{"id":374,"date":"2026-05-20T22:07:18","date_gmt":"2026-05-20T22:07:18","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=374"},"modified":"2026-05-20T22:07:18","modified_gmt":"2026-05-20T22:07:18","slug":"the-man-i-love-review-rami-malek-has-his-best-role-since-bohemian-rhapody-in-ira-sachss-delicate-and-touching-80s-character-study","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=374","title":{"rendered":"\u2018The Man I Love\u2019 Review: Rami Malek Has His Best Role Since \u2018Bohemian Rhapody\u2019 in Ira Sachs\u2019s Delicate and Touching \u201980s Character Study"},"content":{"rendered":"
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\nIra Sachs\u2019s \u201cThe Man I Love\u201d is a stirringly offbeat drama, small and delicate and disarmingly precise, with a performance by Rami Malek that, if there\u2019s any justice, should finally quiet down all the reviewers who\u2019ve always been so snarky about him. This actor has been a critical whipping boy ever since \u201cBohemian Rhapsody\u201d (2018), which somehow became \u2014 at least, in the eyes of too much of the media \u2014 not a zesty, enjoyable, and flawed rock biopic but some sort of weird crime against humanity. Sorry, but it was a highly watchable movie, and Malek\u2019s arresting authenticity as Freddie Mercury is what took you through it.\u00a0<\/p>\n

Read more \u2018Margo\u2019s Got Money Troubles\u2019 EPs Break Down the Finale, That Custody Battle and Going Beyond the Book in Season 2<\/a><\/p>\n

\n\tThat said, he\u2019s a tough actor to cast, and in \u201cThe Man I Love\u201d Malek takes a break from his post-\u201cBohemian\u201d run of impersonating cops and spies and Nazi interrogators; he has finally found a role exquisitely tailored to his talents. Set in the late 1980s, the movie is a New York micro-drama about a fellow named Jimmy George \u2014 an amateur performance artist who is battling AIDS, keeping the illness at bay with AZT. The film takes place not too long after he spent time in the hospital with a case of pneumonia that nearly did him in. But now he has recovered.<\/p>\n

\n\tIn \u201cThe Man I Love,\u201d we watch Jimmy pull together his latest makeshift theater piece (which might be described as off off off Off Broadway). We watch him sing songs in other contexts (like his parents\u2019 anniversary). We observe the loving devotion with which Dennis (Tom Sturridge), the partner who moved in in order to take care of him, does so. We also see him commence a hot fling with a man who lives in the same apartment building \u2014 an ardent young British fellow, Vincent (Luke Ford), who\u2019s utterly infatuated with Jimmy.<\/p>\n

\n\tIf Jimmy were more of a superstar in the making, \u201cThe Man I Love\u201d might actually be less interesting. In fact, he seems like an aspiring Warhol Superstar who came along a decade too late. He\u2019s an aging party boy with talent, and the desire to perform, but he\u2019s like any number of the effusive gay men you might have seen in New York at the time, in the cabarets of the West Village or other venues of the downtown scene. Jimmy, like them, has the artist\u2019s need to express himself, fueled by a primal desire to be seen<\/em>, but not in a way that makes him destined for major success. Performing in the gay demimonde, he\u2019s a medium-size exhibitionist in an oversize pond.<\/p>\n

\n\tMalek colors him in with shades of anger, tenderness, psychosis, and the sheer pesky individuality<\/em> of Jimmy. He makes him a morosely charismatic flake \u2014 the kind of flamboyant narcissist who\u2019s got a gift, but one he doesn\u2019t quite know what to do with. Jimmy sings\u2026well enough. (Early on, when he performs \u201cThe Man I Love,\u201d he sounds a little slurry, like late-period Judy Garland, which isn\u2019t necessarily something to aspire to.) He turns inhabiting a woman\u2019s vibe into a science, which he explains during a party, when he struts around before everyone in the living room, rolling each part of his body with a feminine \u201cfigure eight.\u201d He\u2019s been on the drag-show circuit, where there\u2019s a lot of talent but also a lot of wannabe spirit infused with more passion than genius. And Jimmy has been doing it all for long enough that he\u2019s a legend in his own mind, and maybe the minds of a few others. But now he\u2019s fading from the world.<\/p>\n

\n\tA film director, like a musician, can occasionally produce a work that ends up influencing himself <\/em>in a fascinating way. Ira Sachs\u2019s last film, \u201cPeter Hujar\u2019s Day,\u201d was a winning experiment: essentially a feature-length monologue, based on a real tape recording, in which the photographer Peter Hujar (played by Ben Whishaw) talked about everything he did the day before, from the most casual triviality to the most meaningful event. It was a lovely Zen wisp of a film, a playful act of transcendental memory.<\/p>\n

Read more Damon Lindelof Reveals Why He Was Fired From Star Wars Movie: Story Was the \u2018Protestant Reformation Inside Star Wars\u2019<\/a><\/p>\n

