{"id":3805,"date":"2026-07-08T20:38:10","date_gmt":"2026-07-08T20:38:10","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=3805"},"modified":"2026-07-08T20:38:10","modified_gmt":"2026-07-08T20:38:10","slug":"casey-bloys-on-hbos-huge-emmy-noms-haul-the-pitt-dominance-whether-he-has-heated-rivalry-regrets-and-his-own-future-post-merger","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=3805","title":{"rendered":"Casey Bloys on HBO\u2019s Huge Emmy Noms Haul, \u2018The Pitt\u2019 Dominance, Whether He Has \u2018Heated Rivalry\u2019 Regrets and His Own Future Post-Merger"},"content":{"rendered":"<div>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\n\tIt\u2019s been a decade since Casey Bloys took over as head of HBO, and he had more reason to celebrate his successful tenure on Wednesday: an industry-leading 122 nominations for the HBO Max platform, including tremendous showings for \u201cThe Pitt\u201d and \u201cHacks.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=3803\">A New Madonna Book Features Fresh Details About Sean Penn Romance, Ken Regan Photos, Interviews With Nile Rodgers and More<\/a><\/p>\n<p>\n\tAt the same time, that straight-A report card comes with uncertainty. With the looming acquisition of Warner Bros. Discovery by Paramount Skydance, there are still a ton of unanswered questions about the fate of HBO \u2014 and whether Bloys will still be at the helm when Emmy nominations come back around next year.<\/p>\n<p>\n\tFor now, though, Bloys is cheered by his team\u2019s showing. On Wednesday, he spoke with <em>Variety<\/em> about how \u201cThe Pitt\u201d has given the beleaguered Hollywood production community reasons to be upbeat, as well as the record-breaking tally for \u201cHacks,\u201d which is exiting after five seasons with the most nominations ever for a comedy. Then there\u2019s the surprise success of \u201cDTF St. Louis,\u201d a tinge of disappointment that \u201cHalf Man\u201d didn\u2019t score more recognition and the futures of nominees like \u201cA Knight of the Seven Kingdoms\u201d and \u201cIt: Welcome to Derry.\u201d And yes, Boys does address his own fate \u2014 as much as he can right now, that is.<\/p>\n<h5>\n\t\tI can\u2019t believe it\u2019s been 10 years now since you took over. Time flies. How are you feeling about today\u2019s nominations?\t<\/h5>\n<p>\n\tIt\u2019s a great morning by any metric, and you know I\u2019m marking 10 years in this position, and I just think it\u2019s such a great validation for the team for how they, develop, how they produce, who they choose to get in business with. Obviously, Emmys are not the only metric of success, but it\u2019s certainly a  really nice indicator of quality. I\u2019m proud of the team, and proud of the artists who were all recognized.<\/p>\n<h5>\n\t\t\u201cThe Pitt\u201d almost doubled its nominations from last year. It continues to be a story that the industry has embraced, what the show means to TV production in general and to production in Los Angeles. How much does that positivity surrounding the show help?\t<\/h5>\n<p>\n\tYes, and it happens to be an excellent show, so there\u2019s that.<\/p>\n<h5>\n\t\tAnd in its final season, how did \u201cHacks\u201d manage to break the record for comedy?\t<\/h5>\n<p>\n\tI was so thrilled for them. Because first of all, doing a good show is hard enough, but to end a show after five seasons, to stick the landing and go out on a high note is incredibly hard to do. I just think that Paul [W. Downs] Jen [Statsky] and Lucia [Aniello] just showed how it\u2019s done. <\/p>\n<h5>\n\t\tNow, have you been talking to JPL about their next project yet? I know they\u2019ve been working on something.\t<\/h5>\n<p>\n\tWe have had conversations. We wanted to give them the chance to finish up the show, and enjoy the nominations that we hoped would come. But yes, we have been talking about what they\u2019re going to do next.<\/p>\n<h5>\n\t\tYeah, it sounds like they\u2019ve already been doing some research trips. So, how much do you know about whatever they\u2019ve got planned?\t<\/h5>\n<p>\n\tI\u2019d be excited about whatever they want to do, so I have some ideas about what they\u2019re thinking. But I don\u2019t want to reveal too much, because I don\u2019t know how much they\u2019ve put out there. But needless to say, we\u2019re lucky to be lucky, obviously lucky to be in business with them,<\/p>\n<h5>\n\t\tAnd Jean Smart could potentially make history as well if she wins one more time, tying the record for most wins of a female at the Emmys. \t<\/h5>\n<p>\n\tHopefully, knock on wood!