{"id":3191,"date":"2026-06-29T07:05:57","date_gmt":"2026-06-29T07:05:57","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=3191"},"modified":"2026-06-29T07:05:57","modified_gmt":"2026-06-29T07:05:57","slug":"how-the-directors-grandma-inspired-her-to-make-feel-good-comedy-agnes-amir-she-lived-the-story-we-were-telling","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=3191","title":{"rendered":"How the Director\u2019s Grandma Inspired Her to Make Feel-Good Comedy \u2018Agnes & Amir\u2019: \u2018She Lived the Story We Were Telling\u2019"},"content":{"rendered":"
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\n\tFeel-good comedy \u201cAgnes & Amir,\u201d which had its world premiere on Sunday at the Munich Film Festival, probably wouldn\u2019t have happened if it hadn\u2019t been for the grandmother of director Helena Hufnagel.<\/p>\n

Read more Lauryn Hill Receives All-Star Tribute From Queen Latifah, SZA, Doechii, Doja Cat, Nas and More at BET Awards 2026<\/a><\/p>\n

\n\tThe film was inspired by the true story of a 101-year-old Berlin woman, Agnes, and a young, gay Iranian refugee, Amir. In order to avoid being moved into a nursing home, Agnes invited Amir to live in her apartment, which proved to be the start of a beautiful friendship.<\/p>\n

\n\tHufnagel first came across their story thanks to a documentary about them, which aired on cultural channel Arte and German broadcaster ZDF, both of which are partners on her narrative adaptation of their story.<\/p>\n

\n\tShe tells Variety<\/em>, \u201cI saw it with my grandma, and she was 96 at the time, and she said, \u2018I would never dare to do something like that,\u2019 and that was the moment when I thought, \u2018Okay, I have to do the movie,\u2019 and the funny thing is, while we were doing the movie \u2013 it took us three years \u2013 she lived the story we were telling. She was so encouraged by me doing the movie \u2013 I told her everything about it \u2013 that she got a home help from Poland to move into her house and they became friends. And for the last couple of months, she had to go to a nursing home, and there she became friends, like really best friends, with a 20-year-old girl.\u201d<\/p>\n

\n\tShe adds, \u201cThis was like the proof for me that this is a possibility that is inside of all of us. Agnes and Amir are not an exception; everyone could have this opportunity or possibility to have such a friendship, even if they are like years apart. You just have to dare. Like, [my grandma] was living the story while we were shooting it. And so, this movie wouldn\u2019t exist without her, actually. I probably wouldn\u2019t have done it.\u201d<\/p>\n

\nIt\u2019s about friendship
<\/strong>The issues that the film deals with are very serious: the persecution of gay people in Iran; the loneliness of the elderly; the growing hostility toward refugees in Germany; and the traumatic experiences of those in wartime. However, it is a comedy, so getting the tone right was key.<\/p>\n

\n\t\u201cWe were thinking about this a lot, and I was aware of the political climate I was doing the movie in, and I thought of it as my personal, quiet antidote against this political climate [in which the prevalent attitude is things like]: \u2018Refugees are a problem\u2019 and \u2018Elderly people are a burden.\u2019 And doing a movie about a 100-year-old Berliner and a gay Iranian refugee in this time we have right now, it\u2019s already a political statement in itself.\u201d<\/p>\n

\n\tShe continues, \u201cBut it\u2019s not a film about a refugee \u2013 it\u2019s about friendship \u2013 and this comes along with it because this is the plot we have and \u2026 yeah \u2026 I thought, \u2018I want to feel the audience being warmer when they go out [of the movie theater].\u2019 And loneliness is another big topic but maybe they don\u2019t feel alone for a little bit because they\u2019re sitting in a room with a lot of strangers out of their bubble.<\/p>\n

