{"id":3237,"date":"2026-06-29T19:08:02","date_gmt":"2026-06-29T19:08:02","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=3237"},"modified":"2026-06-29T19:08:02","modified_gmt":"2026-06-29T19:08:02","slug":"supergirl-stinks-why-does-hollywood-keep-failing-female-superheroes","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=3237","title":{"rendered":"\u2018Supergirl\u2019 Stinks. Why Does Hollywood Keep Failing Female Superheroes?"},"content":{"rendered":"
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\n<\/p>\n
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\n\tThere\u2019s a scene toward the end of \u201cSupergirl\u201d that perfectly encapsulates how tonally inept it is. After what feels like an eternity, our Kryptonian hero, Kara Zor-El (Milly Alcock), has quit drinking away her sorrows, embraced her superpowers, thrown on her cape and decided to whoop some evil ass. It\u2019s a moment of triumph for the 23-year-old, whose planet-hopping party-girl persona had masked a deep pain stemming from the loss of her parents and home planet, and demands a rousing tune to mark the milestone. All of a sudden, the sound drops; the action slows to a crawl; and the deafening silence is broken by the strumming of an acoustic guitar, followed by a woman\u2019s voice softly crooning the lyrics to \u201cThe Middle\u201d by Jimmy Eat World. It\u2019s not only remarkably deflating but also one of the worst needle drops ever. And the man responsible is none other than James Gunn, the new steward of DC Studios.<\/p>\n

Read more Daveigh Chase, Voice of Lilo in \u2018Lilo & Stitch,\u2019 Died of AIDS<\/a><\/p>\n

\n\t\u201cThat was probably the biggest discussion,\u201d director Craig Gillespie told Rolling Stone of the song\u2019s selection. \u201cAnd I gotta credit James Gunn for that one.\u201d<\/p>\n

\n\tThe issues with \u201cSupergirl\u201d extend far beyond that one song, of course. As Variety<\/em> critic Owen Gleiberman wrote in his review of the film, it\u2019s \u201ca comic-book movie with the worst script I can remember\u201d that\u2019s \u201cfull of action yet numbingly flat\u201d; it received a B- Cinemascore among opening-night audiences, the lowest of any DC Comics movie adaptation other than \u201cJoker Folie \u00e0 Deux\u201d; and grossed a meager $38 million in its opening weekend against a $170 million budget (plus worldwide marketing expenses). \u201cSupergirl\u201d is just the latest in a long line of disappointing movies \u2014 or, in the worrying case of \u201cBatgirl,\u201d axed projects \u2014 centering a female superhero since Patty Jenkins\u2019 impressive \u201cWonder Woman\u201d back in 2017.<\/p>\n

\n\tWhy can\u2019t Hollywood get it right?<\/p>\n

\n\u201cSupergirl\u201d Crashes Down to Earth<\/strong> <\/h3>\n

\n\tOne could argue that \u201cSupergirl\u201d was set up for failure given the way the character was introduced into the DC Universe in Gunn\u2019s \u201cSuperman\u201d: drunkenly stumbling into the Fortress of Solitude looking for her dog Krypto in a blink-and-you\u2019ll-miss-it cameo. Unlike the first appearance of Gal Gadot\u2019s Wonder Woman in \u201cBatman v Superman: Dawn of Justice,\u201d where she joins Batman and Superman in battling Doomsday, or the acrobatic intro of Tom Holland\u2019s Spider-Man in \u201cCaptain America: Civil War,\u201d our interest hadn\u2019t been piqued in Supergirl as a standalone character by a superpowers-flexing sequence; rather, we were treated to a sitcom-esque drop-in that was met with befuddlement more than anything else.<\/p>\n

\n\tIn fact, Gillespie\u2019s \u201cSupergirl\u201d feels slight in scale, as though the character was dropped into an episode of \u201cThe Mandalorian,\u201d instead of an epic superhero movie. As our critic pointed out, much of its runtime is dedicated to Kara navigating dark desert worlds, crossing paths with creature after creature straight out of the Mos Eisley Cantina, including a two-headed rat and an armadillo-like pet furiously pooping in a cage. And I do mean dark<\/em>: large stretches of \u201cSupergirl\u201d are as caliginous as a David Fincher film. It\u2019s almost ironic that Supergirl is powered by the yellow sun because her movie is drained of color.<\/p>\n

\n\tDespite the best efforts of Alcock in the title role and Eve Ridley as Ruthye Marye Knoll, a young girl out to avenge the killing of her family at the hands of a band of human-trafficking space pirates known as the Brigands, they are let down by Ana Nogueira\u2019s mess of a script, which fails to illuminate what drives its characters and provides context through thinly-rendered, momentum-killing flashbacks (e.g. the destruction of Krypton). Who are Knoll\u2019s parents? What is motivating Supergirl beyond retrieving an antidote for her poisoned dog? Why are the Brigands, led by Krem of the Yellow Hills (a pin-faced, pony-tailed Matthias Schoenerts) trafficking little girls, who they call \u201cthe brides?\u201d That we\u2019re not privy to any of their backstory other than a throwaway line about repopulating a planet makes the human-trafficking subplot seem like a cheap knockoff of \u201cMad Max: Fury Road.\u201d<\/p>\n

