{"id":3986,"date":"2026-07-11T06:36:36","date_gmt":"2026-07-11T06:36:36","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=3986"},"modified":"2026-07-11T06:36:36","modified_gmt":"2026-07-11T06:36:36","slug":"colombia-adds-massive-soundstage-as-bogota-audiovisual-market-attendance-soars-and-narcos-star-led-rookies-cleans-up-in-project-prizes","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=3986","title":{"rendered":"Colombia Adds Massive Soundstage as Bogot\u00e1 Audiovisual Market Attendance Soars and \u2018Narcos\u2019 Star-Led \u2018Rookies\u2019 Cleans Up in Project Prizes"},"content":{"rendered":"
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\n\tColombia\u2019s Bogot\u00e1 Audiovisual Market (BAM) has wrapped its 17th Edition July 10 with an uptick in attendance. The numbers say it all: 2,336 accredited participants and 271 industry activities and 882 one-on-one business meetings connecting selected projects with a host of international guests, advisors and potential partners.<\/p>\n

Read more Jay-Z Brings Out Beyonc\u00e9, Blue Ivy Carter, Nas, Alicia Keys and More for \u2018Reasonable Doubt\u2019 30th Anniversary Show at Yankee Stadium<\/a><\/p>\n

\n\t\u201cBAM once again showed that Colombia has world-class stories to tell and the talent to bring them to global audiences. We\u2019re confident that many of the projects that came through the market leave stronger than they arrived\u2014and one step closer to becoming the films, series, and audiovisual experiences audiences will see in the years ahead,\u201d said BAM director Carlos Eduardo Moreno.<\/p>\n

\n\tThe ever-expanding five-day event was packed with panels, masterclasses and training sessions among a dizzying array of activities. It only paused when Colombia played against Switzerland in its failed bid to make the semi-finals of the FIFA World Cup on July 8. Even the traffic-clogged streets of Bogot\u00e1 went virtually silent.<\/p>\n

\n\tThis year\u2019s edition awarded 70 in-kind prizes from national and international partners to selected projects and emerging talent across various categories including Fiction Films, Documentaries, Series, Rough Features, Animation, Rough Shorts and Bammers. Among the big winners was Jos\u00e9 Luis Rugeles and Ana Mar\u00eda Tarazona of Rhayuela, who took home five awards for their TV series project, \u201cRookies\u201d (\u201cOficina de Detectives\u201d).<\/p>\n

\n\tAmong documentary feature contenders, \u201cLa Sombra de Yol\u00fcja\u201d by Hanz Rippe Gabriel and Fernanda Pineda and \u201cDe la Villa\u201d by M\u00f3nica Taboada and Beto Rosero split the prizes.<\/p>\n

\n\tMeanwhile, Agamen\u00f3n Quintero\u2019s \u201cDe naranjas y otros demonios\u201d snagged the most awards in the fiction feature section.<\/p>\n

\n\tOrganized by Proim\u00e1genes Colombia and the Bogot\u00e1 Chamber of Commerce, BAM remains a key engine driving Latin America\u2019s audiovisual sector.<\/p>\n

\nTIS Studios Opens Massive 18,300-Square-Foot<\/strong> Stage 7, VFX Companies Folks, Loma Expand Clientele<\/strong><\/p>\n

\n\tBAM took place just as TIS Studios, which has hosted a slew of high-profile projects, announced the opening of Stage 7, a new 18,300-square-foot soundstage, primed to host large-scale international film and TV productions.<\/p>\n

\n\t\u201cTIS Studios brings highly trained crews, international production standards and the protocols to manage large-scale projects, all backed by nearly three decades of delivering premium content,\u201d said Samuel Duque, president of TIS Studios. \u201cStage 7 adds to that foundation. Combined with Colombia\u2019s production incentives, it gives producers, showrunners and production studios around the world one more reason to bring their most ambitious projects here.\u201d<\/p>\n

