{"id":5701,"date":"2026-08-09T11:35:41","date_gmt":"2026-08-09T11:35:41","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=5701"},"modified":"2026-08-09T11:35:41","modified_gmt":"2026-08-09T11:35:41","slug":"naseeruddin-shah-gurvinder-singh-turn-a-villages-real-grief-into-locarno-competition-title-rehmat-its-important-that-these-films-get-made","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=5701","title":{"rendered":"Naseeruddin Shah, Gurvinder Singh Turn a Village\u2019s Real Grief Into Locarno Competition Title \u2018Rehmat\u2019: \u2018It\u2019s Important That These Films Get Made\u2019"},"content":{"rendered":"
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\n\tThe family living in the house that \u201cRehmat\u201d uses as Rashid Ali\u2019s ancestral home lost a son to a drug overdose shortly after Indian filmmaker Gurvinder Singh and his crew first met them. <\/p>\n

Read more \u2018Donkey Princess\u2019 Review: A Princess Escapes the Kingdom, but Not the Patriarchy, in an Inventive, Shape-Shifting Fairytale<\/a><\/p>\n

\n\tSingh tells Variety<\/em>, \u201cThe actual family that lives there lost their 19-year-old son after we met them for the first time. When I looked at him, the first thought that ran in my mind was that he was on drugs. And he died of an overdose within two months. What else do I need to say? How can that not affect you as a filmmaker planning a film in that scenario. How can you avoid depicting such a state of affairs?\u201d<\/p>\n

\n\t\u201cRehmat\u201d has its world premiere in the Concorso Internazionale, the main competition of the 79th Locarno Film Festival. It is the only Indian feature in the section this year and will compete for the festival\u2019s top honor, the Pardo d\u2019Oro. <\/p>\n

\n\tAdapted from short stories by the Punjabi writer Ajeet Cour, \u201cRehmat\u201d weaves three narratives set in present-day Punjab around themes of displacement and inherited grief. Singh says the material resonated with him directly through family history. \u201cShe has written about many themes, uprootedness being one of them, and she belongs to my grandparents\u2019 generation that migrated from Lahore or other parts of west Punjab to Delhi,\u201d he says. \u201cThat was the sort of affinity I had with her stories.\u201d<\/p>\n

\n\tThree decades after he began documenting Punjab\u2019s folk ballads and oral histories, and 15 years after his debut feature \u201cAnhey Ghorhey Da Daan\u201d premiered in Venice, Singh says the film has given him something he didn\u2019t expect. \u201cI never experienced the Partition, but did feel a sense of trauma during the years of militancy and the anti-Sikh carnage in Delhi in 1984,\u201d he says. \u201cFrankly speaking, this film offers me a closure. I feel it has brought out all that I needed to express about the divided land and its people.\u201d<\/p>\n

\n\tThe film stars revered Indian thespian Naseeruddin Shah as Rashid Ali, a Punjabi Muslim man whose family left before Partition and who returns to his birthplace after a lifetime in England. Shah says he committed to the role before knowing any of its specifics. \u201cI\u2019d seen and been deeply moved by Gurvinder\u2019s films,\u201d Shah tells Variety<\/em>. \u201cHis cinematic sensibility and his take on the turmoil in his home state made profound statements. I just thought I\u2019d like to be part of such films.\u201d<\/p>\n

\n\tThat leap of faith went both ways. Singh says, \u201cI approached Naseer without having written the script, only having a vague outline of the character of Rashid in my mind. His acceptance gave me the possibilities to expand and flesh it, knowing the kind of conviction, intellect and charisma he will bring into it. The responsibility became a flight of imagination. It was a new territory for me.\u201d<\/p>\n

\n\tOf working with Shah on set, Singh says, \u201cI had decided that I would initially observe him in front of the camera and then figure out my approach. But I kept doing that and hardly needed to direct him,\u201d describing how the actor\u2019s \u201cuse of the body, gestures, handling of objects\u201d turned Rashid \u201cinto his own personal expression.\u201d<\/p>\n

\n\tShah, who is not Punjabi and does not speak the language fluently, says, \u201cI agree I don\u2019t have the Punjabi heartiness and I don\u2019t look Punjabi. But I think that helped to identify Rashid as an outsider. I don\u2019t speak Punjabi fluently but practice helped.\u201d On the ambiguity of a character who initially introduces himself to the village as God, Shah adds: \u201cA character doesn\u2019t have to be understood by the actor playing him. Actors aren\u2019t psychoanalysts. One must be able to empathize with the character\u2019s situation.\u201d<\/p>\n

