{"id":5260,"date":"2026-07-31T10:08:12","date_gmt":"2026-07-31T10:08:12","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=5260"},"modified":"2026-07-31T10:08:12","modified_gmt":"2026-07-31T10:08:12","slug":"black-zombie-review-an-engaging-doc-on-how-the-flesh-eating-hordes-of-screen-fame-obscured-painful-real-life-history","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=5260","title":{"rendered":"\u2018Black Zombie\u2019 Review: An Engaging Doc on How the Flesh-Eating Hordes of Screen Fame Obscured Painful Real-Life History"},"content":{"rendered":"
\n
\n<\/p>\n
\n

\n\tIn Hollywood\u2019s original horror heyday of the 1930s and \u201940s, it would have been hard to imagine another figure challenging the classic terror quartet of Dracula, Frankenstein monster, werewolf and mummy \u2014 let alone that the lowly zombie would ever become serious competition. Yet while those aforementioned creatures still get rehabilitated on a regular basis, they\u2019re now greatly surpassed in popular visibility by a cannibal undead that didn\u2019t even exist in the genre until more recent decades.\u00a0<\/p>\n

Read more \u2018Los Vampires\u2019 Review: Dueling Draculas Spar in an Alluring if Unevenly Executed Flashback to Early-Talkie Hollywood<\/a><\/p>\n

\nMaya Annik Bedward\u2019s Canadian documentary \u201cBlack Zombie\u201d explores that surprise evolution. But hers isn\u2019t a genre fan\u2019s focus so much as a cultural anthropologist\u2019s eye, honing in on how the screen zombie has exploited and distorted the Haitian religious beliefs that provided its initial inspiration. Kino Lorber is opening the Canadian documentary in the U.S. on Sept. 11th; Raven Banner will release it on home turf the same date.<\/p>\n

\n\tToday zombie entertainment is so ubiquitous, it encompasses enormously expensive blockbusters (\u201cWorld War Z\u201d), big-screen franchises (like the \u201c28 Days\u201d films), an entire \u201cWalking Dead\u201d multimedia empire, comedies (\u201cShaun of the Dead\u201d being the most famous) and myriad other expressions. Often involving animated corpses who are \u201cfast-moving\u201d \u2014 making their hunger for living flesh an even greater peril \u2014 these images break from the standard late-20th century convention of slow, shuffling if still bloodthirsty dullards, a template established by George A. Romero\u2019s 1968 sleeper smash \u201cNight of the Living Dead.\u201d<\/p>\n

\n\tAt neither speed, however, do they have much to do with the zombie\u2019s prior, much-less-frequent pulp appearances. Those had roots in 1929\u2019s bestselling \u201cThe Magic Island,\u201d one of several questionable works of journalism by the writer, adventure and occult sensation-seeker William Seabrook. (His most credible tome was probably the subsequent \u201cAsylum,\u201d which detailed his institutional recovery from alcoholism.) He claimed to have seen laborers in the cane fields of Haiti who were seemingly in a trance, incapable of speaking.\u00a0<\/p>\n

\n\tThe notion of zombies went back to that Caribbean nation\u2019s days as a European colony, when huge numbers of largely African slaves were brutally disciplined and frequently worked to death by a white-settler minority. It was rumored that some got drugged or otherwise rendered \u201csoul lost,\u201d so they would toil without rest or protest. Thus within Haitian culture, zombies were victims, robbed of independent will by cruel masters.<\/p>\n

\n\tSeabrook\u2019s primary focus was on Vodou aka voodoo rituals, which had long constituted an underground religious practice amongst populations outwardly accepting of Catholicism. But his mention of \u201czondis,\u201d the dead supposedly revived via magic for cane harvesting, ignited the popular imagination. It soon got fictionalized as the post-\u201cDracula\u201d Bela Lugosi vehicle \u201cWhite Zombie\u201d (1932), then in other films, notably the Val Lewton-produced \u201cI Walked With a Zombie\u201d a decade later. Their suspense arose not from anything that happened to or at the hands of zombie-fied \u201cnatives,\u201d but the terror that such hypnosis might be used on Caucasian protagonists \u2014 especially pretty young ingenues.\u00a0<\/p>\n

