{"id":3922,"date":"2026-07-10T10:36:24","date_gmt":"2026-07-10T10:36:24","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=3922"},"modified":"2026-07-10T10:36:24","modified_gmt":"2026-07-10T10:36:24","slug":"from-kneecap-to-a-karlovy-vary-hit-to-mia-hansen-loves-next-film-irelands-wildcard-makes-instant-splash-as-producer","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=3922","title":{"rendered":"From \u2018Kneecap\u2019 to a Karlovy Vary Hit to Mia Hansen-L\u00f8ve\u2019s Next Film: Ireland\u2019s Wildcard Makes Instant Splash as Producer"},"content":{"rendered":"
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\n<\/p>\n
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\n\tWhen setting up a production company, most filmmakers hope that the first feature out of the gate at least makes a little bit of noise.<\/p>\n

Read more Greek Myth Summer Continues as Mediawan Rolls Out Kinetic Content Gameshow \u2018Trojan Horse\u2019 Across Europe<\/a><\/p>\n

\n\tThankfully for Dublin-based Wildcard, \u201cKneecap\u201d didn\u2019t do anything quietly.<\/p>\n

\n\tRich Peppiatt\u2019s rowdy, raucous, drug-soaked and politically-charged directorial debut, a comedy almost-biopic about the Northern Irish rap group of the same name, became the standout hit of Sundance 2024, where it was snapped up by Sony Pictures Classics. Starring the bandmates as versions of themselves and with Michael Fassbender supporting, the film would go on to make the Oscar\u2019s International Feature shortlist, dominate the British Independent Film Awards and even win a BAFTA.<\/p>\n

\n\tNot exactly a bad start.<\/p>\n

\n\tWildcard had hits before, but with other people\u2019s films. Launching in 2013 as Wildcard Distribution, it released features across Ireland such as \u201cThe Young Offenders,\u201d the comedy that spawned the hit TV series, Lance Daly\u2019s Berlinale-bowing period drama \u201cBlack \u201947\u201d (starring a young Barry Keoghan and taking on the 19th century Irish Famine) and \u201cWolfwalkers,\u201d the Oscar-nominated animation from Kilkenny\u2019s pioneering studio Cartoon Saloon.<\/p>\n

\n\tBut in 2023 it ditched the \u2018Distribution\u2019 from its name and added production to its remit. \u201cKneecap\u201d would be the perfect \u2014 if slightly foul-mouthed \u2014 way to let people know.<\/p>\n

\n\t\u201cWhat \u2018Kneecap\u2019 did, certainly in terms of an Irish context and among Irish filmmakers, was ping on a lot of people\u2019s radars,\u201d says Wildcard managing director Patrick O\u2019Neill. \u201cPeople who thought, we know Wildcard, they distribute a lot of the bigger Irish movies throughout the year, were like, oh, they\u2019re in production now!\u201d<\/p>\n

\n\tWildcard quickly followed on the heels of \u201cKneecap\u201d in 2024 with Aislinn Clarke\u2019s Irish folk horror \u201cFr\u00e9waka,\u201d While the film may not have had the same headline-grabbing exposure or notoriety, it was hugely well received (Variety\u2019s<\/em> review described it as \u201cexpertly conducted atmospheric exercise\u201d) and enjoyed a successful festival run, landing in Locarno and London before being acquired by Shudder.<\/p>\n

\n\t\u201cConsidering \u2018Fr\u00e9waka\u2019 was made on such a low budget, through a domestic funding scheme and financed all out of Ireland, it showed how indigenous Irish film could travel outside the country,\u201d notes O\u2019Neill. \u201cBecause when we talk to filmmakers, we\u2019re very clear that it\u2019s our ambition for anything we produce, we really want it to connect with audiences and the market.\u201d<\/p>\n

