{"id":3570,"date":"2026-07-04T20:09:38","date_gmt":"2026-07-04T20:09:38","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=3570"},"modified":"2026-07-04T20:09:38","modified_gmt":"2026-07-04T20:09:38","slug":"jesse-eisenberg-says-he-doesnt-want-to-be-associated-with-mark-zuckerberg-if-this-guy-is-the-creator-of-this-world-i-dont-want-to-live-in-that-world","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=3570","title":{"rendered":"Jesse Eisenberg Says He Doesn\u2019t \u2018Want to Be Associated\u2019 With Mark Zuckerberg: \u2018If This Guy Is the Creator of This World, I Don\u2019t Want to Live in That World\u2019"},"content":{"rendered":"
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\n\tActor-director Jesse Eisenberg, who is at the Karlovy Vary Film Festival as the recipient of this year\u2019s President\u2019s Award, spoke about not reprising his role as Mark Zuckerberg in Aaron Sorkin\u2019s upcoming \u201cThe Social Reckoning,\u201d the sequel to David Fincher\u2019s 2010 drama \u201cThe Social Network.\u201d\u00a0<\/p>\n

Read more Hollywood Movies Have Always Been About America. On the 250th July 4, Are They Still?<\/a><\/p>\n

\n\tDuring an in-conversation event, the actor was asked if he felt any \u201cresponsibility\u201d for changing the image of the technology mogul through his performance in Fincher\u2019s drama chronicling the origins of Facebook. Eisenberg responded to the question by stating he doesn\u2019t want to reprise the role as he no longer wants \u201cto be associated\u201d with Zuckerberg. \u201cSuccession\u201d star Jeremy Strong stepped into the role of Zuckerberg for Sorkin\u2019s upcoming film. Best actress Oscar-winner for \u201cAnora\u201d Mikey Madison plays young Facebook engineer Frances Haugen, who blows the whistle on the social network\u2019s most guarded secrets to a Wall Street Journal reporter, played by \u201cThe Bear\u201d lead Jeremy Allen White.<\/p>\n

\n\tEisenberg then recalled first being attached to the film, saying he made an audition tape alongside his young sister and then got a call to meet with the film team in California. \u201cI think they were having trouble finding the person to play the part or something,\u201d he said. \u201cIt\u2019s a very strange kind of role.\u201d<\/p>\n

\n\t\u201cThey flew me out to California. I memorized 15 pages of dialogue, and then, when I got into the room with [Fincher], I said: Do you want me to read anything? He was like, \u2018Nah, put that away. I just want to tell you about this guy I knew,\u2019\u201d he went on. \u201cAnd he told me about this guy who was running a studio at the time and said: \u2018You have to play a guy like that.\u2019 I was like: What is he like? And he was like: \u2018You just never know what he\u2019s thinking and he could just stare at you and you have no idea what he\u2019s thinking. It\u2019s very unnerving.\u2019\u201d<\/p>\n

\n\tFaced with the chance of playing such a role, Eisenberg said: \u201cOh, that sounds great. I would love to do that. And that was it.\u201d<\/p>\n

\n\tAs for whether he feels any \u201cresponsibility\u201d for helping popularize Eisenberg\u2019s persona in the public consciousness, the actor mentioned how the mogul \u201cwasn\u2019t very known at the time\u201d they made the film.<\/p>\n

\n\t\u201cIn fact, at the time, the movie seemed like such a strange thing to me because no one really knew who he was,\u201d he said. \u201cHe was interviewed on \u201860 Minutes,\u2019 which is our big news show, but otherwise he wasn\u2019t in the public a lot. I thought of it like an interesting character. And then he\u2019s become famous and now I don\u2019t want to do the movie [\u2026] I don\u2019t want to be associated with him anymore because I don\u2019t really like the comparison.\u201d<\/p>\n

\n\tProdded about how he feels about the growth of social media since the release of the 2010 film, Eisenberg said that, as an actor, he talks about himself \u201ctoo much.\u201d \u201cIt\u2019s not healthy. No human being has ever talked about themselves as much as I talk about myself. So I\u2019m not on any [social media]. All that stuff scares me so much, you know, Facebook and social media, Twitter, whatever, because I already feel humiliated to be in public talking about myself. It\u2019s disgusting. All that stuff terrifies me.\u201d<\/p>\n

\n\t\u201cThen, being in the movie about it, too, made it even more scary because I see that the person who created this website is not a person who cares about people,\u201d he said. \u201cI\u2019m like: well, if this guy is the creator of this world, I don\u2019t want to live in that world.\u201d\u00a0<\/p>\n

\n\tThe American spoke at length about his directorial career during the almost two-hour talk. Eisenberg recalled \u201cbad reviews\u201d of his directorial debut, \u201cWhen You Finish Saving the World,\u201d saying critics disliked Julianne Moore\u2019s character. \u201cMoore played this very tough woman,\u201d he mentioned. \u201cThen the reviews came out and [asked]: Why did I make a movie about such a mean person? To me, she\u2019s not. I\u2019m crying for her. We\u2019re watching the movie; I\u2019m weeping. I guess I was the only one.\u201d<\/p>\n

