201d can\u2019t fully shake off two full seasons of subpar storytelling, but at least it can improve while it\u2019s still around.<\/p>\n<p>\n<em>All eight episodes of \u201cThe Bear\u201d Season 5 will be available to stream on Hulu on June 25 at 9pm ET, with episodes airing weekly on Thursdays on FX.<\/em><\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=2954\">Blood, Sweat &amp; Tears Singer David Clayton-Thomas Dies at 84<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Season 5 of the FX&#8217;s &#8216;The Bear&#8217; ends the once-acclaimed, since-diminished kitchen drama with renewed focus and a real-time gimmick.<\/p>\n","protected":false},"author":1,"featured_media":2959,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[402],"class_list":["post-2960","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tv","tag-the-bear"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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