{"id":4336,"date":"2026-07-16T17:36:52","date_gmt":"2026-07-16T17:36:52","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=4336"},"modified":"2026-07-16T17:36:52","modified_gmt":"2026-07-16T17:36:52","slug":"green-lantern-is-cool-again-dc-writer-tom-king-on-making-hbos-lanterns-after-fighting-terrorists-as-a-cia-officer","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=4336","title":{"rendered":"Green Lantern Is Cool Again: DC Writer Tom King on Making HBO\u2019s \u2018Lanterns\u2019 After Fighting Terrorists as a CIA Officer"},"content":{"rendered":"
\n<\/p>\n
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\n\tIf comic book author Tom King has a superpower, it\u2019s that everything he writes turns to gold.<\/p>\n

Read more Beehiiv Bets New Suite of \u2018Community\u2019 Tools Will Forge Stronger Connection Between Creators, Subscribers<\/a><\/p>\n

\n\tMarvel and DC have each adapted one of his comics, resulting in 2021\u2019s \u201cWandaVision\u201d and 2026\u2019s \u201cSupergirl.\u201d Now, he\u2019s helping forge the rebooted DC Universe with his take on the Green Lanterns \u2014 galactic peacekeepers who can create any item imaginable using magic rings.<\/p>\n

\n\tGreen Lanterns have struggled in Hollywood, falling far below the popularity of Superman, Batman and Wonder Woman. Ryan Reynolds brought one of the emerald heroes to life in his infamous \u201cGreen Lantern\u201d movie in 2011; the result was a cheesy, CGI-filled disaster. With his new HBO series \u201cLanterns,\u201d King has reimagined the Lanterns as gritty earthbound detectives, \u00e0 la Matthew McConaughey\u2019s and Woody Harrelson\u2019s characters in \u201cTrue Detective.\u201d<\/p>\n

\n\tSo don\u2019t let the superhero genre fool you \u2014 \u201cLanterns\u201d has as much gravitas as HBO\u2019s top dramas; in fact, it\u2019s charting a more mature path for the DC Universe after the spunky adventures in \u201cSuperman\u201d and \u201cSupergirl.\u201d In the show, Kyle Chandler plays Hal Jordan, an ornery Green Lantern who is begrudgingly training his upstart prot\u00e9g\u00e9 (Aaron Pierre). The argumentative duo are summoned to investigate a murder in rural Nebraska that has mysterious connections to dangerous extraterrestrials.<\/p>\n

\n\tKing has the comic book credentials to infuse \u201cLanterns\u201d with plenty of references for fans, but he also brings a wealth of spy craft and detective knowledge from an unlikely place: He worked as a CIA counterterrorism officer from just after 9\/11 to 2009.<\/p>\n

\n\tIt\u2019s a rainy early morning in Brooklyn, but King, in town for the world premiere of \u201cSupergirl,\u201d based on his space-Western comic \u201cWoman of Tomorrow,\u201d is wide awake \u2014 no coffee needed. He was out late after the premiere and up early getting ready to fly to France\u2019s Annecy film festival to show off \u201cMister Miracle,\u201d an animated adaptation of another one of his comics. His three children joined him on the trip and got to see their dad schmoozing it up at a star-studded event. In just a couple hours, King will be leading them through Newark airport for the kids\u2019 first international flight, but right now he\u2019s calm and ready to talk about his favorite thing in the world: comics. When asked how he balances everything, he credits the CIA\u2019s sleep-deprivation training.\u202f<\/p>\n

\n\t\u201cYou\u2019re doing two or three hours of sleep for months. You go insane,\u201d he says. \u201cLately, I\u2019ve been doing \u2018Mister Miracle\u2019 during the day, then spending time with my kids, and after 10 p.m., I\u2019m back at my computer writing until 3.\u201d<\/p>\n

\n\tBefore his career took a detour into counterterrorism, King started out like many other comic writers \u2014 at 7 years old, he bought his first issue, \u201cAvengers\u201d #300 (which he still owns). His obsession grew from there, and he landed internships at both DC Comics and Marvel while attending Columbia University. As an intern, he worked as a copy boy on DC\u2019s Vertigo imprint, making photocopies of Garth Ennis\u2019 \u201cPreacher,\u201d and was the assistant to \u201cX-Men\u201d writer Chris Claremont, who turned Marvel\u2019s mutants into the bestselling title in the world.<\/p>\n

\n\tBut the comics bubble burst in the early 2000s, right when King was graduating from college. He learned this when his boss at Marvel called and said, \u201cHey, kid, comics are dead. This industry is dying. Marvel\u2019s declaring bankruptcy. Superheroes are going away.\u201d<\/p>\n

\n\tIt\u2019s true that before movies like \u201cSpider-Man\u201d (2002), \u201cBatman Begins\u201d (2005) and \u201cIron Man\u201d (2008) launched superhero cinematic universes, the comics industry went through a bruising period that turned King toward a new career path: In 2000, after his call with his boss at Marvel, he pivoted to working for the Justice Department in Washington, and had plans to go to law school. But his life changed again on 9\/11.<\/p>\n

\n\t\u201cLike a million other people, I was like, \u2018What can I do to help the country?\u2019\u201d King recalls. \u201cI applied to the CIA, because I was good at information. I think comics helped me, like knowing every single Avenger and their first appearance. I could be a dot connector. To my surprise, after a year of training, they\u2019re like, \u2018You\u2019re a frontline guy.\u2019 Then I became a case officer in the CIA. That\u2019s how I spent my 20s.\u201d<\/p>\n

