{"id":5950,"date":"2026-08-15T15:07:13","date_gmt":"2026-08-15T15:07:13","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=5950"},"modified":"2026-08-15T15:07:13","modified_gmt":"2026-08-15T15:07:13","slug":"diego-luna-nicolas-pereda-and-rodrigo-pla-set-for-competition-at-mexicos-morelia-film-festival","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=5950","title":{"rendered":"Diego Luna, Nicolas Pereda and Rodrigo Pl\u00e1 Set for Competition at Mexico\u2019s Morelia Film Festival"},"content":{"rendered":"
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\n\tA-list festival acclaimed pics from some of Mexico\u2019s most celebrated talent, many of them female and first-timers, make up this year\u2019s line-up at the Morelia Film Festival (FICM).<\/p>\n

Read more Florin \u015eerban\u2019s \u2018You Don\u2019t Belong Here\u2019 Wins Golden Leopard at Locarno, as Monica Bellucci and Kim Minhee Take Acting Awards<\/a><\/p>\n

\n\tRunning October 16-25, the 24th<\/sup> FICM edition features such luminaries as actor-producer Diego Luna (\u201cAndor\u201d) in his fifth outing as a director in \u201cAshes,\u201d which world premiered in Cannes and was picked up by Netflix for Latin America, Spain and Portugal. It\u2019s co-produced by Animal de Luz, run by Inna Payan whose directorial debut \u201cLiliana\u2019s Invincible Summer\u201d (co-helmed with Samuel Kishi) will stream on Netflix.<\/p>\n

\n\tAlso leading the pack of a dozen fiction features in competition for Morelia\u2019s top Ojo Award, is Nicolas Pereda\u2019s wry \u2018Everything Else is Noise.\u201d (\u201cLo dem\u00e1s es ruido\u201d), acquired ahead of its debuts at the Toronto Film Festival (TIFF) and the New York Film Festival (NYFF) by U.S.-based distributor Pragda; Rodrigo Pl\u00e1\u2019s \u201cThe Newcomers\u201d (\u201cLos Nuevos\u201d), a Patra Spanou pick-up soon after its world premiere at Locarno\u2019s Kids Screenings and Fernanda Tovar\u2019s feature debut \u201cSad Girlz,\u201d snagged by Alpha Violet before its Berlinale debut.<\/p>\n

\n\tA total of 96 feature-length and short films, helmed by filmmakers from 17 states across Mexico, will compete in their respective sections for El Ojo, a sculpture created by Michoac\u00e1n artist Javier Mar\u00edn, along with cash and in-kind awards.<\/p>\n

\n\tDovetailing with the festival\u2019s aim for diversity and inclusion, women directed 40% of the pics in the Official Selection, while some competing films were directed by filmmakers from Indigenous communities.<\/p>\n

\n\t\u201cThis has been one of the most fruitful years for the Mexican Feature Film section, which is a great source of pride for the festival. Interestingly, unlike in recent years, when we received between 80 and 100 fiction features, this year we received just 68. Yet the quality of those films made the final selection particularly challenging. We initially planned to select eight titles, but the exceptional quality and sensitivity of the work ultimately led us to expand the lineup to 12,\u201d said Rafael Avi\u00f1a, a member of the FICM selection committee.<\/p>\n

\n\tThis year\u2019s fiction lineup sees some overriding themes. Several of the pics look back at Mexico in the 1990s, while others follow teenagers navigating contemporary issues in an increasingly complicated society where their horizons feel narrower than ever. The selection also includes more experimental films, as well as stories centered on childhood \u2013 an unusual focus to date for Mexican feature filmmaking.<\/p>\n

\n\tSenior programmer and documentary programming coordinator Chlo\u00eb Roddick also sees a robust year for Mexican documentaries. \u201cIn both [feature and shorts] sections, the real challenge for us this year was to narrow the selection down (12 titles in feature doc; 11 in shorts). The final selection reflects both the breadth of talent currently working on the documentary scene, as well as a plurality of stories, a strong interest in challenging structure and form and a diverse mix of voices \u2013 from first-time to more established filmmakers.\u201d<\/p>\n

Read more Darren Walker Opens His Home to Friends and Anonymous Content Emmy Nominees in Celebration of \u2018Joy, Reflection, Delight and Awe\u2019<\/a><\/p>\n

\n\t\u201cAs in previous years we saw strong feature and short film representation from Mexico\u00b4s Indigenous and Afro-descendant communities and the final selection includes three films by Indigenous filmmakers: Ramon Llaven\u00b4s \u2018El baile de las \u00e1nimas\u2019 and the short films \u2018Ni racaladxe\u2019 \u2018(a co-direction from Zapotec director Alma Yoari Cizana Lopez) and H\u00f1\u00e4h\u00f1u filmmaker Sara Stephany Padilla\u00b4s \u2018Mascaras del tiempo.\u2019\u201d<\/p>\n

\n\t\u201cIn the feature selection, films like Efrain Mojica and Rebecca Zweig\u00b4s Michoac\u00e1n-set \u2018Jarpieo\u2019 premieres in Morelia after a healthy international festival run that included Sundance, Berlinale, CPH:Dox and True\/False. Dano Garcia\u00b4s bold and genre-defying exploration of queer identity, \u2018Mickey,\u2019 premiered at SXSW, as did Otilia Padua Portillo\u00b4s immersive sci-fi portrait of Indigenous mushroom scientists, \u2018Las hijas del bosque.\u2019 First-time filmmaker Colette Ghunim\u00b4s nuanced and intimate portrait of her Mexican\/Palestinian roots, \u2018Traces of Home,\u2019 exec produced by Melissa Barrera and John Leguizamo, bowed at DOC NYC.\u201c<\/p>\n