\nWith a Little Help From My Friends<\/strong> <\/h3>\n

\n\tA little more on Krem of the Yellow Hills. Whereas Gunn\u2019s \u201cSuperman\u201d was buoyed by Nicholas Hoult\u2019s scenery-chewing performance as Lex Luthor, the villain of \u201cSupergirl\u201d barely registers thanks to his missing backstory. Gunn also surrounded David Corensweet\u2019s Superman with a team of intriguing superheroes, such as Mister Terrific (Edi Gathegi), Green Lantern (Nathan Fillion), Metamorpho (Anthony Carrigan) and Hawkgirl (Isabela Merced), as well as the always-great Skyler Gisondo as Jimmy Olsen. Alcock\u2019s Supergirl has Lobo, a glam rock bounty hunter on a motorcycle played by Jason Momoa (who already portrayed DC superhero Aquaman across four films) that we know precious little about; her cousin, Corenswet\u2019s Superman, who mostly pops up on video calls or in flashback; Ridley\u2019s Knoll; and her poisoned dog. Oh, and Seth Rogen voices a miniature alien in a couple of scenes. These aren\u2019t exactly the Guardians of the Galaxy.<\/p>\n

Read more \u2018Probability of Miracles\u2019 Amazon TV Series Casts Brian Tee, Ben Feldman (EXCLUSIVE)<\/a><\/p>\n

\n\tAs for the lame Krypton flashbacks, a big reason why \u201cWonder Woman\u201d was so effective (and \u201cBlack Panther: Wakanda Forever,\u201d for that matter) is because its rich in context. We bear witness to the glory of Themyscira, Diana\u2019s home planet of Amazons, and the mentoring and guidance bestowed on her by her mother, Queen Hippolyta (Connie Nielsen), and her warrior-sister, Antiope (Robin Wright). We understand the world that shaped Diana and her calling as Wonder Woman. In \u201cSupergirl,\u201d we\u2019re treated to subtitled scenes of her mother (Emily Beecham) and father (David Krumholtz?) telling her to \u201cbe good,\u201d as we witness the destruction of Krypton for the umpteenth time. And the poisoned dog she spends the entire film trying to save? Their entire backstory boils down to her stumbling across it one day during a funeral procession.<\/p>\n

\nThe Culture War<\/strong> <\/h3>\n

\n\tWhile the culture war is a contributing factor in the poor performance of female-led superhero films, with hordes of online misogynists lashing out at them sight unseen, previous entries like \u201cWonder Woman\u201d and \u201cCaptain Marvel\u201d withstood similar backlash \u2014 who can forget the manly meltdown over women-only screenings of \u201cWonder Woman?\u201d \u2014 to big box office returns, and the female-focused \u201cBarbie\u201d shattered records, grossing $1.4 billion worldwide. That\u2019s because those films were made with care and consideration, unlike \u201cSupergirl\u201d or other recent movies centering women superheroes such as \u201cWonder Woman 1984,\u201d \u201cThe New Mutants,\u201d \u201cEternals,\u201d \u201cThe Marvels,\u201d \u201cMadame Web\u201d and last year\u2019s \u201cRed Sonja,\u201d which grossed a grand total of $271,461.<\/p>\n

\n\tIt is, however, hard to imagine that a male superhero would be treated with the same disrespect as \u201cBatgirl,\u201d Adil & Bilall\u2019s film starring Leslie Grace as the titular superheroine, Brendan Fraser as the villain Firefly and Michael Keaton returning as Batman. Filming had already been completed on the $90 million project when DC Films\u2019 parent company, Warner Bros. Discovery, decided to cancel it during post-production, treating it as a tax write-down following its merger.<\/p>\n

\n\t\u201cThe product\u2014 I\u2019m sorry \u2018content\u2019\u2014is being commodified to the extent that it\u2019s more valuable to burn it down and get the insurance on it than to give it a shot in the marketplace,\u201d Fraser said at the time.<\/p>\n

\n\tAudiences are also experiencing a general sense of superhero fatigue thanks to an oversaturated marketplace bursting with sequels, spinoffs and second-tier heroes with weak IP. It\u2019s one reason why younger audiences are turning toward original horror films from YouTube creators.<\/p>\n

\nTHE ROAD AHEAD<\/strong> <\/h3>\n

\n\tNogueira, the aforementioned writer of \u201cSupergirl,\u201d has been tasked with penning an upcoming \u201cWonder Woman\u201d film for Gunn and DC Studios, though future projects are all up in the air given Paramount Skydance\u2019s pending takeover of Warner Bros. That is the only<\/em> stand-alone female superhero project currently in production. Over the years, several female heroes (and villains) have deserved their own spinoff films, from Michelle Pfeiffer\u2019s Catwoman and Jennifer Lawrence\u2019s Mystique to Tessa Thompson\u2019s Valkyrie. And there are a number of other appealing female comic-book heroes who could feature in big-screen adaptations, like DC Comics\u2019 Mari Jiwe\/Vixen, Marvel\u2019s Cindy Moon\/Silk or a \u201cTank Girl\u201d redo. Perhaps Marvel\u2019s upcoming \u201cX-Men\u201d reboot will inspire a long-awaited Storm movie. Whatever happens, they should heed the lessons learned from \u201cSupergirl\u201d on what not<\/em> to do.<\/p>\n

Read more European Heatwave Fires Up the Box Office as Audiences Seek Indoor Activities, Air Conditioning<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u201cSupergirl,\u201d starring Milly Alcock, is only the latest dud of a superhero movie with a woman in the lead. They deserve better.<\/p>\n","protected":false},"author":1,"featured_media":3122,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2086,2088,2373,2666],"class_list":["post-3237","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-dc-studios","tag-milly-alcock","tag-supergirl-2","tag-superhero-movie"],"yoast_head":"\n\u2018Supergirl\u2019 Stinks. 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