<\/p>\n<h5>\n\t\tSo, do you have any regret that you didn\u2019t push HBO to be a producer on \u201cHeated Rivalry\u201d?\t<\/h5>\n<p>\n\tNo, you were early on the \u201cHeated Rivalry\u201d train, but listen, as I think <em>Variety<\/em> wrote about, it\u2019s a Canadian production, very proudly Canadian. So obviously we have to follow the rules. It doesn\u2019t mean we\u2019re not proud of the show, and they just did well with their equivalent of the Canadian Emmy. So we\u2019re thrilled to have it on on the platform, and looking forward to Season 2.<\/p>\n<h5>\n\t\tAmong this year\u2019s surprises, it feels like \u201cDTF St. Louis\u201d came on strong as people discovered the show, late in the Emmy season.\t<\/h5>\n<p>\n\tI agree with you, I was happy to see [creator] Steve [Conrad] and the cast get the recognition. I would say that is an incredibly original show. So for people saying that as an industry, we\u2019re only producing sequels or whatever in TV and film, I would proudly point to \u201cDTF\u201d as one of the most original shows that I have seen across the board in a long time. It goes deep on male friendship, which I don\u2019t think you see a lot of people doing. I think it just shows how talented Steve is as a writer, director, as a thinker, as an artist. So I was thrilled to see again not only Steve, but the cast get recognized.<\/p>\n<h5>\n\t\tOn the flip side, one of the biggest surprises of today was \u201cHalf Man\u201d only getting one nomination. What do you think happened?\t<\/h5>\n<p>\n\tI was glad to see Richard [Gadd] get nominated, because his work was extraordinary, as was all of the cast. Listen, Richard is uncompromising in his vision, which I think makes him incredibly exciting as a creator. And it was an intense show, and we love that. Maybe it was too dark or too intense, but I am incredibly proud of it. I know Richard is, and I\u2019d love to do something else with him. I just think he is a unique talent.<\/p>\n<h5>\n\t\tI think the sense was maybe the maybe the word spread that it was a tough watch at times.\t<\/h5>\n<p>\n\tWell, this is what you want to see when you\u2019re doing television: things that challenge you, things that are interesting, things you haven\u2019t seen before. I would point to again to \u201cDTF\u201d as something incredibly original, and I would point to \u201cHalf Man\u201d as something incredibly original. Sometimes the Emmy gods smile upon you, and sometimes they don\u2019t. But it doesn\u2019t make us any less proud of the association with Richard and the BBC.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=3800\">\u2018The Pitt\u2019 Stars Brittany Allen and Jeff Kober Scored Emmy Noms After Self-Submitting: \u2018A Week Ago I Couldn\u2019t Get a Good Agent\u2019<\/a><\/p>\n<h5>\n\t\tSo with \u201cEuphoria,\u201d was that a snub? Were you expecting a drama nomination for its final season?\t<\/h5>\n<p>\n\tI\u2019m not a big believer in \u201cThat was snub!\u201d You kind of have to put the best work out, and hope things get recognized. But I don\u2019t like to go through and make lists of snubs, because obviously it\u2019s not what it\u2019s about. I was thrilled to see Zendaya get recognized, and look, I think the show was terrific, and the cast and Sam [Levinson] all did amazing work. This is how it goes sometimes at the Emmys, but it doesn\u2019t make us any less proud of the work that we put out.<\/p>\n<h5>\n\t\tLisa Kudrow got her nod for \u201cThe Comeback,\u201d but that\u2019s another show that missed getting a comedy nomination in a crowded field.\t<\/h5>\n<p>\n\tObviously Lisa getting nominated for what I think is probably a Hall of Fame character in television comedy was really, really nice.<\/p>\n<h5>\n\t\t\u201cA Knight of the Seven Kingdoms\u201d did well, especially in some of the artisans category. Is the plan to still go three seasons?\t<\/h5>\n<p>\n\tWe\u2019ll see what [creator] Ira [Parker] is thinking right now. They\u2019re finishing up shooting Season 2, and we\u2019ll see what he and George [R.R. Martin] are thinking. But that was really nice to see the show break through. It\u2019s got a really sweet and unique tone, and it was kind of an experiment in varying the tones on what one would expect between \u2018\u201dGame of Thrones\u201d and \u201cHouse the Dragon.\u201d<\/p>\n<h5>\n\t\tWhat\u2019s the status of \u201cIt: Welcome to Derry,\u201d which still hasn\u2019t been given a renewal?\t<\/h5>\n<p>\n\tOh, I said this before: They\u2019re working on on a take for Season 2, and they\u2019re coming up with a take and scripts. I am very inclined to, obviously \u2014 the show did very well. They want to be happy with the direction that they\u2019ve come up with. They\u2019re still working on it. They\u2019ll show it to us, but I\u2019m feeling very good about what I\u2019ve heard so far.