Read more Oscar-Qualifying Bengaluru International Short Film Festival Expands to 10 Arenas, Adds AI and Dance Competitions (EXCLUSIVE)<\/a><\/p>\n

\n\tBedward elicits commentary from latter-day scholars, historians, and Vodou priests. They dissect how these representations reinforced superstitious racial stereotypes in a vintage \u201cexotica\u201d mode, one reprised at least as recently as Wes Craven\u2019s 1988 \u201cThe Serpent and the Rainbow.\u201d Those movies are seen as part of an ongoing disempowering of the Haitian peoples, who have been continually hobbled by occupiers, imposed foreign debts and political instability. The myth of witless, \u201csavage\u201d zombies only helped perpetuate the idea that Haitians cannot be trusted to control their own destiny.<\/p>\n

\n\t\u201cBlack Zombie\u201d illustrates that point with an engaging mix of clips, interviews, old newsreel footage, brief animations and B&W staged sequences with Anderson Mojica as an 18th-century slave who\u2019s first subsumed by, then overcomes his \u201czombie\u201d state of passive toil. (It is suggested that depriving laborers of salt intake might have had such stupefying effects.)\u00a0<\/p>\n

\n\tHorror fans may be disappointed that the later waves of zombie cinema get rather fleeting address here, though we do hear from legendary gore FX maestro Tom Savini and the late Romero\u2019s \u201cNight of the Living Dead\u201d co-writer John Russo. (The latter says their ultra-low-budget breakout settled for its hungry-ghoul gist only because they couldn\u2019t afford the trappings of a science-fiction tale.) The whole cannibalism conceit has scant connection to Vodou lore, so it\u2019s of little relevance to the director\u2019s main thesis here. However, some of her experts do opine that the manic, devouring hordes of modern depiction discreetly amplify new paranoias: not just the \u201cfear of Blacks\u201d implicit in earlier zombie thrillers, but wealthy nations\u2019 current panic over \u201cinvading\u201d Third World immigrants, climate-change refugees, and so forth. Now, zombies simply \u201crepresent otherness,\u201d as one observer puts it.\u00a0<\/p>\n

\n\tThe authorities Bedward solicits intel from often speak reluctantly, having been burned before: They\u2019re all too familiar with filmmakers feigning sincere interest, only to deliver yet another bloody screen cartoon of Haitian history and beliefs. While \u201cBlack Zombie\u201d isn\u2019t quite the genre \u201cgreatest hits\u201d parade many viewers may be hoping for, it does provide a thought-provoking perspective \u2014 one that might add some depth to your next experience of undead cinema, however purely escapist.<\/p>\n

Read more Element Pictures Names Former Sky and HBO Publicist Chris Duggan as First Head of Communications and Marketing (EXCLUSIVE)<\/a><\/p>\n<\/div>\n<\/div>\n

\n

\n

\t\t\u2018Black Zombie\u2019 Review: An Engaging Doc on How the Flesh-Eating Hordes of Screen Fame Obscured Painful Real-Life History<\/p>\n<\/h2>\n

\n

\t\tReviewed online, July 25, 2026. In Fantasia, SXSW, Hot Docs festivals. Running time: 93 MIN.<\/p>\n<\/h2>\n