\n\tThe documentary selection includes six more first features: Francisco Ohem\u2019s Balkans-set \u201cLos mariachis perdidos\u201d; Pablo Vaca\u2019s coming-of-age observational drama (with a twist) \u201cForensita\u201d; \u2018Yatra,\u2019 Alejandro Rugama\u00b4s deeply personal exploration of sickness and isolation; Indigenous Chiapas-born filmmaker Ramon Llaven\u2019s \u201cEl baile de las \u00e1nimas\u201d; Vania Carolina Quevedo\u00b4s video-essay and ode to her baby daughter, \u201cMi sangre es petroleo\u201d and Michoac\u00e1n-born Mariano Renteria\u2019s architectural opera \u2018Odisea Nacional,\u2019 which also participated in Morelia\u2019s works-in-progress section, Impulso Morelia, in 2025.<\/p>\n

\n\tWinning short films in the Fiction, Animation and Documentary categories, along with the Mexican Documentary Feature winner, will be eligible to vie for an Academy Award nomination.<\/p>\n

\n\tAdditionally, a selection of short films from this year\u2019s crop will be invited to screen out of competition during the Cannes Festival\u2019s Critics\u2019 Week in 2027.<\/p>\n

\nFiction Features in Competition<\/strong><\/p>\n

\n\t\u201cAgainst Nature\u201d (\u201cContra la naturaleza\u201d), Axel Bertha
\u201cA Lifetime\u201d (\u201cToda una vida\u201d), Ariel Guti\u00e9rrez
\u201cAshes\u201d (\u201cCeniza en la boca\u201d), Diego Luna
\u201cEverything Else is Noise\u201d (\u201cLo dem\u00e1s es ruido\u201d), Nicol\u00e1s Pereda
\u201cThe Garden We Dreamed\u201d (\u201cEl jard\u00edn que so\u00f1amos\u201d), Joaqu\u00edn del Paso
\u201cThe Huntress\u201d (\u201cLa cazadora\u201d), Suzanne Andrews Correa
\u201cThe Newcomers\u201d (\u201cLos nuevos\u201d), Rodrigo Pl\u00e1
\u201cThe Nine Days of Poncho\u201d (\u201cLos d\u00edas de Poncho\u201d), Faustino Alan\u00eds
\u201cNosotros\u201d (\u201cNosotros\u201d), Joaqu\u00edn Ruano
\u201cSal\u00f3n de Belleza\u201d (\u201cSal\u00f3n de belleza\u201d), Nathalia Acevedo
\u201cSad Girlz\u201d (\u201cChicas tristes\u201d), Fernanda Tovar
\u201cSix Months in a Pink and Blue Building\u201d (\u201c6 meses en el edificio rosa con azul\u201d), Bruno Santamar\u00eda Razo<\/p>\n

\nDocumentaries<\/strong><\/p>\n

\n\t\u201cDaughters of the Forest\u201d (\u201cHijas del bosque\u201d), Otilia Portillo Padua
\u201cDear F\u00e1tima\u201d (\u201cQuerida F\u00e1tima\u201d), Lorena Guti\u00e9rrez, Rodrigo Reyes, Jes\u00fas Quintana
\u201cJaripeo\u201d (\u201cJaripeo\u201d), Efra\u00edn Mojica, Rebecca Zweig
\u201cLost Mariachis\u201d (\u201cLos mariachis perdidos\u201d), Francisco Ohem
\u201cMickey\u201d (\u201cMickey\u201d), Dano Garc\u00eda
\u201cMy Blood Is Oil\u201d (\u201cMi sangre es petr\u00f3leo\u201d), Vania Carolina Quevedo
\u201cNational Odyssey\u201d (\u201cOdisea nacional\u201d), Mariano Renter\u00eda
\u201cReportage\u201d (\u201cReportaje\u201d), Nicol\u00e1s Guti\u00e9rrez
\u201cThe Dance of the Souls\u201d (\u201cEl baile de las \u00e1nimas\u201d), Ram\u00f3n Llaven
\u201cThe Little Forensic\u201d (\u201cForensita\u201d), Pablo Vaca
\u201cTraces of Home\u201d (\u201cTraces of Home\u201d), Colette Ghunim
\u201cY\u0101tr\u0101\u201d (\u201cy\u0101tr\u0101\u201d), Alejandro Rugama<\/p>\n

Read more \u2018Nowhere to Lay My Eyes\u2019 Review: Kim Minhee Once More Gives a Melancholy Masterclass in a Hong Sangsoo Miniature<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Some of Mexico\u2019s most celebrated talent make up this year\u2019s line-up of the Morelia Film Festival<\/p>\n","protected":false},"author":1,"featured_media":5949,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[4627,179,3985,4628,4629,4630,25,4631],"class_list":["post-5950","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-ashes","tag-berlinale","tag-diego-luna","tag-fernanda-tovar","tag-inna-payan","tag-morelia-film-festival","tag-netflix","tag-rodrigo-pla"],"yoast_head":"\nDiego Luna, Nicolas Pereda and Rodrigo Pl\u00e1 Set for Competition at Mexico\u2019s Morelia Film Festival - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=5950\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Diego Luna, Nicolas Pereda and Rodrigo Pl\u00e1 Set for Competition at Mexico\u2019s Morelia Film Festival - 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