Read more \u2018I Will Find You\u2019 Star Britt Lower on Rachel\u2019s \u2018Spidey Sense\u2019 and Why [SPOILER] as the Murderous Villain Was \u2018Perfect Casting\u2019<\/a><\/p>\n

\n\tBut the director noticed a significant difference in his sophomore effort, the acclaimed \u201cA Real Pain.\u201d \u201cKieran Culkin plays a character who\u2019s also kind of cruel but, for some reason, maybe sexism, he\u2019s celebrated for it.\u201d\u00a0<\/p>\n

\n\tEisenberg is currently in the early days of promoting his next directorial effort, A24\u2019s \u201cThe Debut,\u201d starring Julianne Moore and Paul Giamatti and scheduled to come out in the U.S. on December 3rd. Speaking about the film, the director said Giamatti plays a \u201creally cruel\u201d character, but audiences \u201ccelebrated\u201d the character in test screenings. \u201cSo maybe it has to do a little bit with sexism that when a woman is mean, we\u2019re really put off, and when a man is mean, we give them a little flexibility.\u201d<\/p>\n

\n\tOn the subject of A24, Eisenberg was asked about collaborating with the American label for his three films, jokingly correcting the moderator to state \u201cA Real Pain\u201d was distributed by Searchlight Pictures because A24 \u201crejected\u201d it. \u201cWe were making [\u2018The Debut\u2019] independently, but we knew that [A24] was going to distribute it,\u201d he said. \u201cThey were hands-off while we were making the movie. They were very helpful, and we could ask them for advice, but they were not working on it.\u201d<\/p>\n

\n\tThe director praised the company, calling it \u201cone of the very few places in media that tries to appeal to the best version of the thing.\u201d \u201cAlmost all other media are trying to make money. A24 is trying to make money, too, but it\u2019s just that the way they found to make money was by making things as good as possible. As a director, I am very lucky because I\u2019m in Hollywood movies, and you could see their entire interest is just how this can be done the cheapest and make the most money. And A24 doesn\u2019t think that way. Maybe they will in the future, but right now, they don\u2019t.\u201d<\/p>\n

\n\tIn that sense, A24 is possibly the closest one can find to a studio adopting a European model in the U.S., with Eisenberg noting how films in his home country \u201chave to make money back.\u201d\u00a0<\/p>\n

\n\t\u201cIn America, we don\u2019t have any state funding for movies,\u201d he said. \u201cEven a tiny movie, like an art film about somebody\u2019s childhood, has to make money back in some way. What that means is you start casting the most famous person you can cast. It means shooting it for the smallest [number] of days you can get because you\u2019re only going to get half a million dollars to shoot this movie. Then you come to Europe, and suddenly the State values the arts. Suddenly you\u2019re getting $5 million from a combination of the Poles, the Slovenes, and the Czechs and you have money to make this small movie.\u201d<\/p>\n

\n\tEisenberg recalled how \u201cA Real Pain\u201d had a $3 million budget, but it could have gone up to $10 million if he had been a Polish citizen at the time of shooting (since the film\u2019s stellar awards campaign, the director and his immediate family have been made citizens). \u201cI wouldn\u2019t make more money, I would make the same salary, but we wouldn\u2019t be rushing around to try to get this big movie [shot] in 20 days. We would have 35 days or something like that. This is why a lot of Americans love doing European movies.\u201d<\/p>\n

\n\t\u201cI would never go to the States,\u201d he told a budding filmmaker in the audience. \u201cIf you can have a career as a filmmaker in Europe, you\u2019re far better off. This is my opinion. I don\u2019t know the real ins-and-outs, maybe a Czech director would say [I\u2019m] totally wrong. I\u2019ve been trying to get American movies made for 20 years [\u2026] the first question is: How are we going to make our money back? And then I\u2019ve been in these European movies and they\u2019re like: Well, how is this going to be the best possible version? That seems to be the difference.\u201d\u00a0<\/p>\n

Read more Inside Taylor Swift and Travis Kelce\u2019s Wedding: Everything We Learned About the Star-Studded Ceremony at Madison Square Garden<\/a><\/p>\n

\n\tThe Karlovy Vary Film Festival runs July 3-11.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Jesse Eisenberg turned down ‘The Social Reckoning’ as he doesn’t ‘want to be associated’ with Mark Zuckerberg.<\/p>\n","protected":false},"author":1,"featured_media":3569,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1437,1150],"class_list":["post-3570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-jesse-eisenberg","tag-karlovy-vary-film-festival"],"yoast_head":"\nJesse Eisenberg Says He Doesn\u2019t \u2018Want to Be Associated\u2019 With Mark Zuckerberg: \u2018If This Guy Is the Creator of This World, I Don\u2019t Want to Live in That World\u2019 - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=3570\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jesse Eisenberg Says He Doesn\u2019t \u2018Want to Be Associated\u2019 With Mark Zuckerberg: \u2018If This Guy Is the Creator of This World, I Don\u2019t Want to Live in That World\u2019 - 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