    \n
  • \nProduction:<\/strong>
    \n(Documentary \u2014 Canada) A Kino Lorber release (U.S.) of a Third Culture Media, Hungry Eyes Media presentation of a Documentary Channel Original production in association with Canada Media Fund, Telefilm Canada, Rogers Documentary Fund. Producers: Maya Annik Bedward, Kate MacCallum Fraser, Hannah Donegan. Executive producers: Jennifer Holness, Bedward, Fraser, Michael Paszt, Andrew Thomas Hunt, James Fler, Slash.\t\t\t<\/li>\n
  • \nCrew:<\/strong>
    \nDirector, writer: Maya Annik Bedward. Camera: Duraid Munajim, Ricardo Diaz. Editors: Avril Jacobsen, Jay Cheel, Peter Denes, Lawrence Jackman. Music: David Arcus, Melissa Laveaux, Lister Haussman.\u00a0\t\t\t<\/li>\n
  • \nWith:<\/strong>
    \nYves-Gregory Francois, Anderson Mojica, Erol Josue, Mambo Labelle Deese Botanica, Slash, Tom Savini, Tananarive Due, Zandashe Brown, Joe Ollmann, John Cussans, Kaiama L. Glover, Dominique Taffin, John Russo, Wade Davis. (English, French, Haitian Creole dialogue.) \t\t\t<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Maya Annik Bedward\u2019s documentary ‘Black Zombie’ looks at nearly a century of zombie cinema through the lens of cultural appropriation.<\/p>\n","protected":false},"author":1,"featured_media":5259,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[4159,3826,4160],"class_list":["post-5260","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-black-zombie","tag-fantasia-festival","tag-maya-annik-bedward"],"yoast_head":"\n\u2018Black Zombie\u2019 Review: An Engaging Doc on How the Flesh-Eating Hordes of Screen Fame Obscured Painful Real-Life History - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=5260\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Black Zombie\u2019 Review: An Engaging Doc on How the Flesh-Eating Hordes of Screen Fame Obscured Painful Real-Life History - Relocation Observer\" \/>\n<meta property=\"og:description\" content=\"Maya Annik Bedward\u2019s documentary 'Black Zombie' looks at nearly a century of zombie cinema through the lens of cultural appropriation.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/relocationobserver.com\/?p=5260\" \/>\n<meta property=\"og:site_name\" content=\"Relocation Observer\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-31T10:08:12+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5260#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5260\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#\\\/schema\\\/person\\\/2243ff062b31c5195cd0d9f83884e83e\"},\"headline\":\"\u2018Black Zombie\u2019 Review: An Engaging Doc on How the Flesh-Eating Hordes of Screen Fame Obscured Painful Real-Life History\",\"datePublished\":\"2026-07-31T10:08:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5260\"},\"wordCount\":1079,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5260#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/2d323531e542cf4308d08f3238a9b990.webp\",\"keywords\":[\"Black Zombie,\",\"Fantasia Festival,\",\"Maya Annik Bedward\"],\"articleSection\":[\"Film\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/relocationobserver.com\\\/?p=5260#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5260\",\"url\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5260\",\"name\":\"\u2018Black Zombie\u2019 Review: An Engaging Doc on How the Flesh-Eating Hordes of Screen Fame Obscured Painful Real-Life History - Relocation Observer\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5260#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5260#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/2d323531e542cf4308d08f3238a9b990.webp\",\"datePublished\":\"2026-07-31T10:08:12+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#\\\/schema\\\/person\\\/2243ff062b31c5195cd0d9f83884e83e\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5260#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/relocationobserver.com\\\/?p=5260\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5260#primaryimage\",\"url\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/2d323531e542cf4308d08f3238a9b990.webp\",\"contentUrl\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/2d323531e542cf4308d08f3238a9b990.webp\",\"width\":1000,\"height\":563},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5260#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/relocationobserver.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u2018Black Zombie\u2019 Review: An Engaging Doc on How the Flesh-Eating Hordes of Screen Fame Obscured Painful Real-Life History\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#website\",\"url\":\"https:\\\/\\\/relocationobserver.com\\\/\",\"name\":\"Relocation Observer\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/relocationobserver.