\n\tThe launch of Stage 7 marks the next phase in TIS Studios\u2019 expansion, building on nearly 30 years of production expertise and a track record of projects for major global platforms and networks including Netflix, Amazon, Disney, Paramount, CBS Studios, MTV, Fox Television Studios, Nickelodeon, NBCUniversal and Telemundo.<\/p>\n

\n\tAt 18,300 square feet and 40 feet high, Stage 7 is Colombia\u2019s largest soundstage and one of the biggest in Latin America.<\/p>\n

\n\tMeanwhile, VFX company Folks Bogot\u00e1<\/strong>, run by Andrea Espinal, has attracted a slew of international projects to its studio, lured by its highly competitive rates.<\/p>\n

\n\tThe shows it has serviced include Netflix\u2019s epic \u201cOne Hundred Years of Solitude,\u201d Taylor Sheridan\u2019s \u201c1883\u201d and \u201cLioness\u201d (Seasons I and II), Rodrigo Prieto\u2019s directorial feature debut \u201cPedro P\u00e1ramo,\u201d AppleTV\u2019s \u201cThe Morning Show\u201d and survival horror pic \u201cBoi\u00fana: Legend of the Amazon,\u201d formerly titled \u201cTitan,\u201d which shot in the Colombian Amazon.<\/p>\n

\n\tLaunched in 2019 under Espinal, Folks Bogot\u00e1 studio was established to harness Colombia\u2019s creative talent for high-end VFX productions. What began by supporting the Montreal team grew into a full-service studio delivering visual effects for major Latin American and international titles.<\/p>\n

\n\tAnother burgeoning VFX company, Loma,<\/strong> with deep roots as a family-owned rental equipment company, has expanded into the virtual production business. Its 200-square-meter virtual production studio combines custom LED volumes with real-time technologies including Unreal Engine, camera tracking and media servers to deliver in-camera VFX and extended reality (xR) productions.<\/p>\n

Read more Cineverse Buys Horror-Comedy \u2018Portal to Hell\u2019 (EXCLUSIVE)<\/a><\/p>\n

\n\tRun by COO Francisco Forero, the Bogot\u00e1-based facility supports feature films, series, commercials, live broadcasts and R&D projects, offering filmmakers a state-of-the-art environment for virtual production and next-generation visual effects workflows.<\/p>\n

\n\tAmong some of the shows they have serviced are Netflix\u2019s fact-based skyjacking series \u201cThe Hijacking of Flight 601,\u201d SPT\u2019s \u201cHasta que amanezca\u201d and \u201cComo perderlo todo\u201d from Dago Prods. as well as BAM\u2019s Vaiv\u00e9n,<\/em> a large-scale immersive audiovisual installation created by artist collective Project Aurora.<\/p>\n

\n\tNot surprisingly, its biggest client, as is the case with TIS\u2019 and Folks,\u2019 is Netflix, which has continued to grow its slate in Colombia, recently tapping Ana Maria Londo\u00f1o as Head of Content in Bogot\u00e1.<\/p>\n

\nVenezuelan Filmmaker Mariana Rond\u00f3n Reflects on \u2018All Her Nights Without Caracas\u2019<\/strong><\/p>\n

\n\tTaking the stage for her BAM Talk, Venezuelan filmmaker Mariana Rond\u00f3n reflected on her path to cinema, from her award-winning \u201cBad Hair\u201d (\u201cPelo malo\u201d) to her latest feature, \u201cIt Would Be Night in Caracas,\u201d produced by Edgar Ram\u00edrez.<\/p>\n

\n\tRond\u00f3n revealed that her creative journey began with an unexpected fascination: genetics. She spent a decade developing her own \u201cgenetic laboratory\u201d through art, creating an installation that imagined transgenic beings and produced just 12 seconds of moving imagery. \u201cThat process transformed my understanding of cinema: powerful stories can begin with an image, not only with a script,\u201d she said, emphasizing the emotional power of images to generate curiosity, wonder, and meaning.<\/p>\n

