{"id":4044,"date":"2026-07-12T17:38:02","date_gmt":"2026-07-12T17:38:02","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=4044"},"modified":"2026-07-12T17:38:02","modified_gmt":"2026-07-12T17:38:02","slug":"marco-bellocchio-sally-wainwright-win-big-at-italian-global-series-festival-which-celebrated-star-trek-and-lost-and-lamented-industry-crisis","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=4044","title":{"rendered":"Marco Bellocchio, Sally Wainwright Win Big at Italian Global Series Festival Which Celebrated \u2018Star Trek\u2019 and \u2018Lost\u2019 and Lamented Industry Crisis"},"content":{"rendered":"<div>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\n\tIn honors, Richard Gadd (<em>\u201c<\/em>Half Man\u201d) and Natasha Lyonne (\u201cPoker Face,\u201d \u201cRussian Doll\u201d) were among the big winners at this year\u2019s Italian Global Series Festival, which wrapped July 11. The two received the Breakthrough Storyteller Award and the Maximo Excellence Award respectively, which they had picked up in person earlier last week at awards ceremonies held in Rimini Italy\u2019s ornate Teatro Galli.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=4042\">\u2018Avengers: Doomsday\u2019 Concept Art Reveals First Look at Robert Downey Jr.\u2019s Doctor Doom, Returning X-Men Characters<\/a><\/p>\n<p>\n\tAnnounced Saturday the Italian Global Series prizewinners for TV shows, Marco Bellocchio\u2019s HBO Venice-showcased \u201cPortobello\u201d swept three top awards, and Sally Wainwright a double for \u201cRiot Women.\u201d<\/p>\n<p>\n\tThe whole point of the festival however is to shine a larger international light on series and creators who are not so well known. Here, Italy pulled its weight with prizes to \u201cLa legge di Lidia Po\u00ebt\u201d and \u201cI casi di Teresa Battaglia \u2013 Figlia della cenere.\u201d\u00a0<\/p>\n<p>\n\tPlaudits also shone more light on Irish-U.K. series \u201cLeonard and Hungry Paul,\u201d the French series \u201cLaura\u2019s Treatment\u201d and Chilean soccer fandom series \u201cRaza Brava.\u201d\u00a0<\/p>\n<p>\n\tFurther awards went to Sweden\u2019s \u201cBurden of Justice,\u201d and German show \u201cThe Flaws,\u201d as well as \u201cSecret Service,\u201d for which British actor Rafe Spall scopped best drama-actor.\u00a0<\/p>\n<p>\n\tThe festival\u2019s opening ceremony also saw its share of trophies, led by \u201cLost\u201d co-showrunner Carlton Cuse, who picked up a festival Maximo Excellence Award. The festival honored Cuse for \u201cchanging the television landscape\u201d when \u201cLost\u201d debuted, and the \u201cworld stopped in front of the screen.\u201d\u00a0<\/p>\n<p>\n\tWith Anson Mount to the fore, the cast and creatives across generations of \u201cStar Trek\u201d also received Maximo Celebration Prizes.\u00a0<\/p>\n<p>\n<strong>\u2018Star Trek\u2019 at 60<\/strong><\/p>\n<p>\n\tAll the gold aside, the 60th anniversary celebration of \u201cStar Trek\u201d marked one of the highpoint of the Italian Global Series Festival, climaxing with a preview screening of \u201cStar Trek: Strange New Worlds\u201d Season 4.\u00a0<\/p>\n<p>\n\tThere were also guests from across the creative history of \u201cStar Trek,\u201d including, Nicholas Meyer, director of \u201cStar Trek II: The Wrath of Khan.\u201d Meyer spoke to Variety of its writing process and how he as a \u201cStar Trek\u00b7 agnostic came around thanks to the encouragement of producer Harve Bennett. \u201cI had seen \u2018Star Trek\u2019 on TV, and I didn\u2019t get it at all,\u201d Meyer said. <em>\u201d<\/em>I missed everything that was interesting about the show, the idea that people of different races and genders and cultures could come together to do something good \u2013 that blew right by me.