\n\t\u201cAnd, so I thought, \u2018No, we go for the friendship and for the warm part.\u2019 The warm chemistry between them is something I was aiming for the whole time on set. I kept going for the warm moments between them. Like when they are arguing, when they\u2019re fighting, when they\u2019re drinking tea together. And this is something which was so important to me \u2026 to bring this warmth.\u201d<\/p>\n

\n\tIt was the feeling she had observed when watching her grandma with her young friends that she took into the movie.<\/p>\n

\n\tHer grandmother helped in other ways. \u201cMy grandma was always saying I stole a line from her. I was always asking, \u2018How did you get so old,\u2019 like she was the only one left of that age, and she said, \u2018You cannot stop being curious about the world,\u2019 and so I thought the movie is an invitation to be curious and to stay curious, and yeah, this is something I was aiming at, more than the political side, which comes along with the characters.\u201d<\/p>\n

\nCulture clash
<\/strong>German audiences are looking forward to seeing the performance of Katharina Thalbach, who plays Agnes. Thalbach is one of Germany\u2019s most acclaimed and beloved actresses. Internationally, she is best known for her roles in Volker Schl\u00f6ndorff\u2019s Palme d\u2019Or- and Oscar-winning \u201cThe Tin Drum\u201d and Alan J. Pakula\u2019s \u201cSophie\u2019s Choice.\u201d<\/p>\n

\n\t\u201cShe\u2019s very famous here in Germany, but you won\u2019t recognize her. We did a lot of tests \u2026 camera tests, makeup tests, makeup artist test. She\u2019s 72, but she\u2019s playing 30 years older. This took us three months to build this character with her, but I think you still get her warmth and her strength and her humor, and this is something probably the German audience is looking for.\u201d<\/p>\n

Read more Jeremy Clarkson Set for More Episodes of \u2018Who Wants to Be a Millionaire?\u2019 and \u2018Millionaire Hot Seat\u2019<\/a><\/p>\n

\n\tShe stars opposite emerging actor Bardo B\u00f6hlefeld, who was nominated for best new actor at Munich in 2022 for \u201cAll Russians Love Birch Trees.\u201d His father is German, but his mother\u2019s family are all from Iran and he can speak Farsi. \u201cHe knows the culture [of Iran] very well,\u201d she says. \u201cWe worked a lot on this, and I improvised a lot on set. Some things went far beyond the script, just because I took the chemistry and the moments between them, and I really like that he brought these Iranian culture clash things. We did all the research, but it\u2019s always something different when the actor is bringing it in, because he knows himself how it is, and that was very funny.\u201d<\/p>\n

\n\tOne memorable line is when Amir says that in Persian culture people say no when offered food out of politeness but on the third time of asking, they say yes. To which Agnes responds tartly that she is Prussian and Prussians say \u2018No\u2019 only once, and that is it. \u201cIt is so funny because this is actually how they are in real life as well, and we took this moment on set and I really had to grab it, and I thought, like, \u2018Oh my god, I will never get this when I write it.\u2019 I really need to find these scenes here [on set].\u201d<\/p>\n

\nIranian backdrop
<\/strong>Events in Iran unfolded so rapidly in the three years it took to produce the movie \u2013 such as the street protests and the violence of the security forces unleashed against the protestors \u2013 that Hufnagel had to make changes in the editing room to reflect that. The feelings of the actors with family back in Iran also had an influence on the tone of the film.<\/p>\n

\nSummertime in Berlin
<\/strong>Berlin plays an important role in the film, Hufnagel explains. \u201cI tried to find locations that I thought would fit with Agnes\u2019 old character, but also with Amir, the young character. It\u2019s kind of a road trip through Berlin, like it is now. You\u2019re going through time with her, but also you\u2019re living in the present with him. And I really like that people are getting a sense of the city.<\/p>\n

