{"id":602,"date":"2026-05-24T16:06:11","date_gmt":"2026-05-24T16:06:11","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=602"},"modified":"2026-05-24T16:06:11","modified_gmt":"2026-05-24T16:06:11","slug":"box-office-mandalorian-and-grogu-lifts-off-with-102-million-over-memorial-day-holiday-obsession-scores-28-million-in-huge-second-weekend","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=602","title":{"rendered":"Box Office: \u2018Mandalorian and Grogu\u2019 Lifts Off With $102 Million Over Memorial Day Holiday, \u2018Obsession\u2019 Scores $28 Million in Huge Second Weekend"},"content":{"rendered":"<div>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\n\tFor the first time in nearly seven years, \u201cStar Wars\u201d fans finally had a reason to go to the movies.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=600\">Cannes Grand Prix Winner Andrey Zvyagintsev Uses Acceptance Speech to Address Putin: \u2018Put an End to This Carnage\u2019<\/a><\/p>\n<p>\n\tAnd plenty of \u2019em showed up for \u201cThe Mandalorian and Grogu,\u201d which collected $82 million in its opening weekend and an estimated $102 million through Monday. Those ticket sales are aligned with expectations, though box office analysts are mixed on the results. On one hand, it\u2019s significant for any film to debut above $100 million in post-pandemic times. On the other, \u201cStar Wars\u201d is one of Hollywood\u2019s preeminent film properties, so there\u2019s an expectation of a certain level of box office. And this start is the worst for \u201cStar Wars\u201d since Disney bought the franchise in 2012. <\/p>\n<p>\n\tPrior to this weekend, that unfortunate distinction belonged to 2018\u2019s spinoff \u201cSolo: A Star Wars Story,\u201d which opened to $84 million over the weekend and $103 million through the Memorial Day holiday, not adjusted for inflation. \u201cSolo,\u201d however, was plagued by other issues, including lackluster reviews and tepid word-of-mouth \u2014 none of which helped in terms of box office longevity. It became the first \u201cStar Wars\u201d movie ever to lose money in its theatrical run, tapping out with $392 million globally against a massive budget of nearly $300 million. <\/p>\n<p>\n\t\u201cThe Mandalorian and Grogu\u201d carries a leaner $165 million price tag and, perhaps more importantly, has the benefit of positive audience scores. A truer test of commercial viability will be the film\u2019s second weekend in theaters. That\u2019ll indicate whether \u201cThe Mandalorian and Grogu\u201d is just appealing to fans of the franchise, or if the movie can become a breakout among family crowds. Opening weekend ticket buyers were 63% male while 75% were above the age of 25. Jon Favreau directed the film, which earned an \u201cA-\u201d grade on CinemaScore exit polls. For comparison, 2019\u2019s \u201cStar Wars: The Rise of Skywalker\u201d earned a \u201cB+\u201d grade. The story takes place after the third season of the Disney+ series \u201cThe Mandalorian\u201d and revolves around Pedro Pascal\u2019s Din Djarin and his adorable green sidekick as they navigate a galaxy that\u2019s recovering from the fall of the evil Empire.<\/p>\n<p>\n\tAt the international box office, \u201cThe Mandalorian and Grogu\u201d earned $64 million for a global start of $145 million over the three days and $165 million over the four-day frame.<\/p>\n<p>\n\t\u201cFor all of its originality and fame,\u00a0\u2018Star Wars\u2019\u00a0has never been especially strong overseas,\u201d notes David A. Gross, who publishes the box office newsletter FranchiseRe. <\/p>\n<p>\n\t\u201cThe Mandalorian and Grogu\u201d is the first \u201cStar Wars\u201d movie since 2019\u2019s \u201cThe Rise of Skywalker,\u201d which earned $1 billion globally while concluding the nine-chapter \u201cSkywalker\u201d saga. As Lucasfilm failed for years to launch a new film, the company turned its attention to the small screen with Disney+ shows in the \u201cMando\u201d-verse like \u201cThe Book of Boba Fett\u201d and \u201cAhsoka\u201d as well as \u201cAndor\u201d and \u201cSkeleton Crew.\u201d There won\u2019t be as long a wait to return to a galaxy far, far away. \u201cStar Wars: Starfighter,\u201d an original adventure directed by Shawn Levy and starring Ryan Gosling, debuts over Memorial Day weekend in 2027 \u2014 and studio insiders believe the tentpole could serve as a fresh start for the franchise.<\/p>\n<p>\n\t\u201cFor\u00a0\u2018Star Wars\u2019\u00a0not to be hurt in any obvious way by its long detour onto streaming is good news for the franchise,\u201d Gross adds.