\n\tSachs, following up on the spirit of that film, has conceived \u201cThe Man I Love\u201d as though he were making a documentary about a fictional person. The characters don\u2019t declaim the dialogue, even in an indie-movie way \u2014 they mumble and murmur it, as if they were being observed on the sly. The period detail is there, but understated. And though the film, when you stand back, has a beautifully organic shape, on a scene-to-scene level it\u2019s cut together with a jarring lifelike randomness. Sachs doesn\u2019t want tidy resolutions or tidy scenes; he wants flow and spontaneity and spiky looseness. He\u2019s hardly the first director to go in that direction (hello, John Cassavetes and Robert Altman and Richard Linklater), but he does it with his own tiny-is-big, the-world-lives-in-a-moment aesthetic.<\/p>\n

\n\tJimmy wants to create a performance piece that\u2019s got a postmodern sting. The one he has put together is a re-creation of a rehearsal from the oddball 1974 French Canadian queer film \u201cIl Etait un Fois Dans L\u2019Est,\u201d which features a diva named Carmen, who we see in video clips on the TV. She\u2019s like a low-rent Carol Channing, and half the rehearsal is her berating her musicians. But that\u2019s part of what Jimmy wants to re-create. He\u2019s trying to duplicate the purity of a shambolic performance, and as his health begins to deteriorate, and his mind along with it, he\u2019s going to be true to that performance in more ways than he knows.<\/p>\n

\n\tMalek, with an insular and crestfallen moodiness, plays Jimmy as a man caught between liberation and AIDS, between wanting to be a breakout performer and waiting to stay true to his subversive drag soul. When his sister, Brenda (Rebecca Hall), brings her family over to visit him, there\u2019s no Sturm und Drang (as there is with his parents, who are mired in old prejudices); they\u2019re there to support him. Yet when it comes to romantic love, Jimmy\u2019s support system is fragile. Malek delivers a riveting confessional speech about Jimmy\u2019s sex life that is pure raunch poetry (\u201cI cornholed anything that bent over\u201d), and while Jimmy make no apologies for who he is, the energy of that lifestyle has left him in a lurch. It\u2019s hard, at moments, to separate the mental decline Jimmy is suffering as a result of AIDS from his spiritual depletion. When he finally gets up onstage for the show\u2019s opening night, what he gives is less a performance than a breakdown.<\/p>\n

\n\tYet there\u2019s another scene in \u201cThe Man I Love\u201d \u2014 it\u2019s the film\u2019s surprise emotional highlight \u2014 when Jimmy, at the gathering for his parents, sits in front of a backup band and sings the 1970 Melanie hit \u201cWhat Have They Done to My Song Ma.\u201d It\u2019s a song that I heard all the time growing up, and one that I never thought twice about; the lyrics always struck me as corny (\u201cWell, it\u2019s the only thing that I could do half right\/And it\u2019s turning out all wrong, ma\u201d). But maybe the song was meant to be sung by Jimmy George, because the way Rami Malek performs it, he charges it with the sadness and defiance of a lifetime. Watching the scene, you realize what the world has done to Jimmy\u2019s song: It has stopped hearing it. But in \u201cThe Man I Love,\u201d that song rings out like an angel\u2019s lament.<\/p>\n

Read more A Champion of Made in Hollywood: \u2018Fallout\u2019 Season 2 Delivers Character-Driven Storytelling, Ambitious Cinematic Techniques<\/a><\/p>\n<\/div>\n<\/div>\n

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\t\t\u2018The Man I Love\u2019 Review: Rami Malek Has His Best Role Since \u2018Bohemian Rhapody\u2019 in Ira Sachs\u2019s Delicate and Touching \u201980s Character Study<\/p>\n<\/h2>\n

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\t\tReviewed at Cannes Film Festival (In Competition), May 12, 2026. Running time: 95 MIN.<\/p>\n<\/h2>\n

    \n
  • \nProduction:<\/strong>
    \nA Big Creek Projects, Assemble Media, Merino Films, SBS Productions production. Producers: Scott McGehee, David Siegel, Sa\u00efd Ben Sa\u00efd, Mike Spreter, Myriam Schroeter, Misook Doolittle. Executive producers: Kevin Chneiweiss, Meredith Crowley, Caitlin de Lisser-Ellen, Jack heller, Lucas Joaquin, Adam Kersh, Loring McAlpin, Christopher Taylor, Jonathan Weiner.\t\t\t<\/li>\n
  • \nCrew:<\/strong>
    \nDirector: Ira Sachs. Screenplay: Ira Sachs, Mauricio Zacharias. Camera: Jos\u00e9e Deshaies. Editor: Alfonso Gon\u00e7alves.\t\t\t<\/li>\n
  • \nWith:<\/strong>
    \nRami Malek, Tom Sturridge, Luther Ford, Rebecca Hall, Ebon Moss-Bachrach. \t\t\t<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Rami Malek plays a performance artist who has AIDS in Ira Sachs’s delicate and touching ’80s character study.<\/p>\n","protected":false},"author":1,"featured_media":373,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[3,399,400,401],"class_list":["post-374","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-cannes-film-festival","tag-ira-sachs","tag-rami-malek","tag-the-man-i-love"],"yoast_head":"\n\u2018The Man I Love\u2019 Review: Rami Malek Has His Best Role Since \u2018Bohemian Rhapody\u2019 in Ira Sachs\u2019s Delicate and Touching \u201980s Character Study - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=374\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018The Man I Love\u2019 Review: Rami Malek Has His Best Role Since \u2018Bohemian Rhapody\u2019 in Ira Sachs\u2019s Delicate and Touching \u201980s Character Study - 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