{"id":5698,"date":"2026-08-09T10:37:48","date_gmt":"2026-08-09T10:37:48","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=5698"},"modified":"2026-08-09T10:37:48","modified_gmt":"2026-08-09T10:37:48","slug":"donkey-princess-review-a-princess-escapes-the-kingdom-but-not-the-patriarchy-in-an-inventive-shape-shifting-fairytale","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=5698","title":{"rendered":"\u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale"},"content":{"rendered":"<div>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\n\tChilean duo Cristobal Le\u00f3n and Joaqu\u00edn Coci\u00f1a made a dream nightmare debut with \u201cThe Wolf House,\u201d a stop-motion fantasy that turned heads both with its wholly original design \u2014 incorporating claymation, puppetry and papier-m\u00e2ch\u00e9 to palpably handmade but immersively surreal effect \u2014 and its trajectory from a seemingly juvenile storybook premise to very grownup recesses of horror and trauma. Their 2024 follow-up \u201cThe Hyperboreans\u201d captured fewer imaginations with its dense, narratively abstruse melange of history, psychology and political theory, but still dazzled with technique, adding live-action cinematography to the filmmakers\u2019 varied visual quiltwork. In their beguiling third feature, \u201cDonkey Princess,\u201d Le\u00f3n and Coci\u00f1a split the difference between their first two, continuing their singular exploration of hybrid live-action cinema, but fruitfully returning to adult fairytale terrain.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=5695\">Anthony Michael Hall Says John Hughes Wanted a \u2018Breakfast Club\u2019 Sequel Where the Original Cast Is \u2018In Their 30s\u2019<\/a><\/p>\n<p>\n\tPremiering in the international competition at Locarno, this is distinctive, aesthetically rich filmmaking that consolidates its helmers\u2019 auteur status, and has the right balance of accessible and avant-garde components to ensure a life beyond the festival circuit \u2014 though the substance of its story lingers slightly less in the mind than its remarkable presentation. \u201cDonkey Princess\u201d doesn\u2019t quite match \u201cThe Wolf House\u201d for darkly enveloping atmosphere and gnawing emotional impact, but not much does; still, its portrayal of a mythic princess, whose tortured daddy issues follow her even after she\u2019s spirited into the real world, builds to a climax both touching and disquieting.<\/p>\n<p>\n\tAs suggested by the title, the script (written, like \u201cThe Wolf House,\u201d by the directors in collaboration with novelist Alejandra Moffat) riffs on the 17th-century Charles Perrault tale \u201cDonkeyskin\u201d \u2014 not one that Disney ever dared touch, giving its discomfiting incest-themed premise, though Jacques Demy gave it delightfully offbeat film treatment in 1970. More downbeat in its whimsy, \u201cDonkey Princess\u201d centers on Princess Diana (\u201cHyperboreans\u201d star Antonia Giesen), who doesn\u2019t bear any resemblance to her famous British namesake, save for the fact that she\u2019s suffocated by the demands of her very patriarchal kingdom.<\/p>\n<p>\n\tSaid kingdom is realized in a mixture of animated imagery and winningly ramshackle production design by Natalia Geisse: toadstool-shaped castle turrets rendered in what looks like cake frosting, fiberglass mountain formations and forests forged from stray, dry branches, accessorized with the odd flurry of 2D cartoon butterflies and birds. (Fans of the directors\u2019 stop-motion interlude in Ari Aster\u2019s \u201cBeau is Afraid\u201d will spot some familiar landscape textures here.) Tinted in queasy shades of turquoise and puce, it does not look like a world made to last, and for Diana, it isn\u2019t. Guarded obsessively by her father (Francisco Melo) since her mother\u2019s untimely death, she yearns for escape from his clutches; when she meets charming commoner Lalo (Andrew Bargsted), she falls swiftly in love, both with him and the prospect of life outside the royal court.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=5691\">Olivia Rodrigo Debuts \u2018Pretty Sad\u2019 Songs at Sweltering Brooklyn Surprise Show: Concert Review<\/a><\/p>\n<p>\n\tFor the King \u2014 who really has taken very badly to widowed life, having outlawed love throughout the land \u2014 this will not do. Lalo is swiftly banished to an orange-skied hellscape strewn with thorns and vultures: a witty fusion of silhouette animation and tactile set construction. Before he goes, however, he gives Diana a bracelet said to grant wishes across space and time; in short order, she\u2019s transported to the urban bustle of contemporary Chile. There, she and Lalo live together as parallel versions of themselves, also working alongside each other in the pest control business. If this seems a pretty compromised happily-ever-after, there\u2019s also the fact that her father, too, has been teleported to this new realm: an aging invalid stripped of his powers, but still plenty burdensome.