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#\\\/schema\\\/person\\\/2243ff062b31c5195cd0d9f83884e83e\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"caption\":\"admin\"},\"sameAs\":[\"http:\\\/\\\/relocationobserver.com\"],\"url\":\"https:\\\/\\\/relocationobserver.com\\\/?author=1\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"\u2018Black Zombie\u2019 Review: An Engaging Doc on How the Flesh-Eating Hordes of Screen Fame Obscured Painful Real-Life History - Relocation Observer","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/relocationobserver.com\/?p=5260","og_locale":"en_US","og_type":"article","og_title":"\u2018Black Zombie\u2019 Review: An Engaging Doc on How the Flesh-Eating Hordes of Screen Fame Obscured Painful Real-Life History - Relocation Observer","og_description":"Maya Annik Bedward\u2019s documentary 'Black Zombie' looks at nearly a century of zombie cinema through the lens of cultural appropriation.","og_url":"https:\/\/relocationobserver.com\/?p=5260","og_site_name":"Relocation Observer","article_published_time":"2026-07-31T10:08:12+00:00","author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/relocationobserver.com\/?p=5260#article","isPartOf":{"@id":"https:\/\/relocationobserver.com\/?p=5260"},"author":{"name":"admin","@id":"https:\/\/relocationobserver.com\/#\/schema\/person\/2243ff062b31c5195cd0d9f83884e83e"},"headline":"\u2018Black Zombie\u2019 Review: An Engaging Doc on How the Flesh-Eating Hordes of Screen Fame Obscured Painful Real-Life History","datePublished":"2026-07-31T10:08:12+00:00","mainEntityOfPage":{"@id":"https:\/\/relocationobserver.com\/?p=5260"},"wordCount":1079,"commentCount":0,"image":{"@id":"https:\/\/relocationobserver.com\/?p=5260#primaryimage"},"thumbnailUrl":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/07\/2d323531e542cf4308d08f3238a9b990.webp","keywords":["Black Zombie,","Fantasia Festival,","Maya Annik Bedward"],"articleSection":["Film"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/relocationobserver.com\/?p=5260#respond"]}]},{"@type":"WebPage","@id":"https:\/\/relocationobserver.com\/?p=5260","url":"https:\/\/relocationobserver.com\/?p=5260","name":"\u2018Black Zombie\u2019 Review: An Engaging Doc on How the Flesh-Eating Hordes of Screen Fame Obscured Painful Real-Life History - Relocation Observer","isPartOf":{"@id":"https:\/\/relocationobserver.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/relocationobserver.com\/?p=5260#primaryimage"},"image":{"@id":"https:\/\/relocationobserver.com\/?p=5260#primaryimage"},"thumbnailUrl":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/07\/2d323531e542cf4308d08f3238a9b990.webp","datePublished":"2026-07-31T10:08:12+00:00","author":{"@id":"https:\/\/relocationobserver.com\/#\/schema\/person\/2243ff062b31c5195cd0d9f83884e83e"},"breadcrumb":{"@id":"https:\/\/relocationobserver.com\/?p=5260#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/relocationobserver.com\/?p=5260"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/relocationobserver.com\/?p=5260#primaryimage","url":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/07\/2d323531e542cf4308d08f3238a9b990.webp","contentUrl":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/07\/2d323531e542cf4308d08f3238a9b990.webp","width":1000,"height":563},{"@type":"BreadcrumbList","@id":"https:\/\/relocationobserver.com\/?p=5260#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/relocationobserver.com\/"},{"@type":"ListItem","position":2,"name":"\u2018Black Zombie\u2019 Review: An Engaging Doc on How the Flesh-Eating Hordes of Screen Fame Obscured Painful Real-Life History"}]},{"@type":"WebSite","@id":"https:\/\/relocationobserver.com\/#website","url":"https:\/\/relocationobserver.com\/","name":"Relocation Observer","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/relocationobserver.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/relocationobserver.com\/#\/schema\/person\/2243ff062b31c5195cd0d9f83884e83e","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","caption":"admin"},"sameAs":["http:\/\/relocationobserver.com"],"url":"https:\/\/relocationobserver.com\/?author=1"}]}},"_links":{"self":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/posts\/5260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5260"}],"version-history":[{"count":0,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/posts\/5260\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/media\/5259"}],"wp:attachment":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}