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=598\">\u2018Euphoria\u2019 Season 3 and the Strange Case of Rue\u2019s (Mostly) Missing Mom<\/a><\/p>\n<p>\n\tAlthough this wasn\u2019t a Memorial Day weekend for the record books \u2014 last year\u2019s holiday was massive with \u201cLilo &amp; Stitch\u201d and \u201cMission: Impossible \u2013 The Final Reckoning\u201d \u2014 the nation\u2019s movie theaters were bustling with a huge assist from holdover titles like \u201cObsession\u201d and \u201cMichael.\u201d This four-day weekend delivered $221 million across all films, which isn\u2019t too far off from pre-pandemic years, including 2019 ($321 million, led by the \u201cAladdin\u201d remake ), 2018 ($225 million, anchored by \u201cSolo\u201d) and 2017 ($182 million, weighed down by \u201cPirates of the Caribbean: Dead Men Tell No Tales\u201d). Post-COVID totals over Memorial Day weekend have been mixed as 2022 reached $224 million as \u201cTop Gun: Maverick\u201d led the way; 2023 brought in $204 million, buoyed by \u201cThe Little Mermaid\u201d remake; and 2024 fell to $132 million as \u201cFuriosa\u201d misfired.<\/p>\n<p>\n\tElsewhere at the box office, the Focus Features horror hit \u201cObsession\u201d enjoyed another stellar turnout. After its huge $16 million debut, the R-rated movie has earned $22 million in its second weekend and an estimated $28.2 million through the Monday holiday. Those ticket sales represent a remarkable 30% increase over its opening weekend, a virtually unprecedented uptick for a film that\u2019s already in wide release. So far, \u201cObsession\u201d has generated $58.5 million in North America and $74 million worldwide. YouTube breakout and first-time director Curry Barker directed the well-reviewed and positively received \u201cObsession,\u201d which follows a hopeless romantic who makes a twisted Faustian bargain to win his crush\u2019s heart. <\/p>\n<p>\n\tTwo newcomers, Paramount\u2019s gruesome thriller \u201cPassenger\u201d and Neon\u2019s crime comedy \u201cI Love Boosters,\u201d failed to crack the top five. \u201cPassenger\u201d opened at No. 6 with $8.7 million over the weekend and an estimated $10.5 million through Monday. The R-rated film added $4.8 million overseas for a global start of $13.5 million. \u201cPassenger,\u201d which follows a young couple who is relentlessly stalked by a demonic entity, has mixed reviews (42% on Rotten Tomatoes) as well as a \u201cB-\u201d CinemaScore grade. It cost just $15 million to produce. <\/p>\n<p>\n\t\u201cI Love Boosters\u201d debuted in eighth place with $3.8 million over the weekend and an estimated $4.7 million through Monday. Boots Riley (\u201cSorry to Bother You\u201d) directed the film about professional shoplifters who target a cutthroat fashion mogul. Critics dug \u201cBoosters,\u201d which holds a 92% on Rotten Tomatoes, while audiences were mixed, giving a \u201cB\u201d grade on CinemaScore. It carries a $20 million production budget.<\/p>\n<p>\n\tThird place went to \u201cMichael,\u201d which has demonstrated exceptional staying power since April. Lionsgate\u2019s Michael Jackson biopic brought in $20 million over the weekend and an estimated $25.7 million through Monday, a huge tally for a film in its fifth weekend of release. So far, \u201cMichael\u201d has earned $319 million in North America and a staggering $788 million globally. It should soon outpace 2018\u2019s \u201cBohemian Rhapsody\u201d ($911 million) as the highest-grossing musical biopic of all time.<\/p>\n<p>\n\tDisney\u2019s \u201cThe Devil Wears Prada 2\u201d dropped to fourth place with $12.6 million over the weekend and a projected $16.5 million through Monday. After four weekends on the big screen, the nostalgic sequel has generated a huge $197 million domestically and $604 million globally.<\/p>\n<p>\n\t\u201cThe Sheep Detectives\u201d remained in the No. 5 spot with $8.9 million over the weekend (a decline of just 6% from the prior frame) and a projected $12.3 million through Monday. The crowd-pleasing mystery, starring Hugh Jackman alongside some talking sheep, has grossed $46.9 million in North America. Amazon MGM spent a hefty $75 million to produce the film and has to split ticket sales with theater owners.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=596\">\u2018Everytime\u2019 Review: A Grieving Family Finds a Strange Path Towards Healing in Sandra Wollner\u2019s Poised, Haunting Third Feature<\/a><\/p>\n<p>\n<em>More to come\u2026<\/em><\/p>\n<p>\n <\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>It wasn&#8217;t a Memorial Day weekend for the box office record books, but &#8220;The Mandalorian and Grogu&#8221; started strong over the holiday frame.<\/p>\n","protected":false},"author":1,"featured_media":601,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[626,281],"class_list":["post-602","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-summer-movies","tag-the-mandalorian-and-grogu"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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