\u201d\u00a0<\/p>\n<p>\n\tThe cast also described the enduring qualities of the series and how it sought the spirit of creator Gene Roddenberry. Part of this was from its flexibility with genre, as exemplified by \u201cStrange New Worlds\u201d and its own ability to shapeshift between musical or something more akin to a Western in moments. \u00a0<\/p>\n<p>\n\t\u201cWe wanted to get back to the big idea that week the planet of the week, the ship is the star, and and at the same time use our platform to prove that \u2018Star Trek\u2019 can be more, really test the form,\u201d said Anson Mount, who plays series lead Captain Pike. \u201cI think we\u2019ve tried to embrace what the original series did, which is Mission of the Week, along with the serialized storylines, throughlines for the characters,\u201d added Rebecca Romijn, who plays Una Chin-Riley (aka Number One). \u201cBut there was a sexiness that the original series had, that I think we\u2019ve also tried to embrace. The Enterprise is kind of a groovy, sexy ship, you know!\u201d\u00a0<\/p>\n<p>\n\tCelia Rose Gooding, who plays Nyota Uhura, another character from the original series, also noted that the new series\u2019s strength lies in how it leaves room for inward exploration of these familiar characters.\u00a0<\/p>\n<p>\n\t\u201cBut there is something I think very interesting about the future of \u2018Trek\u2019 being a little more inward, and the genesis of \u2018Trek\u2019 being much more outwardly exploratory. I think \u2018Strange New Worlds\u2019 has a really wonderful way of finding us right in the middle, where we see how our characters\u2019 inner worlds color their style of exploration.\u201d<\/p>\n<p>\n<strong>Cinema\/TV Overlap<\/strong><\/p>\n<p>\n\tThe changing nature of television was, of course, a frequent point of discussion throughout the week, especially in terms of its relationship with and comparison to the medium of cinema. \u00a0<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=4040\">\u2018Michael\u2019 Crosses $1 Billion, First Biopic to Surpass Coveted Box Office Milestone<\/a><\/p>\n<p>\n\tOne early IGS Festival highlight of the festival was a conversation primarily about \u201cLost\u201d between co-showrunner Carton Cuse and John Ridley (\u201c12 Years a Slave,\u201d \u201cShirley\u201d). The two discussed the influences of cinema on the visual language of \u201cLost\u201d which helped it stand out at the time of its release. \u201cIt was sort of cinema of the subconscious,\u201d Cuse said, speaking of the work of director Frederico Fellini as well as Michelangelo Antonioni. \u201cIt was about mood and mystery and imagery and dreams, and it was ambiguous.\u201d Cuse said that he watched these works at a formative time and that \u201cLost\u201d was a perfect chance to bring those influences into a TV show. \u201c\u2018Lost\u2019 was a show that was really driven by mystery,\u201d Cuse continued. Network television was very literal \u2013 you would always get notes like \u2018explain it more, make it clearer, make the subtext text,\u2019 and it was so deeply annoying.\u201d\u00a0<\/p>\n<p>\n\tAnother conversation considering the nuances between the mediums followed immediately after, with a conversation with actor Bertie Carvel, known for his recent performance as Baelor Targaryan in \u201cGame of Thrones\u201d spinoff \u201cA Knight of the Seven Kingdoms.\u201d \u00a0<\/p>\n<p>\n<strong>A TV Industry in Crisis\u00a0<\/strong><\/p>\n<p>\n\tThe discussion of blurring lines in the television industry wasn\u2019t all positive. A panel between David W. Zucker, chief creative officer of Scott Free and Steve Stark, chairman and executive producer at Toluca Pictures, looked at the industry\u2019s existential problems.\u00a0<\/p>\n<p>\n\tThe rise of streamers proved one insistent focus. Zucker said that streamers\u00a0\u201cfundamentally changed the way content was produced and the way content related to the viewer.