<\/p>\n<p>\n\tThat\u2019s not the last dimensional shift in \u201cDonkey Princess,\u201d as Dina is shuffled through various lives and personae, but is never quite free or happy in any of them: The na\u00efve yet despairing time-travel mechanics of Bertrand Bonello\u2019s recent \u201cThe Beast\u201d come to mind here, as its various temporal paths do eventually converge into a single, climactic tragedy, with the open-ended possibility of freedom. Le\u00f3n and Coci\u00f1a\u2019s storytelling style can be opaque \u2014 the film\u2019s opening salvo, in particular, feels hurried and scrambled \u2014 but it gains in grace and clarity, with a concluding shift in register toward near-total realism. That\u2019s the biggest surprise from these most feverishly world-building of filmmakers, even if their most satisfying feature to date remains their most animated one. \u201cDonkey Princess\u201d might lack \u201cThe Wolf House\u2019s\u201d intensity of vision and purpose, but it feels an intriguingly transitional work in an oeuvre that could go anywhere from here.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=5689\">\u2018I Is Another\u2019 Review: An Impeccable Claes Bang Plays Felix Kersten, Massage Therapist to Heinrich Himmler and Would-Be Nobel Laureate<\/a><\/p>\n<\/div>\n<\/div>\n<div>\n<h2>\n<p>\t\t\u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale<\/p>\n<\/h2>\n<h2>\n<p>\t\tReviewed at Locarno Film Festival (International Competition), Oct. 7, 2026. Running time: 86 MIN. (Original title: &#8220;Princesa Burro&#8221;)<\/p>\n<\/h2>\n<ul>\n<li>\n<strong>Production:<\/strong><br \/>\n(Chile-France-Uruguay-Netherlands-Germany) A Le\u00f3n &amp; Coci\u00f1a Films, Globo Rojo Films production in co-production with Metonymie, Montelona, Viking Films, Autentika Films. (World sales: Bendita Film Sales, Santa Cruz de Tenerife.) Producer, executive producer: Catalina Vergara. Co-producers: Kim El Moumen, Claire Gad\u00e9a, Marleen Slot, Francisco Magnou, Paulo de Carvalho, Naomie Lagadec, Gudula Meinzolt.\t\t\t<\/li>\n<li>\n<strong>Crew:<\/strong><br \/>\nDirectors: Crist\u00f3bal Le\u00f3n, Joaqu\u00edn Coci\u00f1a. Screenplay: Le\u00f3n, Coci\u00f1a, Alejandra Moffat. Camera: Benjam\u00edn Echazarreta. Editors: Le\u00f3n, Coci\u00f1a, Soledad Salfate, Maria Salazar. Music: Jean-Beno\u00eet Dunckel.\t\t\t<\/li>\n<li>\n<strong>With:<\/strong><br \/>\nAntonia Giesen, Andrew Bargsted, Francisco Melo. (Spanish dialogue) \t\t\t<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;The Wolf House&#8217; directors Crist\u00f3bal Le\u00f3n and Joaqu\u00edn Coci\u00f1a mix media for &#8216;Donkey Princess,&#8217; a whimsical exercise that turns increasingly sober.<\/p>\n","protected":false},"author":1,"featured_media":5697,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[4447,4448,4449,1906],"class_list":["post-5698","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-cristobal-leon","tag-donkey-princess","tag-joaquin-cocina","tag-locarno-film-festival-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=5698\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale - Relocation Observer\" \/>\n<meta property=\"og:description\" content=\"&#039;The Wolf House&#039; directors Crist\u00f3bal Le\u00f3n and Joaqu\u00edn Coci\u00f1a mix media for &#039;Donkey Princess,&#039; a whimsical exercise that turns increasingly sober.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/relocationobserver.com\/?p=5698\" \/>\n<meta property=\"og:site_name\" content=\"Relocation Observer\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-09T10:37:48+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5698#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5698\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#\\\/schema\\\/person\\\/2243ff062b31c5195cd0d9f83884e83e\"},\"headline\":\"\u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale\",\"datePublished\":\"2026-08-09T10:37:48+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5698\"},\"wordCount\":956,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5698#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/7e51eb73fc49d09155aae33a70dee887.webp\",\"keywords\":[\"Cristobal Leon,\",\"Donkey Princess,\",\"Joaquin Cocina,\",\"Locarno Film Festival\"],\"articleSection\":[\"Film\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/relocationobserver.com\\\/?p=5698#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5698\",\"url\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5698\",\"name\":\"\u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale - Relocation Observer\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5698#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5698#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/7e51eb73fc49d09155aae33a70dee887.webp\",\"datePublished\":\"2026-08-09T10:37:48+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#\\\/schema\\\/person\\\/2243ff062b31c5195cd0d9f83884e83e\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5698#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/relocationobserver.com\\\/?p=5698\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5698#primaryimage\",\"url\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/7e51eb73fc49d09155aae33a70dee887.webp\",\"contentUrl\":\"https:\\\/\\\/relocationobserver.com\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/7e51eb73fc49d09155aae33a70dee887.webp\",\"width\":1000,\"height\":563},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/?p=5698#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/relocationobserver.