\n\t\u201cI was trying to tell [the story] in the summer because it\u2019s a lot about loneliness, and I thought it\u2019s very easy to tell it in the wintertime because people are obviously lonely in the wintertime, but in the summertime, when everyone is outside and everyone feels that they have a connection with someone else, and people are hanging around, this is when I think people feel the loneliest, because you see everyone else is happy around you, or has someone to spend the day with, and these people are both lonely.\u201d<\/p>\n

\nTriumph over adversity
<\/strong>There are a lot of different strands to the story: a gay love story; Amir\u2019s relationship with Agnes; his refugee status battle; the political situation back in Iran; and a dance contest. How did she ensure that these multiple storylines weren\u2019t confusing for the audience?<\/p>\n

\n\t\u201cYeah, to be honest, we shot a lot more than is in the movie,\u201d she says, \u201cbecause every one of these strands had its full storyline, but in the editing room I concentrated just on the friendship of the two main characters, and I thought the rest is more like atmosphere, which adds to the characters, and just to tell the story of the strong, miracle friendship they have.\u201d<\/p>\n

\n\tShe adds, \u201cI didn\u2019t search for conflict within their relationship, it\u2019s always coming from the outside to them, and they have to fight against it, and this is why all the other characters are in the film, or the other story lines are in it, because this is something I thought about a lot: that most of the time it\u2019s not the conflict between them, maybe it\u2019s a culture clash, or it\u2019s an age gap, because you don\u2019t know the music [for example], but it\u2019s not a conflict, this is not a conflict scene, it\u2019s more about curiosity. There\u2019s a lot of antagonism from the outside to this friendship, and how to stay strong and to keep it alive, this was the story I really wanted to tell.\u201d<\/p>\n

\nBursting the bubble
<\/strong>The movie is aimed at a broad audience, she says, \u201cbecause I think that it is so important to tell stories from outside the bubble, and I would really wish that people from all different kinds of bubbles would go into the movie and see that this friendship would not happen if you stay inside your bubble or if an app or an algorithm is trying to match them. You just need to go outside, and maybe the unfamiliar is something you won\u2019t expect to work, but it\u2019s probably the best thing that could happen to you, and so I didn\u2019t think about a specific audience, more about people who accept the invitation to stay curious. This is the audience I\u2019m aiming for.\u201d<\/p>\n

\nThe missing VIP
<\/strong>At the premiere in Munich on Sunday, one person was missing: Hufnagel\u2019s grandma. \u201cOh, well \u2026 unfortunately, she passed away three weeks ago. I would have loved to show her the movie. We were very close, and they have a lot in common, Agnes and my grandmother. But yeah \u2026 I\u2019m so very happy that I could \u2026 She passed away almost in the week we were finishing everything as if she would have to carry the movie until the end. It\u2019s \u2026 yeah \u2026 it\u2019s just because it\u2019s so warm and she was very old; it was not because of illness or sickness. She was just very old.\u201d<\/p>\n

\n\tThe film will be released in Germany by X Verleih on Nov. 19 \u2013 in Hufnagel\u2019s words, \u201ca heartwarming movie in the wintertime.\u201d Beta Cinema has international sales rights.<\/p>\n

Read more John Oliver Exposes Trump and Fox News\u2019 Jesse Watters Over Reflecting Pool Conspiracies<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Feel-good comedy ‘Agnes & Amir’ probably wouldn\u2019t have happened if it hadn\u2019t been for the grandmother of director Helena Hufnagel.<\/p>\n","protected":false},"author":1,"featured_media":3190,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2632,2633,2634],"class_list":["post-3191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-helena-hufnagel","tag-katharina-thalbach","tag-munich-film-festival"],"yoast_head":"\nHow the Director\u2019s Grandma Inspired Her to Make Feel-Good Comedy \u2018Agnes & Amir\u2019: \u2018She Lived the Story We Were Telling\u2019 - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=3191\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How the Director\u2019s Grandma Inspired Her to Make Feel-Good Comedy \u2018Agnes & Amir\u2019: \u2018She Lived the Story We Were Telling\u2019 - 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