{"id":56,"date":"2026-05-17T05:35:16","date_gmt":"2026-05-17T05:35:16","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=56"},"modified":"2026-05-17T05:35:16","modified_gmt":"2026-05-17T05:35:16","slug":"dominga-sotomayor-talks-meta-element-of-casting-selton-mello-in-tender-drama-la-perra-not-translating-the-title-to-avoid-violent-judgment-of-wome","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=56","title":{"rendered":"Dominga Sotomayor Talks \u2018Meta\u2019 Element of Casting Selton Mello in Tender Drama \u2018La Perra,\u2019 Not Translating the Title to Avoid \u2018Violent\u2019 Judgment of Women"},"content":{"rendered":"
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\n\tFive years since directing a segment of the anthology film \u201cThe Year of the Everlasting Storm,\u201d renowned Chilean director Dominga Sotomayor is back in Cannes with \u201cLa Perra.\u201d Premiering at Directors\u2019 Fortnight, the film is based on Pilar Quintana\u2019s eponymous book and produced by Chile\u2019s Planta in co-production with Brazil\u2019s RT Features.\u00a0<\/p>\n

Read more Paz Vega to Direct \u2018Ana No,\u2019 Sold by Film Factory (EXCLUSIVE)<\/a><\/p>\n

\n\t\u201cLa Perra\u201d stars Manuela Oyarz\u00fan as Silvia, a woman whose quiet life on a remote island off the Chilean coast is shaken by the arrival of stray puppy Yuri, who stirs in her a long-suppressed longing for motherhood. When Yuri goes missing, Silvia\u2019s childhood trauma comes to the surface, forcing the woman to confront a still very much present past. The tender drama also stars Selton Mello (\u201cI\u2019m Still Here\u201d) and David Gaete (\u201cA Place Called Dignity\u201d).<\/p>\n

\n\tSpeaking with Variety <\/em>ahead of the film\u2019s premiere at the Croisette, Sotomayor says she was drawn to working on her first-ever adaptation after speaking to famed Brazilian producer Rodrigo Teixeira, with whom she had previously collaborated on \u201cToo Late to Die Young,\u201d a film that saw her become the first woman to win a best director Leopard at Locarno.<\/p>\n

\n\t\u201cI wanted to continue our collaboration, and he had a lot of experience with adaptations,\u201d she recalls. \u201cHe brought me this book when I was working on another original script that was a much bigger and more complex film, and I wanted to make something in between. I was also attracted to an adaptation after working on very personal films that took years to get made.\u201d<\/p>\n

\n\tSotomayor says she was drawn to how the book didn\u2019t \u201cromanticize the relationship between the dog and its owner.\u201d \u201cI find this idea of domestication and the relationship we have with animals to be very interesting. We project so many human feelings onto dogs, but then, in a split second, it bites someone, and we are confronted with the reality that this is an animal, and we can\u2019t control its nature.\u201d\u00a0<\/p>\n

\n\tOf the key changes the director made for her adaptation, the biggest one was changing the settings from the depths of the Colombian jungle to a windy island off the southern coast of Chile. \u201cIt was important to find the right place because my films have always been tied to their location. When we heard about this island called Santa Mar\u00eda, it was such a special encounter because it also felt foreign to me as a Chilean, as it is a place that doesn\u2019t really feel like Chile. It also had a super curious local culture, like every island, so we decided to work the island into the story.\u201d<\/p>\n

\n\tThe book also goes deeper into Silvia\u2019s relationship to motherhood, but Sotomayor wanted to broach the subject with a certain subtlety on screen. \u201cI naturally connected to this idea of this woman who could not become a mother and named a dog after the daughter she never had, but I felt cinema doesn\u2019t need to overexplain. It was more interesting to me to investigate this deeper connection she felt to motherhood. The dog doesn\u2019t stand for a child she never had, but something much more beautiful, which is opening this connection to feelings of delayed motherhood and a search for identity.\u201d<\/p>\n