\u201d He went on to note that television used to be about people developing long-term relationships with characters. Now streaming services are \u201cinterested in giving you something that will make you pay again next month,\u201d he explained, adding that this changes both the nature of how the audience views television as well as the very nature of the television which they\u2019ll be viewing. \u00a0\u00a0<\/p>\n<p>\n\tStark noted that an over-reliance on audience data is steering how television is optioned. \u00a0<\/p>\n<p>\n<strong>Global Series\u2019 Popularity Hike<\/strong><\/p>\n<p>\n\t\u00a0One of the most popular panels took place on July 5 at the Rimini portion of the festival led by on and off-screen couple \u00d6zge G\u00fcrel (\u201cWolf,\u201d \u201cMr. Wrong\u201d) and Serkan \u00c7ayo\u011flu (\u201cWolf,\u201d \u201cCherry Season\u201d). It was a convincing example of the panel\u2019s very subject: the surprise success of Turkish <em>dizi, <\/em>particularly with international audiences in Italy and beyond. G\u00fcrel and \u00c7ayo\u011flu both spoke about how they saw the emotion of each show as something which easily translated to new audiences, while speaking about Turkey\u2019s screen industries. \u00a0<\/p>\n<p>\n\tThe Italian Global Series\u2019 focus on internationality links back to Zucker and Stark\u2019s panel, with something which both producers highlighted as one of the positives of the modern status quo of television: a new immediacy to connecting with audiences from around the world thanks to the international reach of streamers (and perhaps just the internet itself, on a simpler level). That interconnectivity, whether through fan communities online or through streamers themselves reaching out to producers and studios from around the world, felt like an ambient influence on the 2026 Italian Global Series festival as a whole.\u00a0<\/p>\n<p>\n\tA list of some of this year\u2019s winners can be found below.<\/p>\n<p>\n<strong>INTERNATIONAL COMPETITION DRAMA CATEGORY\u00a0<\/strong><\/p>\n<p>\n<strong>Best Series<\/strong><\/p>\n<p>\n\t\u201cBurden of Justice\u201d\u00a0<\/p>\n<p>\n<strong>Best Director<\/strong><\/p>\n<p>\n\tLisa Linnertorp for \u201cBurden of Justice\u201d\u00a0<\/p>\n<p>\n<strong>Best Lead Actress\u00a0<\/strong><\/p>\n<p>\n\tElena Sofia Ricci for \u201cI casi di Teresa Battaglia \u2013 Figlia della cenere\u201d<\/p>\n<p>\n<strong>Best Lead Actor\u00a0<\/strong><\/p>\n<p>\n\tRafe Spall for \u201cSecret Service\u201d<\/p>\n<p>\n<strong>INTERNATIONAL COMPETITION \u2013 COMEDY\u00a0<\/strong><\/p>\n<p>\n<strong>Best Series<\/strong><\/p>\n<p>\n\t\u201cThe Flaws\u201d\u00a0<\/p>\n<p>\n<strong>Best Creator \/ Director\u00a0<\/strong><\/p>\n<p>\n\tSally Wainwright for\u00a0 \u201cRiot Women\u201d<\/p>\n<p>\n<strong>Best Lead Actress\u00a0<\/strong><\/p>\n<p>\n\tJoanna Scanlan for \u201cRiot Women\u201d<\/p>\n<p>\n<strong>Best Lead Actor\u00a0<\/strong><\/p>\n<p>\n<strong>Alex Lawther, <\/strong>\u201cLeonard and Hungry Paul\u201d<\/p>\n<p>\n<strong>Special Jury Prize\u00a0<\/strong><\/p>\n<p>\n\t\u201cLeonard and Hungry Paul\u201d<\/p>\n<p>\n<strong>INTERNATIONAL COMPETITION \u2013 LIMITED SERIES\u00a0<\/strong><\/p>\n<p>\n<strong>Best Series<\/strong><\/p>\n<p>\n\t\u201cLaura\u2019s Treatment\u201d<\/p>\n<p>\n<strong>Best Director\u00a0<\/strong><\/p>\n<p>\n\tHern\u00e1n Caffiero, \u201cRaza Brava\u201d<\/p>\n<p>\n<strong>Best Lead Actress<\/strong><\/p>\n<p>\n\tVal\u00e9rie Bonneton, \u201cLaura\u2019s Treatment\u201d<\/p>\n<p>\n<strong>Best Lead Actor\u00a0<\/strong><\/p>\n<p>\n\tGabriel Mu\u00f1oz, \u201cRaza Brava\u201d\u00a0<\/p>\n<p>\n<strong>Maximino Award<\/strong><\/p>\n<p>\n\t\u201cRaza Brava\u201d<\/p>\n<p>\n<strong>EDITA ITALIAN FICTION COMPETITION<\/strong><\/p>\n<p>\n<strong>Best Drama Series<\/strong><\/p>\n<p>\n\t\u201cGuerrieri \u2013 La regola dell\u2019equilibrio\u201d<\/p>\n<p>\n<strong>Best