{"id":3592,"date":"2026-07-05T16:09:01","date_gmt":"2026-07-05T16:09:01","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=3592"},"modified":"2026-07-05T16:09:01","modified_gmt":"2026-07-05T16:09:01","slug":"box-office-minions-monsters-fizzles-over-july-4th-weekend-with-franchise-low-61-million-debut-supergirl-suffers-brutal-74-drop","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=3592","title":{"rendered":"Box Office: \u2018Minions & Monsters\u2019 Fizzles Over July 4th Weekend With Franchise-Low $61 Million Debut, \u2018Supergirl\u2019 Suffers Brutal 74% Drop"},"content":{"rendered":"
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\n<\/p>\n
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\n\tAre the Minions losing their star power? <\/p>\n

\n\tAlthough \u201cMinions & Monsters,\u201d a 1920s Hollywood-set prequel in the animated \u201cDespicable Me\u201d universe, led the box office over the Fourth of July weekend, the well-reviewed family film didn\u2019t quite set off fireworks. It opened way<\/em> behind projections with $36 million from 4,243 North American locations between Friday and Monday and $64.5 million since Wednesday. Heading into the weekend, \u201cMinions & Monsters\u201d was aiming for $80 million over the five-day frame. Initial sales are a huge drop from its predecessors and rank as the lowest start in the franchise, below even the original 2010\u2019s \u201cDespicable Me,\u201d which managed to earn $56 million (not adjusted for inflation) over the traditional weekend while introducing the yellow, pill-shaped agents of chaos to the world.<\/p>\n

Read more Anime Expo in Los Angeles Bookends a Boom Year for the Sector and a Growth Spurt for Crunchyroll<\/a><\/p>\n

\n\tBox office watchers anticipated a softer turnout across the industry over the holiday weekend since July 4th landed on Saturday. They assumed that instead of going to theaters on the busiest day of the week for moviegoing, people would be attending BBQs and watching fireworks to celebrate America\u2019s 250th birthday.<\/p>\n

\n\tThat likely accounted for some drop-off, but that doesn\u2019t explain such a massive opening weekend decline from the franchise\u2019s two most recent entries, 2022\u2019s spinoff sequel \u201cMinions: The Rise of Gru\u201d and 2024\u2019s \u201cDespicable Me 4,\u201d which launched to $123 million and $122 million, respectively, over the same five-day holiday stretch. After all, families didn\u2019t totally avoid the big screen: \u201cToy Story 5\u201d earned almost as much over the Friday to Sunday stretch with $31 million from 3,975 venues in its third<\/em> weekend of release. Disney and Pixar\u2019s kid-friendly film was No. 2 at the domestic box office and boosted grosses to $366 million in North America and $764 million worldwide.<\/p>\n

\n\tFor \u201cMinions & Monsters,\u201d which was received positively by audiences and critics, the disappointing domestic figure suggests the franchise is overexploited. There have been seven \u201cDespicable Me\u201d chapters across 16 years, averaging a new adventure about every two years. That\u2019s in contrast to \u201cToy Story,\u201d which has benefited from scarcity, having produced only five installments over 30 years.<\/p>\n

\n\tThere is good news for Universal and Illumination, the two companies behind the commercially successful property. \u201cMinions & Monsters\u201d is a hit at the international box office with $86 million over the weekend and $98 million to date, bringing the worldwide total to $159.8 million. And prior \u201cDespicable Me\u201d adventures and spinoffs have demonstrated notable box office staying power, so \u201cMinions & Monsters\u201d could stick around throughout the summer despite the slower start. Critics and audiences dug the movie, which was directed by series co-creator Pierre Coffin and holds a stellar 91% on Rotten Tomatoes and \u201cA-\u201d grade on CinemaScore exit polls. The film was produced for $85 million, making it slightly less expensive than prior entries, which cost around $100 million each.<\/p>\n

\n\t\u201cSeven [installments] is further than any animation series has gone. Audiences are showing fatigue now,\u201d says David A. Gross, who publishes the box office newsletter FranchiseRe. \u201cThe movie will be profitable, but it\u2019s a misfire.\u201d<\/p>\n

\n\tElsewhere at the domestic box office, \u201cSupergirl\u201d endured a tragic 74% decline with $9.6 million from 3,602 screens in its sophomore outing. Rivals believe the final weekend number will be lower when estimates are officially tallied on Monday. After debuting to just $37.1 million domestically, the Warner Bros. and DC comic book adaptation has earned $58.5 million in North America and $100.5 million globally to date. Such a weak turnout underscores the challenges facing the once-dominant box office genre of superhero movies, particularly those centered on lesser-known protagonists. Last year\u2019s \u201cSuperman\u201d was a hit, and this month\u2019s \u201cSpider-Man: Brand New Day\u201d is expected to be enormous. But those films feature A-list heroes; everyone on the planet knows Clark Kent and Peter Parker. \u201cSupergirl\u201d and Marvel\u2019s 2025 adventure \u201cThunderbolts,\u201d another recent theatrical misfire, revolved around characters who aren\u2019t household names. Given its hefty $170 million budget, \u201cSupergirl\u201d is projected to lose at\u00a0least $100 million to $120 million\u00a0in its theatrical run \u2014 and that figure could be even higher if the film fails to reach $200 million globally.<\/p>\n