\n\t\u201cLa Perra\u201d features a key flashback that ties present Silvia to a jarring trauma from her childhood. Leading that chapter of the film is Brazilian star Mello. Sotomayor knew she needed a foreigner to play the role of the wealthy man who buys off the island, and she felt a Brazilian would fit this idea of foreignness without pandering to the clich\u00e9s of white Europeans arriving in Latin America or having one of their Spanish-speaking neighbors in Argentina.\u00a0<\/p>\n

Read more Ronda Rousey Destroys Gina Carano in Seconds, Jake Paul Gets Booed in Netflix\u2019s Spotty MMA Debut<\/a><\/p>\n

\n\t\u201cSelton was lovely. He had watched my films and made himself available for a project together,\u201d she says. \u201cIt\u2019s also interesting because we have this sort of documentary style in the film, and then we have a star arrive, which felt to me like a great meta moment for the audience but also to Silvia, who gets to experience someone who doesn\u2019t belong to the world she knows.\u201d<\/p>\n

\n\tMello echoes the praise: \u201cI was already a huge fan of Dominga\u2019s work and how she crafts such sensitive films with a very particular, refined way of looking at the world.\u201d \u201cWhen she invited me to the film, it was so special because I play someone who is a bridge to the main character\u2019s past, someone intricately tied to tragedy. I loved every single moment of understanding that weight and that tension, as well as every minute I spent in Chile, learning from Dominga and understanding the history of her country. I felt overwhelmed with a sense of my Latinidad.\u201d<\/p>\n

\n\tThe flashback also allowed Sotomayor to play with the formal presentation of time in her story. \u201cI didn\u2019t want a flashback to work solely as a way of quickly explaining the story that is taking place in the present, but to be an emotional capsule with its own emotional logic. We gave ourselves a lot of freedom with time and space because we weren\u2019t interested in making a documentary. We constructed all the locations and invented an island. I think it\u2019s amazing to be able to invent a geography and a time and to have this freedom to work on the interplay between what is real and what we were inventing about that reality.\u201d<\/p>\n

\n\tAs for keeping the title as \u201cLa Perra\u201d instead of the literal English translation of \u201cThe Bitch,\u201d the director says it was a \u201cnatural\u201d decision due to the \u201cviolent\u201d stigma the word has to women. \u201cTo me, the title carried this heavy weight I did not want for the film.\u201d Sotomayor also adds that she is \u201cthrilled\u201d that the two Chilean films from Chilean directors in Cannes this year, hers and Manuela Martelli\u2019s \u201cThe Meltdown\u201d \u2014 the first-ever film by a female Chilean director in Un Certain Regard \u2014 are directed by women.<\/p>\n

\n\t\u201cIt is very impressive for a country like Chile, that has a very small, very precarious industry, to have this presence in Cannes,\u201d she says. \u201cThere are only five Latin American films in the program and two are from Chile and directed by women, which I think deserves to be celebrated.\u201d<\/p>\n

\n\tSotomayor emphasizes that this success \u201cdid not happen out of nowhere.\u201d \u201cIt is the byproduct of a continuous effort by film producers and the government to support Chilean cinema. At a moment when cultural funding is at risk, it is super important to emphasize these are not isolated talents, it is not luck, it is the result of several years of work supporting the development of an industry.\u201d<\/p>\n

Read more Chad Smith Delivers Will Ferrell\u2019s \u2018SNL\u2019 Monologue: \u2018You\u2019re Not the Host, I Am\u2019<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Lauded Chilean director Dominga Sotomayor talks working on first adaptation with ‘La Perra,’ casting ‘I’m Still Here’ star Selton Mello.<\/p>\n","protected":false},"author":1,"featured_media":55,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[3,69,70,71,72],"class_list":["post-56","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-cannes-film-festival","tag-chile","tag-dominga-sotomayor","tag-la-perra","tag-selton-mello"],"yoast_head":"\nDominga Sotomayor Talks \u2018Meta\u2019 Element of Casting Selton Mello in Tender Drama \u2018La Perra,\u2019 Not Translating the Title to Avoid \u2018Violent\u2019 Judgment of Women - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=56\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dominga Sotomayor Talks \u2018Meta\u2019 Element of Casting Selton Mello in Tender Drama \u2018La Perra,\u2019 Not Translating the Title to Avoid \u2018Violent\u2019 Judgment of Women - 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