\n\tThe Venezuelan exodus later reshaped her artistic focus. \u201cSeeing people walk from Venezuela all the way to Chile\u2014step by step, crossing borders on foot\u2014felt almost biblical,\u201d she said, describing a crisis that forced many, including herself, to rethink identity, belonging and the possibility of imagining a future.<\/p>\n

\n\tUnable to film \u201cIt Would Be Night in Caracas\u201d in the Venezuelan capital, Rond\u00f3n and her co-director Marit\u00e9 Ugas recreated the city in Mexico, working with hundreds of displaced Venezuelans. During scenes recreating protests, the boundary between fiction and reality collapsed. \u201cWe would call \u2018cut,\u2019 but there was no way to stop,\u201d she recalled. Many participants were reliving their own experiences, leading the production to provide psychological support.<\/p>\n

\n\tUltimately, the film became an act of reconstruction \u2013\u00a0a way to reconnect with a country many had lost and to explore identity through cinema. \u201cThat question of identity is at the heart of why we make films,\u201d she said.<\/p>\n

\nColombia\u2019s Film Boom Has a Sustainability Problem<\/strong><\/p>\n

\n\tA new industry study presented at BAM confirms the historic impact of Colombia\u2019s Film Law 814, which, through the Film Development Fund (FDC) and tax incentives, transformed the country into a thriving production hub. Between 2015 and 2025, Colombia released 548 feature films\u2014compared with roughly two per year before 2003\u2014with public support and tax incentives financing more than half of them and attracting around $160 million in private investment.<\/p>\n

\n\tBut the study also reveals a major challenge: production growth has not translated into stronger companies. Only 25% of production houses supported by the FDC or tax incentives have returned for a second project, leaving 75% unable to build long-term capacity. With most companies operating with just two employees and cinema representing only part of their revenue, the report warns that Colombia is successfully financing films\u2014but not yet building sustainable film businesses.<\/p>\n

\n\tThe study proposes 12 strategies to strengthen the ecosystem, including expanding funding tools, improving tax incentives, supporting distribution and promotion, and recognizing the operational costs needed to build resilient production companies.<\/p>\n

\n\u201c<\/strong>The study confirms the need for a more integrated approach to film policy. 26 years ago, the priority was to create Colombian films. Today, those films exist\u2014but their market share remains minimal, and they are still not reaching audiences,\u201d said producer-director Cristina Gallego (\u201cBirds of Passage\u201d), who led the panel.<\/p>\n

\n\t\u201cWe need to embrace technological change and incorporate it into financing strategies, moving beyond fragmented interests. Screenwriters, regional filmmakers, workers, festivals, producers, distributors, and public institutions\u2014including the ministries of culture, education, technology, and commerce\u2014all have a stake in the audiovisual sector, yet they often operate separately,\u201d she added.<\/p>\n

\n\t\u201cWithout a sustainable ecosystem that supports both companies\u2014production and distribution\u2014and the people who power the industry, long-term growth will remain impossible.\u201d<\/p>\n

Read more Jack White Offers Opening Slot to \u2018Satanic\u2019 Band Twin Temple \u2014 \u2018Get in Front of Me, Satan!\u2019 \u2014 as Charley Crockett Defends Decision to Dump Them<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Colombia’s Bogot\u00e1 Audiovisual Market (BAM) wrapped its 17th Edition July 10 with an uptick in attendance<\/p>\n","protected":false},"author":1,"featured_media":3985,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[3045,3259,612,3260,3261,3262],"class_list":["post-3986","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-bam","tag-edgar-ramirez","tag-fifa-world-cup","tag-netlfix","tag-proimagenes-2","tag-tis-studios"],"yoast_head":"\nColombia Adds Massive Soundstage as Bogot\u00e1 Audiovisual Market Attendance Soars and \u2018Narcos\u2019 Star-Led \u2018Rookies\u2019 Cleans Up in Project Prizes - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=3986\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Colombia Adds Massive Soundstage as Bogot\u00e1 Audiovisual Market Attendance Soars and \u2018Narcos\u2019 Star-Led \u2018Rookies\u2019 Cleans Up in Project Prizes - 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