{"id":451,"date":"2026-05-21T23:05:19","date_gmt":"2026-05-21T23:05:19","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=451"},"modified":"2026-05-21T23:05:19","modified_gmt":"2026-05-21T23:05:19","slug":"harry-styles-celebrates-radiohead-rosalia-and-lola-young-win-big-multiple-artists-slam-a-i-at-chaotic-ivor-novellos-songwriter-awards","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=451","title":{"rendered":"Harry Styles Celebrates Radiohead, Rosalia and Lola Young Win Big, Multiple Artists Slam A.I. at Chaotic Ivor Novellos Songwriter Awards"},"content":{"rendered":"<div>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\n\tThe Ivor Novello Awards are all about celebrating human creativity in the form of songwriting, and for 70 years, they have quietly commended the geniuses behind the music that articulates universal emotions and shape popular culture.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=449\">Natalie Lander, Jason Alexander, Patton Oswalt, Richard Kind and More Board Indie Comedy Pilot \u2018To Life\u2019 From \u2018Young Sheldon\u2019 Producer David Bickel (EXCLUSIVE)<\/a><\/p>\n<p>\n\tBut now, in its 71st year (and now known officially as the Ivors with Amazon Music), the very premise of human creativity is under threat from AI and low streaming payments, as noted by much of the talent on stage at this year\u2019s awards.<\/p>\n<p>\n\tYou could feel it as the industry assembled at the pre-awards drinks reception and executives debated the latest AI moves.<\/p>\n<p>\n\tYou could see it in the warnings given by Ivors bosses Tom Gray and Roberto Neri about how tough it remains for songwriters to be heard and be paid.<\/p>\n<p>\n\tAnd you could hear it, loud and clear, during the ceremony itself, as a string of artists and songwriters queued up to criticize AI companies, the music industry and pretty much anyone else perceived to not have songwriters\u2019 very best interests at heart.<\/p>\n<p>\n\tWho knows what Ivor Novello himself would have made of it, but the passion and, at times, anger on display certainly gave the awards an unpredictability that it never had in the olden days, and an edge that has been absent from even its more recent incarnation as a joyful honorarium for huge stars.<\/p>\n<p>\n\tU2, Bruce Springsteen, Ed Sheeran and the Killers all featured last year; Springsteen (again), Paul McCartney and Lana Del Rey popped in the year before. While Springsteen did not go for the three-peat this year, it was still a stellar turnout, albeit one served up as a deeply human, hot mess of a show, rather than the slick spectacle we\u2019ve become used to.<\/p>\n<p>\n\tSo, even the night\u2019s big surprise \u2014 Harry Styles, hot-footing it across the Channel from his 10-date tour opening in Amsterdam to present Thom Yorke with the Academy Fellowship, its highest honor \u2014 was inadvertently revealed ahead of time.<\/p>\n<p>\n\tThat\u2019s because Sir Elton John \u2014 who thought he was there to present Sam Fender with his Songwriter of the Year prize, but ended up being showered with awards of his own, including an Ivors Academy Honour (which has its own ceremony later in the year) and becoming the first ever President of the Ivors Academy \u2014 just happened to mention he\u2019d seen Harry backstage in his speech. Cue gasps and laughter from the until-that-point unsuspecting crowd.<\/p>\n<p>\n\tNo worries. Mr Styles knows how to wrestle back the initiative, and people\u2019s attention. After politely thanking \u201cElton for that wonderful introduction,\u201d Styles declared the personal significance of Radiohead\u2019s music to him: \u201cI lost my virginity to \u2018Talk Show Host.\u2019\u201d<\/p>\n<p>\n\tAnd, after a deep, meaningful pause, he continued: \u201cWell, I lost my virginity to the intro to \u2018Talk Show Host\u2019.\u201d<\/p>\n<p>\n\tThe 1D-Radiohead love-in is the sort of unlikely moment that only the Ivors can deliver, as he continued, \u201cWithout \u2018Exit Music\u2019, there would be no \u2018Watermelon Sugar\u2019. Imagine that. A world without that song? It doesn\u2019t bear thinking about.\u201d<\/p>\n<p>\n\tSelf-deprecation aside, Styles made a convincing case for just how important the \u201creligious experience\u201d of listening to Yorke and Radiohead is, not just to him, but millions of others. Yorke seemed truly touched, giving the former One Direction star a long, lingering hug as he walked on stage.<\/p>\n<p>\n\tBut such bonhomie didn\u2019t last long. Yorke launched a passionate attack on the modern music industry, contrasting it to the risk-taking business that backed the nascent Radiohead in the \u201890s.