\n\tO\u2019Neill had previous experience producing, notably on Julian Temple\u2019s Shane MacGowan doc \u201cCrock of Gold.\u201d But this was done through Wild Atlantic Films, Wildcard\u2019s sister company, with whom they share office space and resources. And it\u2019s Wild Atlantic Films that, over the last decade, has become one of Ireland\u2019s most successful operations, producing local indie features, such as last year\u2019s \u201cSaipan,\u201d plus \u201cThe Hole in the Ground\u201d and \u201cBlack \u201847\u201d while also serving as a local producers on numerous Hollywood productions shooting in Ireland, including \u201cEvil Dead Rise,\u201d \u201cBlue Moon\u201d and the recently-released \u201cYoung Washington.\u201d<\/p>\n

\n\tBut with Wild Atlantic moving into higher profile projects with bigger budgets, it was felt there was space to support smaller, more daring indie features, often from first-time directors. \u201cKneecap\u201d \u2014 which came to O\u2019Neill through Belfast-based producer Trevor Birney, who was looking for a partner in the Republic \u2014 ticked the right financial box (a budget of around $5 million) while also tapping into the comedy, music and politics that had defined much of Wildcard\u2019s distribution output previously.<\/p>\n

\n\t\u201cI think it really hit in terms of my own personal interests and that of the staff \u2014 it was something that we felt closely identified with the kind of films we wanted to do,\u201d says O\u2019Neill. \u201cSo there were a lot of touchpoints there. And a lot of the funding partners that were coming together were people we\u2019d worked with previously, so just seemed like a very snug fit.\u201d<\/p>\n

\n\tMore than two years on and while Wildcard continues to distribute many Irish titles (including both \u201cKneecap\u201d and \u201cFr\u00e9waka\u201d) its nascent production arm has done more than just gather steam, underlined by two films in this year\u2019s summer festival season.<\/p>\n

Read more \u2018God Particle\u2019 Physicist Fabiola Gianotti to Get Feature Biopic by \u2018The Invisible Witness\u2019 Director Stefano Mordini\u00a0(EXCLUSIVE)<\/a><\/p>\n

\n\tRebekah Fortune\u2019s tear-jerker \u201cLearning to Breathe Under Water,\u201d starring Rory Kinnear and Maria Bakalova, has just earned rave reviews from its world premiere in Karlovy Vary. It was shot in Galway on Ireland\u2019s west coast, where this week it\u2019ll have its Irish premiere at the Galway Film Fleadh (coincidentally where Wildcard\u2019s \u201cThe Young Offenders\u201d world premiered in 2016 and where \u201cKneecap\u201d had its home debut).<\/p>\n

\n\tJoining \u201cLearning to Breathe Under Water\u201d and getting its world premiere in Galway is another Wildcard production, the Irish Christmas heist comedy \u201cYou\u2019ll Never Believe Who\u2019s Dead,\u201d starring Peter Claffey, Michelle Fairley and Ardal O\u2019Hanlon, and reuniting the company with \u201cKneecap\u201d producer Trevor Birney.<\/p>\n

\n\tThere\u2019s more to come, including supernatural horror \u201cHide and Don\u2019t Speak,\u201d starring Momona Tamada (\u201cAvatar: The Last Airbender\u201d) alongside Tanner Buchanan (\u201cCobra Kai\u201d) Garrett Wareing (\u201cThe Long Walk\u201d), Quvenzhan\u00e9 Wallis (Oscar nominee for \u201cBeasts of the Southern Wild\u201d), Kaitlyn Kemp (\u201cStreet Smart\u201d) and John Hewson (\u201cThese Sacred Vows\u201d). The film recently shot in Northern Ireland.<\/p>\n

\n\tAnd while most directors are first or second-time feature filmmakers, a new project just over the horizon comes from one of Europe\u2019s most celebrated names. Wildcard is among the co-producers on Mia Hanson-L\u00f8ve\u2019s upcoming Mary Wollstonecraft biopic \u201cIf Love Should Die,\u201d which Renate Reinsve is attached to lead. A portion of the film will be shot in Ireland (where Wollstonecraft spent some time).<\/p>\n