Comedy Series<\/strong><\/p>\n<p>\n\t\u00a0\u201cPesci piccoli\u201d \u2013 Season 2\u00a0<\/p>\n<p>\n<strong>Best Miniseries<\/strong><\/p>\n<p>\n\t\u00a0\u201cPortobello\u201d\u00a0<\/p>\n<p>\n<strong>Best TV Movie<\/strong><\/p>\n<p>\n\t\u201cFranco Battiato. The Long Journey\u201d\u00a0<\/p>\n<p>\n<strong>BEST DIRECTOR\u00a0<\/strong><\/p>\n<p>\n<strong>Best Directing, Drama<\/strong><\/p>\n<p>\n\tGiuseppe Mezzapesa, Jacopo Bonvicini, Letizia Lamartire (\u201cLa Legge di Lidia Po\u00ebt\u201d \u2013 Season 3)\u00a0<\/p>\n<p>\n<strong>Best Directing, Comedy<\/strong><\/p>\n<p>\n\tFrancesco Ebbasta, Alessandro Grespan, Danilo Carlani, Alessio Dogana(\u201cPesci piccoli\u201d \u2013 Season 2)<\/p>\n<p>\n<strong>Best Director, Miniseries<\/strong><\/p>\n<p>\n\tMarco Bellocchio( \u201cPortobello\u201d)<\/p>\n<p>\n<strong>Best Director, TV Movie<\/strong><\/p>\n<p>\n\tStefano Lodovichi (\u201cIl falsario\u201d)<\/p>\n<p>\n<strong>BEST ACTRESS AND BEST ACTOR\u00a0<\/strong><\/p>\n<p>\n<strong>Best Actress in a Drama\u00a0<\/strong><\/p>\n<p>\n\tMarina Occhionero (\u201cAvvocato Ligas\u201d)<\/p>\n<p>\n<strong>Best Actress in a Comedy<\/strong><\/p>\n<p>\n\tSara Drago (\u201cCall My Agent \u2013 Italy\u201d \u2013 Season 3)\u00a0<\/p>\n<p>\n<strong>Best Actress in a Miniseries\u00a0<\/strong><\/p>\n<p>\n\tCarolina Crescentini (\u201cMrs. Playmen\u201d)\u00a0<\/p>\n<p>\n<strong>Best Actress in a TV Movie\u00a0<\/strong><\/p>\n<p>\n\tGiulia Michelini (\u201cIl falsario\u201d)\u00a0<\/p>\n<p>\n<strong>Best Actor in a Drama<\/strong><\/p>\n<p>\n\tLino Guanciale (\u201cIl commissario Ricciardi\u201d \u2013 Season 3)<\/p>\n<p>\n<strong>Best Comedy Actor<\/strong><\/p>\n<p>\n\tFrancesco Russo(\u201cCall My Agent \u2013 Italy\u201d \u2013 Season 3)<\/p>\n<p>\n<strong>Best Actor in a Miniseries<\/strong><\/p>\n<p>\n\tValentino Mannias (\u201cIl mostro\u201d)\u00a0<\/p>\n<p>\n<strong>Best Actor in a TV Movie<\/strong><\/p>\n<p>\n\tDario Aita (\u201cFranco Battiato. Il lungo viaggio\u201d)\u00a0<\/p>\n<p>\n<strong>BEST SCREENPLAY\u00a0<\/strong><\/p>\n<p>\n<strong>Best Drama Screenplay\u00a0<\/strong><\/p>\n<p>\n\tGianrico Carofiglio, Doriana Leondeff, Antonio Leotti, Oliviero Del Papa (\u201cGuerrieri \u2013 La regola dell\u2019equilibrio\u201d)\u00a0<\/p>\n<p>\n<strong>Best Comedy Screenplay\u00a0<\/strong><\/p>\n<p>\n\tFrancesco Apolloni, Giovanni Cardillo, Giovanni Tancredi Brusaporci, Giulio Manfredonia, Valentina Capecci (\u201cL\u2019appartamento \u2013 Sold Out\u201d)<\/p>\n<p>\n<strong>\u00a0Best Miniseries Screenplay\u00a0<\/strong><\/p>\n<p>\n\tJordana Mari, Giuseppe Fiore, Marco Bellocchio, Stefano Bises (\u201cPortobello\u201d)\u00a0<\/p>\n<p>\n<strong>Best TV Movie Screenplay\u00a0<\/strong><\/p>\n<p>\n\tSandro Petraglia, in collaboration with Lorenzo Bagnatori and Eleonora Bordi (\u201cZvan\u00ec \u2013 The Family Tale of \u00a0Giovanni Pascoli\u201d)<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=4038\">J.K. Simmons Crime Drama \u2018The Westies\u2019 Is a Flat Take on New York\u2019s Irish Mob: TV Review<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u2018Burden of Justice,\u2019 \u2018The Flaws,\u2019 \u2018Laura\u2019s Treatment\u2019 and \u2018Raza Brava\u2019 stood out among further international winners.<\/p>\n","protected":false},"author":1,"featured_media":4043,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[3293,1445,3294,3295,761],"class_list":["post-4044","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tv","tag-anson-mount","tag-italian-global-series-festival","tag-marco-bellocchio","tag-natasha-lyonne","tag-richard-gadd"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Marco Bellocchio, Sally Wainwright Win Big at Italian Global Series Festival Which Celebrated \u2018Star Trek\u2019 and \u2018Lost\u2019 and Lamented Industry Crisis - 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