{"id":5616,"date":"2026-08-06T12:06:19","date_gmt":"2026-08-06T12:06:19","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=5616"},"modified":"2026-08-06T12:06:19","modified_gmt":"2026-08-06T12:06:19","slug":"james-gray-says-ai-is-worthless-and-young-people-wont-stand-for-it-they-have-a-real-hunger-for-interesting-honest-stuff","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=5616","title":{"rendered":"James Gray Says AI Is \u2018Worthless\u2019 and Young People Won\u2019t Stand for It: They \u2018Have a Real Hunger for Interesting, Honest Stuff\u2019"},"content":{"rendered":"
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\n\tOver 30 years into his career, James Gray isn\u2019t following any trends. And he\u2019s not about to start now.\u00a0<\/p>\n

Read more U.K. Approves Paramount-Warner Bros. Merger<\/a><\/p>\n

\n\t\u201cThis idea that we\u2019re supposed to always try to be \u2018new\u2019\u2026 That doesn\u2019t really mean anything. Many people say: \u2018Oh, it\u2019s important for a work to be fresh.\u2019 The older I get, the more I realize that pursuit is a folly,\u201d he tells\u00a0Variety<\/em>.<\/p>\n

\n\t\u201cMy tastes were formed in the late 1970s, and I was influenced by, inculcated by and taught by films from before that. It\u2019s not a conscious effort to make a statement. It\u2019s just an extension of who I am. I think it\u2019s important that we embrace who we are, especially as we get older.\u201d<\/p>\n

\n\tHe adds: \u201cIf you look at Picasso, he stole from African art that\u2019s thousand years old. Stanley Kubrick stole liberally from silent films, using \u2018The Phantom Carriage\u2019 for \u2018The Shining\u2019 and \u2018Our Heavenly Bodies\u2019 for \u20182001\u2019. This idea that we have to create something \u2018new\u2019 is actually very much a business concept. It\u2019s rooted in the idea of copyrights and capitalism, rather than reminding people of what is true: emotion, beauty and transcendence.\u201d\u00a0<\/p>\n

\n\t\u201cI like to say that what\u2019s fresh in your refrigerator today is spoiled tomorrow.\u201d\u00a0<\/p>\n

\n\tSince his feature debut \u201cLittle Odessa,\u201d Gray has made, among others, \u201cWe Own the Night,\u201d \u201cTwo Lovers,\u201d sci-fi spectacle \u201cAd Astra\u201d and \u201cPaper Tiger.\u201d In an industry caught between blockbusters and festival-only arthouse, his films sit in the middle.\u00a0<\/p>\n

\n\t\u201cIt\u2019s true. It has caused me some agitation, but at the same time, it has been a superpower. This is not me saying that all art films are terrible, and I would love my films to make tons of money, but if that\u2019s your only yardstick, then you want to eliminate risk \u2013 and risk is idiosyncrasy and subversion, and all the things that we treasure in movies.\u201d<\/p>\n

\n\t\u201cI\u2019ve always thought it was beautiful to combine both. To have complex moral dilemmas for characters and situations within a narrative context. I don\u2019t think I\u2019d be getting my \u2018old man prize\u2019 if the films were either one or the other.\u201d<\/p>\n

\n\tAt Locarno, Gray will receive the Pardo alla Carriera lifetime achievement award.<\/p>\n

\n\tHis approach has certainly tempted some of the world\u2019s biggest stars, from frequent collaborator Joaquin Phoenix to Brad Pitt (\u201cAd Astra\u201d) and, more recently, Adam Driver and Scarlett Johansson (\u201cPaper Tiger\u201d).<\/p>\n

\n\t\u201cDirecting actors is not about telling them how to say a line. It\u2019s about giving them the space to be themselves, to be artists, to feel free in the moment, to listen, react and be in the scene. I do that for actors, and then the word gets out. I\u2019m very fortunate that they all talk to each other,\u201d he laughs.\u00a0<\/p>\n

\n\t\u201cI didn\u2019t know that Scarlett was, as she put it, a \u2018rabid fan\u2019 of my films. But I did know that she had checked up on me to find out what kind of director I am with actors. I guess the word is out that I leave them alone.\u201d\u00a0<\/p>\n

\n\tGray likes the idea of ensuring that his films are unmistakably his.\u00a0<\/p>\n

\n\t\u201cIt\u2019s like with conductors such as Carlos Kleiber. Even with different orchestras, you can still tell it\u2019s Kleiber. It has to do with the mood of the piece and the ability to express emotion in a certain register.\u201d<\/p>\n

\n\tHe adds: \u201cTrust me \u2013 I don\u2019t go on set and say: \u2018I\u2019m going to show the world that it\u2019s me in this scene.\u2019 That\u2019s insane. But I think it\u2019s good when I can see the director\u2019s hand and when I recognize them just from a scene.\u201d\u00a0<\/p>\n

\n\t\u201cThere are a lot of problems with auteur theory, but it\u2019s great that you can identify a John Ford or Alfred Hitchcock movie simply from the placement of the camera and the pacing of the scene. That\u2019s why AI is so worthless. It will never be able to do that.\u201d\u00a0<\/p>\n

Read more Versant Sees Q2 Profit Fall On Revenue Declines, Despite Ad-Sales Improvements<\/a><\/p>\n