<\/p>\n<h5>\n\t\tNow, the burning question, we know this could be the last Emmy cycle under HBO\u2019s current ownership. What are you thinking, in terms of where are you going to be a year from now? Casey Bloys, are we going to be doing this phone call at this time next year? \t<\/h5>\n<p>\n\tWell, as we said when we started the call,  it has been 10 years since I\u2019ve been in this job, and I\u2019m so happy for the recognition not only for the artists that we work with, but the teams internally. We talk a lot about the programming team, and obviously, across the board, drama, comedy specials, documentaries,  this team is amazing. But it\u2019s also the production team. Over the course of HBO history, we\u2019ve produced, I want to say, 150 shows that we\u2019ve made ourselves. It\u2019s how we produce shows, it\u2019s how we make shows from a business affairs point of view, it\u2019s how we publicize shows, market shows. I\u2019m really proud of the team, how long we\u2019ve been together, how well we work together. <\/p>\n<p>\n\tSo it would be nice to keep that that group intact, and we\u2019ll just have to see how things play out. There\u2019s not a lot you can get into. As you know, we\u2019re going on our third merger, and there\u2019s not a lot you can talk about beforehand. I\u2019ve had very nice conversations and meals with David [Ellison] and we\u2019ll have to see after close what everything\u2019s looking like. But right now I\u2019m feeling very, very proud of this team.<\/p>\n<h5>\n\t\tIt sounds like in an ideal world, there would be sort of an HBO island that maintained its HBO-ness, maybe separate from whatever else is going on. Everyone compares it to what John Landgraf has with FX inside Disney. Is that what you would like to see happen with HBO?\t<\/h5>\n<p>\n\tI really can\u2019t get into that, because, as I said, there\u2019s not a lot you can talk about. You can\u2019t get into the details, but I would say the team that I have been working with for a long time, and each and every one of them has been at HBO for many, many years. Remember, we started at HBO, we took over HBO Max, we\u2019ve got an international programming production business affairs team running. So, what we\u2019re doing is is pretty far-reaching, so again, we\u2019ll just have to see what the future holds.<\/p>\n<h5>\n\t\tGotta ask, is there a world where you would report to anyone other than David Ellison?\t<\/h5>\n<p>\n\tAgain, I think you probably know the answer to that, but I really don\u2019t want to get into any of that.<\/p>\n<h5>\n\t\tI figured as much. Let me ask you about Emmy telecast itself, because this is the final year of its current deal. Have you had any conversations with the Academy about the show? What do you think may be the best option for them?\t<\/h5>\n<p>\n\tI really don\u2019t know. I think that obviously award shows have been trying to figure it out. I think the Grammys have done a really nice job in terms of adapting over the years, and I know everybody\u2019s trying really hard. I don\u2019t know the right answer.<\/p>\n<h5>\n\t\tBefore we go, let\u2019s go back to \u201cThe Pitt.\u201d Now\u2019s the time to announce any spinoffs.\t<\/h5>\n<p>\n\tListen, I think they\u2019re doing what they\u2019re doing really well. Don\u2019t want to mess with success. I leave it to John [Wells], Scott [Gemmill] and Noah [Wyle], but as you said in the beginning, it\u2019s also just a great success story on many different levels. Shooting in L.A., shooting more than eight episodes, annual return. I\u2019m really proud of them, really happy to see a lot of performers get recognized. It was an excellent day for \u201cThe Pitt.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=3798\">Why \u2018Your Friends &amp; Neighbors\u2019 Deserves Its Drama Emmy Nom<\/a><\/p>\n<p>\n<em>This interview has been edited and condensed.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>HBO&#8217;s Casey Bloys on about its Emmy nomination haul, &#8216;The Pitt&#8217; dominance, what\u2019s next from the \u2018Hacks\u2019 creators and his future post-merger.<\/p>\n","protected":false},"author":1,"featured_media":3804,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[3123,220,622,1033],"class_list":["post-3805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tv","tag-casey-bloys","tag-emmys","tag-hbo","tag-the-pitt"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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