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#website\",\"url\":\"https:\\\/\\\/relocationobserver.com\\\/\",\"name\":\"Relocation Observer\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/relocationobserver.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/relocationobserver.com\\\/#\\\/schema\\\/person\\\/2243ff062b31c5195cd0d9f83884e83e\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"caption\":\"admin\"},\"sameAs\":[\"http:\\\/\\\/relocationobserver.com\"],\"url\":\"https:\\\/\\\/relocationobserver.com\\\/?author=1\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"\u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale - Relocation Observer","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/relocationobserver.com\/?p=5698","og_locale":"en_US","og_type":"article","og_title":"\u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale - Relocation Observer","og_description":"'The Wolf House' directors Crist\u00f3bal Le\u00f3n and Joaqu\u00edn Coci\u00f1a mix media for 'Donkey Princess,' a whimsical exercise that turns increasingly sober.","og_url":"https:\/\/relocationobserver.com\/?p=5698","og_site_name":"Relocation Observer","article_published_time":"2026-08-09T10:37:48+00:00","author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/relocationobserver.com\/?p=5698#article","isPartOf":{"@id":"https:\/\/relocationobserver.com\/?p=5698"},"author":{"name":"admin","@id":"https:\/\/relocationobserver.com\/#\/schema\/person\/2243ff062b31c5195cd0d9f83884e83e"},"headline":"\u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale","datePublished":"2026-08-09T10:37:48+00:00","mainEntityOfPage":{"@id":"https:\/\/relocationobserver.com\/?p=5698"},"wordCount":956,"commentCount":0,"image":{"@id":"https:\/\/relocationobserver.com\/?p=5698#primaryimage"},"thumbnailUrl":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/08\/7e51eb73fc49d09155aae33a70dee887.webp","keywords":["Cristobal Leon,","Donkey Princess,","Joaquin Cocina,","Locarno Film Festival"],"articleSection":["Film"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/relocationobserver.com\/?p=5698#respond"]}]},{"@type":"WebPage","@id":"https:\/\/relocationobserver.com\/?p=5698","url":"https:\/\/relocationobserver.com\/?p=5698","name":"\u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale - Relocation Observer","isPartOf":{"@id":"https:\/\/relocationobserver.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/relocationobserver.com\/?p=5698#primaryimage"},"image":{"@id":"https:\/\/relocationobserver.com\/?p=5698#primaryimage"},"thumbnailUrl":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/08\/7e51eb73fc49d09155aae33a70dee887.webp","datePublished":"2026-08-09T10:37:48+00:00","author":{"@id":"https:\/\/relocationobserver.com\/#\/schema\/person\/2243ff062b31c5195cd0d9f83884e83e"},"breadcrumb":{"@id":"https:\/\/relocationobserver.com\/?p=5698#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/relocationobserver.com\/?p=5698"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/relocationobserver.com\/?p=5698#primaryimage","url":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/08\/7e51eb73fc49d09155aae33a70dee887.webp","contentUrl":"https:\/\/relocationobserver.com\/wp-content\/uploads\/2026\/08\/7e51eb73fc49d09155aae33a70dee887.webp","width":1000,"height":563},{"@type":"BreadcrumbList","@id":"https:\/\/relocationobserver.com\/?p=5698#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/relocationobserver.com\/"},{"@type":"ListItem","position":2,"name":"\u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale"}]},{"@type":"WebSite","@id":"https:\/\/relocationobserver.com\/#website","url":"https:\/\/relocationobserver.com\/","name":"Relocation Observer","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/relocationobserver.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/relocationobserver.com\/#\/schema\/person\/2243ff062b31c5195cd0d9f83884e83e","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","caption":"admin"},"sameAs":["http:\/\/relocationobserver.com"],"url":"https:\/\/relocationobserver.com\/?author=1"}]}},"_links":{"self":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/posts\/5698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5698"}],"version-history":[{"count":0,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/posts\/5698\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=\/wp\/v2\/media\/5697"}],"wp:attachment":[{"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5698"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5698"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/relocationobserver.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}