<\/p>\n<p>\n\t\u201cI worry that our business is becoming risk-averse and unable or unwilling to help [artists],\u201d he said, complaining of the focus on \u201cthe exciting share prices of streaming services\u201d and the \u201cfeeding frenzy\u201d around catalog acquisitions. \u201cIt is not, as they like to call it, investment in the music sector.\u201d<\/p>\n<p>\n\t\u201cPull your fingers out,\u201d he urged the industry. \u201cJust remember, without us, you ain\u2019t shit.\u201d<\/p>\n<p>\n\tThere were certainly plenty of music industry luminaries there to hear it: the likes of Warner Chappell global CEO Guy Moot; former Warner Music chief Max Lousada; Sony Music U.K. CEO Jason Iley; Universal Music Publishing Group\u2019s David Gray; Sony Music Publishing U.K.\u2019s David Ventura; plus British label bosses Ben Mortimer (Polydor), Louis Bloom (Island), Dipesh Parmar (Columbia) and Ed Howard (Atlantic); and top managers Craig Logan (P!nk), Jonathan Dickins (Adele) and Paul Craig (Biffy Clyro) among those spotted in the room.<\/p>\n<p>\n\tYorke returned to music to play two songs, including a jittery version of \u201cJigsaw Falling into Place\u201d, but he was hardly alone in calling out the numerous perceived threats to the creatives in the room. Instead, a cavalcade of winners used their platform to discuss just how much of a struggle it can be to be an artist or songwriter these days.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=447\">\u2018Coward\u2019 Review: Lukas Dhont Brings His Signature Aching Sensuality to the War-is-Hell Genre, and Makes His Most Satisfying Film to Date<\/a><\/p>\n<p>\n\tSo, Scottish singer-songwriter and double winner Jacob Alon called out representatives from AI companies in the room as \u2014 and I\u2019m afraid there\u2019s no polite way of putting this \u2014 \u201cc\u2014s\u201d (just one of a multitude of c-bombs emanating from the once-genteel Ivors stage); Best Album winner CMAT had a pop at politicians in both Ireland and the U.K.; and Sam Fender even seemed to call out the night\u2019s sponsors, Amazon, in a night that rarely stuck to the script.<\/p>\n<p>\n\tIndeed, Lola Young threw hers away as she picked up the PRS for Music Most Performed Work for \u201cMessy,\u201d only to get derailed by a popping champagne cork in the crowd, leaving the stage before she\u2019d finished her point about what songwriting means to her (she did return later for a somewhat more prepared presentation to Elton John, saying: \u201cIn a world that takes and takes, he gives back in abundance\u201d).<\/p>\n<p>\n\tIcon winner Calvin Harris seemed shell-shocked as he stumbled through his acceptance, while Damon Albarn fumbled his way through his presentation to International Songwriter of the Year Rosal\u00eda, attempting to speak Spanish and serenading her on a melodica before, possibly wisely, knocking it on the head in favor of running a video.<\/p>\n<p>\n\tRosal\u00eda, meanwhile, was grace itself, praising Albarn for his \u201cbeautiful\u201d music and \u201cgreat\u201d Spanish, but even she criticized the music industry as being an \u201cinsatiable monster\u201d in its constant craving for new material over true artistry.<\/p>\n<p>\n\tThere were also a lot of tears on stage, with even grime OG Kano looking moved as he picked up his Visionary Award, and Sam Fender weeping after Elton praised him as \u201cone of the finest lyricists Britain has ever produced.\u201d Fender waxed lyrical about how his manager, Owain Davies, discovered him playing live in a pub in South Shields but stressed: \u201cAs an industry, we can\u2019t rely on people like Owain walking into a pub and finding people from working class backgrounds.\u201d<\/p>\n<p>\n\tAnd Kae Tempest, winner of Best Contemporary Song for \u201cI Stand on the Line,\u201d also shed some tears, saying: \u201cSometimes, you think you have to suffer for your art. But you\u2019ve got enough of that in the world. When we sit down [to write], that\u2019s not the time for suffering, that\u2019s the time for service.\u201d<\/p>\n<p>\n\tAnd the ceremony certainly honored those who have served the art of songwriting well. The late, great George Michael was awarded a posthumous Fellowship, with rising star Skye Newman covering \u201cCareless Whisper\u201d in tribute, and the award itself accepted by Michael\u2019s Wham! partner-in-crime Andrew Ridgely.<\/p>\n<p>\n\t\u201cGeorge would have been profoundly moved to be recognized in this way,\u201d said an emotional Ridgely. \u201cIt would have been a moment of great pride.