\n\t\u201cSupergirl\u201d ranked No. 4 on weekend charts behind \u201cYoung Washington,\u201d which opened in third with an impressive $20.8 million from 2,700 theaters. The patriotic historical drama, whose release was smartly timed to Independence Day, was backed by the faith-based Angel Studios. The company\u2019s inspirational films tend to be well-received by their target demographic, and \u201cYoung Washington\u201d was no different. The movie, which tells the story of George Washington before the American Revolutionary War and his presidency, earned an \u201cA\u201d grade on CinemaScore, in stark contrast to the 57% from critics on Rotten Tomatoes.<\/p>\n

Read more \u2018Chica Checa\u2019 Review: \u0160imon Hol\u00fd\u2019s Karlovy Vary Competition Entry Is Worthy but Clumsy<\/a><\/p>\n

\n\t\u201cThe story is told from a patriotic, pro-America and faith-oriented point of view, and the release coincides with the nation\u2019s 250th anniversary,\u201d Gross says. \u201cThere\u2019s limited potential overseas, but the domestic run should be good. Angel Studios knows how to reach this audience.\u201d <\/p>\n

\n\tA24\u2019s comedy \u201cThe Invite\u201d managed to crack the top 10 with $800,700 while playing on just 28 screens. That brings the total haul to $1.36 million after to weekends in limited release. With great reviews, the movie\u2019s commercial appeal will be tested when it expands nationwide on July 10. Directed by Olivia Wilde, \u201cThe Invite\u201d stars her and Seth Rogen as a bickering married couple who host a dinner party for their\u00a0far\u00a0more free-spirited upstairs neighbors (Pen\u00e9lope Cruz and Edward Norton).<\/p>\n

\n\tParamount\u2019s comedy \u201cJackass: Best and Last,\u201d which opened last weekend to weak ticket sales, dropped to the No. 8 spot with $2.7 million from 2,855 theaters, a harsh 68% decline. The R-rated film has generated a paltry $14.6 million domestically and $20 million worldwide, so it\u2019ll almost certainly wind up as the lowest grossing installment of the five films. However, \u201cJackass 5\u201d cost just $10 million to produce, so it doesn\u2019t need that much coinage to get out of the red.<\/p>\n

\n\tAlthough Hollywood is enjoying the best summer since COVID, this weekend was a setback in terms of the industry\u2019s recovery. At the end of June, popcorn season was 17% ahead of the same point in 2025 and 1.7% behind 2019, according to Rentrak. Now the summer stretch is 11.9% above 2025 and 7.25% behind 2019. Meanwhile the year-to-date box office is up 13.2% from last year and 16% behind 2019. Next weekend brings another family film, Disney\u2019s live-action \u201cMoana,\u201d while Christopher Nolan\u2019s \u201cThe Odyssey\u201d and \u201cSpider-Man: Brand New Day\u201d\u00a0are poised to close out July with a bang.<\/p>\n

\n\t\u201cWhen the 4th of July lands on a Saturday, it can have a negative impact on the box office,\u201d says Paul Dergarabedian, Rentrak\u2019s head of marketplace trends. \u201cNonetheless, theaters have been on a roll since the beginning of the year, with a summer movie season that is likely to be the biggest since 2019.\u201d<\/p>\n

\n\tIf all goes to plan, summer will eclipse the $4 billion mark for only the second time in post-pandemic years. The first was 2023, when \u201cBarbie\u201d and \u201cOppenheimer\u201d fueled a moviegoing event for the ages. It\u2019s now up to Moana, Odysseus and Peter Parker to carry the box office to the coveted milestone.<\/p>\n

Read more Jesse Eisenberg on Why It Would Be \u2018Silly\u2019 to Leave U.S. Because of Trump, Says \u2018The Debut\u2019 Is \u2018The Opposite of AI\u2019 Following A24 DeepMind Partnership<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Although “Minions & Monsters” led the box office over the Fourth of July weekend, the animated family film opened way behind projections.<\/p>\n","protected":false},"author":1,"featured_media":3591,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2903,2373,2960,755],"class_list":["post-3592","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-minions-and-monsters","tag-supergirl-2","tag-the-invite-2","tag-toy-story-5"],"yoast_head":"\nBox Office: \u2018Minions & Monsters\u2019 Fizzles Over July 4th Weekend With Franchise-Low $61 Million Debut, \u2018Supergirl\u2019 Suffers Brutal 74% Drop - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=3592\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Box Office: \u2018Minions & Monsters\u2019 Fizzles Over July 4th Weekend With Franchise-Low $61 Million Debut, \u2018Supergirl\u2019 Suffers Brutal 74% Drop - 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