\n\tSome comics readers have taken issue with King\u2019s past, equating his service with pro-war sentiment. A few of his books later channeled his CIA experience: DC\u2019s \u201cSheriff of Babylon\u201d followed a military consultant solving a murder in Iraq, while \u201cGrayson\u201d reinvented Batman\u2019s former Robin into a gun-toting spy. But King shuts the gossip down.<\/p>\n

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\n\t\u201cI\u2019ve seen rumors that I started the Iraq War. I didn\u2019t start the Iraq War. I was 23 years old,\u201d he says. \u201cI was against al-Qaida and the Taliban. We were trying to stop them from doing horrible things. I was against the Iraq War. I thought it was the stupidest fucking thing. I watched people lie about stuff on TV, but I still had to go. It was my duty. I worked on some cases where people were going to blow up a base, and we stopped them. Should I have let them blow them up? Let those kids die because I didn\u2019t agree with the war?\u201d<\/p>\n

\n\tAfter seven \u201cvery stressful\u201d years in the CIA, a care package from his mother sent to Baghdad, where he was stationed, convinced King to leave the CIA and return to writing. The package was full of new-age comics by Brian Michael Bendis, Mark Millar and Ed Brubaker, all powerhouse authors of the 2000s. After having given up on the medium, King discovered these writers elevating superhero stories into a prestige art form.\u202f\u201cIt was the generation who had reconstructed comics,\u201d he says. \u201cThey turned them from books with pictures into movies with words,\u201d he says. \u201cIt blew my mind.\u201d<\/p>\n

\n\tAfter deciding to leave the CIA, King returned to writing comics for Marvel and DC. His first major hit was 2015\u2019s \u201cThe Vision,\u201d which relocated the Marvel android to a quaint suburban neighborhood, retired from fighting crime and living peacefully with a robot family. If that sounds familiar, it\u2019s because it became the inspiration for Marvel\u2019s inaugural Disney+ TV series, \u201cWandaVision.\u201d<\/p>\n

\n\t\u201cThe Vision\u201d was the first of King\u2019s comic books to be adapted for the screen, but it wouldn\u2019t be the last. After that, he signed a deal to write exclusively for DC Comics, where he penned 85 issues of the flagship \u201cBatman\u201d series, 2021\u2019s hit \u201cSupergirl: Woman of Tomorrow\u201d and many more. \u201cSupergirl\u201d caught the attention of filmmaker James Gunn, who earmarked the series for a big-screen adaptation when he and Peter Safran relaunched the comic book universe.<\/p>\n

\n\t\u201cWe thought it was a fantastic comic book, even before we took the job to build DC Studios,\u201d Safran says. \u201cWe love the idea of working with comic book creators and taking them outside of their comfort zones into other areas.\u201d<\/p>\n

\n\tSo in 2022, Gunn and Safran recruited King for their DC brain trust \u2014 a Justice League of writers helping plot the future of the fledgling universe. The group met at Safran\u2019s house, where everyone was given a copy of \u201cWoman of Tomorrow\u201d to read. In addition to the \u201cSupergirl\u201d movie being greenlit there, King also pitched \u201cLanterns\u201d as a grounded murder mystery. The writers loved the idea, and \u201cLanterns\u201d was added to the DCU\u2019s slate announcement.\u00a0<\/p>\n

\n\t\u201cIt\u2019s easy to forget that superheroes are human beings. What they want are the same things you and I want. That\u2019s Tom\u2019s fundamental approach,\u201d says Damon Lindelof, who joined \u201cLanterns\u201d as a co-creator alongside \u201cOzark\u201d showrunner Chris Mundy. \u201cThere\u2019s a sophistication to his writing because he\u2019s lived a life. Before I was a writer, I was an assistant for writers; Tom was in the CIA. He\u2019s experienced a level of intensity that permeates his work.\u201d<\/p>\n

\n\t\u201cLanterns\u201d is making a splash at San Diego Comic-Con, which means King isn\u2019t getting more sleep anytime soon. After that, he\u2019s sticking with the DC Universe and turning his acclaimed comic \u201cMister Miracle\u201d into an animated series following Scott Free, an immortal escape artist with PTSD. King won two Eisner Awards \u2014 comics\u2019 equivalent of Academy Awards \u2014 for the series.<\/p>\n

\n\t\u201cOf all the things I\u2019ve written, it\u2019s the book that can connect with people on a deeper level because it\u2019s about a man who attempts suicide, goes through something and comes out of it,\u201d he says. \u201cIt\u2019s about how you recover and live with trauma.\u201d<\/p>\n

\n\tAfter his brief trip to France with his kids, it\u2019s off to San Diego Comic-Con for \u201cLanterns.\u201d He\u2019s no stranger to Comic-Con or its massive Hall H stage, but this year will be different.<\/p>\n

\n\t\u201cMy first year at that convention, I was hand-selling my novel. They gave me the table in the corner at the very end to Hall H, where nobody showed up,\u201d he says. \u201cI sat there for five days, listening to the hall explode every 10 seconds. This year, for the first time, I\u2019m gonna be in Hall H. It\u2019s full circle.\u201d<\/p>\n

Read more From \u2018Michael\u2019 to \u2018The Bride\u2019: The Good, the Bad and the Meh of the 2026 Box Office (So Far)<\/a><\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

DC’s ‘Lanterns’ creator Tom King on making the HBO Green Lantern show and fighting terrorists as a CIA officer.<\/p>\n","protected":false},"author":1,"featured_media":4335,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[],"class_list":["post-4336","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tv"],"yoast_head":"\nGreen Lantern Is Cool Again: DC Writer Tom King on Making HBO\u2019s \u2018Lanterns\u2019 After Fighting Terrorists as a CIA Officer - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=4336\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Green Lantern Is Cool Again: DC Writer Tom King on Making HBO\u2019s \u2018Lanterns\u2019 After Fighting Terrorists as a CIA Officer - 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