\n\tEven when working on a much bigger scale \u2013 he went to space in \u201cAd Astra\u201d \u2013 Gray made sure his voice could still be heard.\u00a0<\/p>\n

\n\t\u201c\u2018The Lost City of Z,\u2019 which was insane, was a physical challenge. \u2018Ad Astra\u2019 had huge logistical challenges because you\u2019re putting Brad Pitt on wires. But I never thought my own voice wouldn\u2019t come through, because I wrote them. When you write your own movies, it\u2019s very difficult not to have your own voice,\u201d he states.\u00a0<\/p>\n

\n\t\u201cThere has been a bifurcation between the super arty and the super deluxe mainstream, and something in the middle is missing. If you look at Fellini and Kurosawa, that\u2019s actually what they were doing.\u201d<\/p>\n

\n\t\u201cIf you are in the middle, people accuse you of being middlebrow. It\u2019s not the same thing! Expressing character dilemmas and complex ideas about morality, ethics and history within a narrative context is as subversive as it gets. If you are making something so arty and obtuse, or so commercial, what are you really subverting? \u2018Vertigo\u2019 was incredibly subversive. To me, that\u2019s what lasts.\u201d\u00a0<\/p>\n

\n\tApparently, he\u2019s not alone in thinking that.\u00a0<\/p>\n

\n\t\u201cI may say something that will shock you. I have quite a bit of optimism, which I didn\u2019t have even five years ago.\u201d<\/p>\n

\n\t\u201cThis nightmarish side of AI has sharpened people\u2019s idea of what it means to be authentic. Young people today have a real hunger for interesting, honest stuff that doesn\u2019t feel jury-rigged to make a ton of money. I think that the reckoning is here,\u201d he says.\u00a0<\/p>\n

\n\t\u201cThe studios are very confused. When they\u2019re confused, and when you see a new generation coming in, sometimes it means weird stuff gets through the cracks. And that\u2019s good.\u201d\u00a0<\/p>\n

\n\t\u201cI see my son going to revival houses to see \u2018Il Sorpasso\u2019 [1962 Italian comedy-drama] and it\u2019s sold-out. That\u2019s new. When I was a kid, revival houses were empty. It was just me and three homeless people sitting in the front row. There\u2019s a cinephile culture that\u2019s really exploding right now.\u201d<\/p>\n

\n\tHe\u2019s not finished contributing to it, even despite that \u201cold man\u2019s award.\u201d<\/p>\n

\n\t\u201cThat\u2019s the thing: I\u2019m not old. And I\u2019m very gratified, but I feel like my best work is ahead of me. When he was my age, Hitchcock hadn\u2019t yet made \u2018Vertigo,\u2019 \u2018Psycho\u2019 or \u2018The Birds.\u2019 My prime is right now.\u201d<\/p>\n

\n\tHe notes: \u201cIn total candor, I think it\u2019s been very beneficial to me as a creative person not to have had instant, immediate, massive success. If I had, I\u2019d probably be stuck in some rut. Instead, I\u2019ve had a career that has hopefully steadily built in value.\u201d\u00a0<\/p>\n

\n\t\u201cI sit around and think about what\u2019s important to express in a clear and unflinching way. I don\u2019t think about how to match past successes. If you look at someone like Peter Bogdanovich, he made \u2018The Last Picture Show,\u2019 \u2018What\u2019s Up, Doc?\u2019 and \u2018Paper Moon,\u2019 and then his work began to slip away. I\u2019m only mentioning him because he said it himself. He said that success was harder to deal with than his failure.\u201d<\/p>\n

\n\tGray is very fond of \u201cPaper Tiger,\u201d however \u2013 an intense Cannes drama about two brothers caught up in a scheme that threatens their family.\u00a0<\/p>\n

\n\t\u201cMy son wanted to watch one of my films with me, and the prospect of doing that was so nauseating. Watching something you did 20 years ago is horrifying. But I very much like [\u2018Paper Tiger\u2019]. I feel very close to it and I\u2019m very proud of it, actually,\u201d he admits.\u00a0<\/p>\n

\n\t\u201cI do have many flaws, obviously. But not wanting to keep going is not one of them. I\u2019m not done yet. Honestly, I feel like I owe the world one or two truly great movies. I don\u2019t think I\u2019ve gotten there yet.\u201d<\/p>\n

Read more Odd Slice Films Boards Documentary \u2018Concrete Land\u2019 Ahead of Locarno Premiere (EXCLUSIVE)<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

‘Paper Tiger’ director James Gray talks ‘worthless’ AI and explains why his best work is still ahead of him \u2013 despite Locarno’s lifetime achievement award<\/p>\n","protected":false},"author":1,"featured_media":5615,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[833],"tags":[275,1508,746,2499],"class_list":["post-5616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-awards","tag-james-gray","tag-locarno-film-festival","tag-paper-tiger-2","tag-scarlett-johansson"],"yoast_head":"\nJames Gray Says AI Is \u2018Worthless\u2019 and Young People Won\u2019t Stand for It: They \u2018Have a Real Hunger for Interesting, Honest Stuff\u2019 - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=5616\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"James Gray Says AI Is \u2018Worthless\u2019 and Young People Won\u2019t Stand for It: They \u2018Have a Real Hunger for Interesting, Honest Stuff\u2019 - 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