\u201d<\/p>\n<p>\n\tSpecial International Award winner Linda Perry, the 4 Non Blondes singer-turned-hit-writer for P!nk, Ariana Grande and more, was introduced by James Blunt (or \u201cJames Cucking Funt\u201d as he jovially put it, in the foul-mouthed spirit of the day). Blunt told a story about being signed to Perry\u2019s Custard Records label, \u201chaving been rejected by most of the record company executives in this room\u201d, and playing a 30-minute South By Southwest showcase (\u201cThat\u2019s \u2018You\u2019re Beautiful\u2019 six times,\u201d he quipped).<\/p>\n<p>\n\tPerry responded in kind, telling Blunt \u201cI got shit for that \u2014 \u2018You\u2019re responsible for James Blunt!\u2019\u201d But she soon got serious, thanking her mother for \u201cfucking me up so badly as a child that I had no choice but to find self-expression.\u201d<\/p>\n<p>\n\t\u201cI\u2019m not looking for hits,\u201d she concluded. \u201cI\u2019m looking for emotions.\u201d<\/p>\n<p>\n\tShe\u2019d come to the right place. There was so much going on that there was barely time to ponder where Outstanding Song Collection Lily Allen was (not even a video acceptance); or how this awards season\u2019s all-conquering champion Olivia Dean, also not in attendance, managed to miss out.<\/p>\n<p>\n\tBut then this was a night to celebrate those in the room, and not those outside it \u2013 particularly those in the tech sector that might, in future, seek to deny the assembled creatives their moment in the sun.<\/p>\n<p>\n\tBut it will be a long time before AI can come up with anything as enjoyably anarchic as this evening. And, to that end, the final word must surely go to the new President of the Ivors Academy, Sir Elton John.<\/p>\n<p>\n\t\u201cMusic is the greatest gift you can possibly be given,\u201d he declared. \u201cDon\u2019t let people take it away from you \u2014 especially AI.\u201d<\/p>\n<p>\n\tThe full list of The Ivors winners is below:<\/p>\n<p>\n<strong>Best Album<\/strong><\/p>\n<p>\n\t\u201cEuro-Country\u201d<\/p>\n<p>\n\tWritten and performed by CMAT.<\/p>\n<p>\n\tMusic published in the UK by BMG Rights Management UK.<\/p>\n<p>\n<strong>Best Contemporary Song<\/strong><\/p>\n<p>\n\t\u201cI Stand on the Line\u201d<\/p>\n<p>\n\tWritten by Fraser T Smith and Kae Tempest.<\/p>\n<p>\n\tPerformed by Kae Tempest.<\/p>\n<p>\n\tMusic published in the UK by Warner Chappell Music and Domino Publishing Company.<\/p>\n<p>\n<strong>Best Song Musically and Lyrically<\/strong><\/p>\n<p>\n\t\u201cDon\u2019t Fall Asleep\u201d<\/p>\n<p>\n\tWritten and performed by Jacob Alon.<\/p>\n<p>\n\tMusic published in the UK by Concord Music Publishing.<\/p>\n<p>\n<strong>PRS for Music Most Performed Work<\/strong><\/p>\n<p>\n\t\u201cMessy\u201d<\/p>\n<p>\n\tWritten and performed by Lola Young.<\/p>\n<p>\n\tMusic published in the UK by Sony Music Publishing.<\/p>\n<p>\n<strong>Best Original Film Score<\/strong><\/p>\n<p>\n\t\u201cTestimony\u201d<\/p>\n<p>\n\tComposed by Tom Hodge.<\/p>\n<p>\n\tMusic published in the UK by Bucks Music Group Limited obo Rocliffe Limited and Underground<\/p>\n<p>\n\tFilms Commissioning Limited.<\/p>\n<p>\n<strong>Best Television Soundtrack<\/strong><\/p>\n<p>\n\t\u201cTrespasses\u201d<\/p>\n<p>\n\tComposed by David Holmes and Brian Irvine.<\/p>\n<p>\n\tMusic published in the UK by Kobalt Music Publishing and Sony Music Publishing obo All3Media.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=445\">Zendaya Says Filming \u2018Spider-Man: Brand New Day\u2019 With Tom Holland Was Like a \u2018Family Affair\u2019: \u2018I Get to Go to Work Every Day With My Best Friend, the Person That I Love\u2019<\/a><\/p>\n<p>\n<strong>Rising Star Award<\/strong><\/p>\n<p>\n\tJacob Alon<\/p>\n<p>\n<strong>Special International Award with Amazon Music<\/strong><\/p>\n<p>\n\tLinda Perry<\/p>\n<p>\n<strong>International Songwriter of the Year<\/strong><\/p>\n<p>\n\tRosal\u00eda<\/p>\n<p>\n<strong>Outstanding Song Collection<\/strong><\/p>\n<p>\n\tLily Allen<\/p>\n<p>\n<strong>Visionary Award with Amazon Music<\/strong><\/p>\n<p>\n\tKano<\/p>\n<p>\n<strong>PRS for Music Icon Award<\/strong><\/p>\n<p>\n\tCalvin Harris<\/p>\n<p>\n<strong>Songwriter of the Year with Amazon Music<\/strong><\/p>\n<p>\n\tSam Fender<\/p>\n<p>\n<strong>Academy Fellowship<\/strong><\/p>\n<p>\n\tGeorge Michael<\/p>\n<p>\n\tThom Yorke<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Harry Styles honored Radiohead while Rosalia and Lola Young won big awards as the once-genteel Ivor Novello songwriting awards turned raucous.<\/p>\n","protected":false},"author":1,"featured_media":450,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[482,483],"class_list":["post-451","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-ivor-novello-awards","tag-rosalia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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