\n\tO\u2019Neill says that Wildcard will always \u201clook to international opportunities,\u201d such as the chance to work on a Hanson-L\u00f8ve project, but insists the company\u2019s development slate has a \u201cvery Irish identity with Irish talent, which is what we\u2019re passionate about.\u201d<\/p>\n

\n\tOn that note, among several on the slate is the next film from \u201cBlack \u201847\u201d director Daly in \u201cCran\u0144og,\u201d a historical action-thriller set in Ireland 2000 years ago that O\u2019Neill describes as \u201c\u2019Apocalypto\u2019 meets \u2018The Northman\u2019\u201d. Then there\u2019s Halfcast, a politically-charged body horror and feature debut of writer\/director Ellius Grace, previously known for commercials and photography (he has portraits of both Shane McGowan and Sinead O\u2019Connor hanging in Ireland\u2019s National Gallery).<\/p>\n

\n\tRounding out the three projects Wildcard is hoping to get off the ground in the next year is a so-called \u201cnightmare biopic\u201d of Bram Stoker called \u201cIn the Blood,\u201d written by David Turpin and Ciar\u00e1n Foy (who is attached to direct). The story will dive into the origin story of the Irish-born \u201cDracula\u201d author, who was friends with a man believed to have been Jack the Ripper and ended up marrying Oscar Wilde\u2019s fianc\u00e9. \u201cI always thought it was such a fascinating story that had never been told,\u201d says O\u2019Neill, who describes it as \u201c\u2019A Beautiful Mind\u2019 meets \u2018From Hell\u2019.\u201d<\/p>\n

\n\tDespite being less than three years\u2019 old, there\u2019s now plenty going on at Wildcard\u2019s production arm and with \u201cKneecap,\u201d \u201cFr\u00e9waka\u201d and \u201cLearning to Breathe Under Water,\u201d its first three films that have all had successful A-list festival bows. Given the usual route of Hansen-L\u00f8ve, \u201cIf Love Should Die\u201d could well add Cannes to the list.<\/p>\n

\n\tThere\u2019s a definite through-line connecting Wildcard\u2019s credits, but amongst the growing list is one title that stands out \u2014\u00a0Fox Nation\u2019s docudrama series \u201cMartin Scorsese Presents: The Saints\u201d about the lives of various Christian saints. Wildcard served as a service producer on the episode about St. Patrick. <\/p>\n

\n\t\u201cYou know, it\u2019s not really in our business model or business plan to necessarily do TV,\u201d admits O\u2019Neill. \u201cBut something with Martin Scorsese\u2019s name on it is hard to resits. So I wouldn\u2019t say we made an exception for that, but it\u2019s definitely not bad to have on the CV.\u201d<\/p>\n

Read more \u2018Modern Family\u2019 Star Jesse Tyler Ferguson to Reprise Truman Capote in \u2018Tru\u2019 at London\u2019s Menier Chocolate Factory<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Since launching its production arm, Wildcard has produced Kneecap, Frewaka and Learning to Breathe Under Water, with Mia Hansen-Love’s latest incoming<\/p>\n","protected":false},"author":1,"featured_media":3921,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[3204,3205,3206],"class_list":["post-3922","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-kneecap","tag-mia-hansen-love","tag-wildcard"],"yoast_head":"\nFrom \u2018Kneecap\u2019 to a Karlovy Vary Hit to Mia Hansen-L\u00f8ve\u2019s Next Film: Ireland\u2019s Wildcard Makes Instant Splash as Producer - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=3922\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"From \u2018Kneecap\u2019 to a Karlovy Vary Hit to Mia Hansen-L\u00f8ve\u2019s Next Film: Ireland\u2019s Wildcard Makes Instant Splash as Producer - 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