Read more Anthony Michael Hall Says John Hughes Wanted a \u2018Breakfast Club\u2019 Sequel Where the Original Cast Is \u2018In Their 30s\u2019<\/a><\/p>\n

\n\tSingh\u2019s preference for long, unbroken takes runs through the film, including the opening shot that establishes Seema\u2019s world. Singh says, \u201cThe sense of uninterrupted time that the long take affords, both with the static and the mobile camera, is highly involving for me as a spectator, and my first instinct is to attempt that. But there are scenes where you know it will not be practical or even desirable, hence the montage has to be employed. Both create a different quality of attention and being. And perhaps life is also like that. Our ways of seeing and engaging keep altering.\u201d <\/p>\n

\n\tShah adds, \u201cI love long takes. It fits beautifully with my stage work. Frankly I don\u2019t believe there\u2019s a great difference between stage and film acting if truth is what you\u2019re looking to find.\u201d<\/p>\n

\n\tBeyond the ancestral house, Singh says the village itself, with its crumbling 19th-century school building and untended lanes, reshaped the narrative during location scouting. Asked how he views Punjab today, Singh says, \u201cBleak from the perspective of lack of imagination among the youth or those of my generation, not because of any lack of compassion. People are sticking to the glory of ownership of land and the caste they belong to. It has given them a false sense of bravado and entitlement. And the gender discourse is abysmal, especially in the villages. No wonder so many young girls are escaping to the West.\u201d<\/p>\n

\n\tAlongside Shah, the cast includes Suvinder Vicky, Mita Vashisht, Navjot Randhawa and Diya Kamboj, plus the celebrated Punjabi poet Jaswant Zafar, making his screen acting debut at 60 as Harjap. Of casting Zafar, Singh says, \u201cWhenever I have cast a non-actor in a major role, it is fully knowing that the person will play himself or herself on screen. So Zafar became Harjap for me. He has all the natural qualities I had imagined in Harjap and a profound sense of the feelings that he carries, both as a common man and as an intellectual.\u201d<\/p>\n

\n\t\u201cRehmat\u201d is produced by Singh and Arpana Caur, with Andrei Cosmin Illes and N\u00e9m\u00e9sis Srour serving as co-producers. The film is a co-production between India\u2019s Vahao Studio and Paris-based Pavo Films, the outfit Illes and Srour launched earlier this year, with \u201cRehmat\u201d as its debut project.<\/p>\n

\n\tShah, whose career stretches back to the parallel cinema movement of the 1970s, says, \u201cMy early work prepared me for a film like this. I think Gurvinder has surpassed other contemporary filmmakers in India.\u201d Of the film\u2019s Partition-era subject matter, he says, \u201cI believe it\u2019s important that these films get made. Even if not widely seen now, they will remain as a testament.\u201d<\/p>\n

\n\tAsked what he\u2019s working on next, Singh says, \u201cI am not sure what I want to do after this. I came to the cinema through some conspiracy of the universe. I grew up painting and writing. I am painting again these days.\u201d<\/p>\n

Read more Olivia Rodrigo Debuts \u2018Pretty Sad\u2019 Songs at Sweltering Brooklyn Surprise Show: Concert Review<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Naseeruddin Shah and Gurvinder Singh on the real village tragedy, trust and long takes behind ‘Rehmat,’ premiering at Locarno.<\/p>\n","protected":false},"author":1,"featured_media":5700,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[4450,1508,4451,4452],"class_list":["post-5701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-gurvinder-singh","tag-locarno-film-festival","tag-naseeruddin-shah-2","tag-rehmat"],"yoast_head":"\nNaseeruddin Shah, Gurvinder Singh Turn a Village\u2019s Real Grief Into Locarno Competition Title \u2018Rehmat\u2019: \u2018It\u2019s Important That These Films Get Made\u2019 - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=5701\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Naseeruddin Shah, Gurvinder Singh Turn a Village\u2019s Real Grief Into Locarno Competition Title \u2018Rehmat\u2019: \u2018It\u2019s Important That These Films Get Made\u2019 - 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