{"id":629,"date":"2026-05-25T07:35:16","date_gmt":"2026-05-25T07:35:16","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=629"},"modified":"2026-05-25T07:35:16","modified_gmt":"2026-05-25T07:35:16","slug":"de-gaulle-resistance-review-antonin-baudrys-large-scale-epic-is-a-conventional-yet-consistently-engaging-wartime-biopic","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=629","title":{"rendered":"\u2018De Gaulle: R\u00e9sistance\u2019 Review: Antonin Baudry\u2019s Large-Scale Epic is a Conventional yet Consistently Engaging Wartime Biopic"},"content":{"rendered":"
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\n\tEvery Cannes Film Festival needs a film like \u201cDe Gaulle: R\u00e9sistance,\u201d a proudly French and massively scaled production with the energy of a vintage Hollywood blockbuster. Indeed, Antonin Baudry\u2019s old-fashioned epic flaunts all these big-screen qualities in delicious excess, dispensing a traditionally entertaining biopic on France\u2019s eponymous Great Man and his consequential years in the early 1940s as an exiled general with a romantic vision of his country that has just capitulated to Germany. <\/p>\n

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\n\tIt takes bravery and uncommon intelligence to see beyond the immediate reality of defeat. In 160 minutes \u2014 a runtime that isn\u2019t entirely earned, though the film is flashy and inspiring \u2014 \u201cDe Gaulle: R\u00e9sistance\u201d enthusiastically engages with both the heroism and strategic acumen of this former French president. A very likely hit in France, Baudry\u2019s movie also has enough conventional ingredients for widespread theatrical appeal internationally.<\/p>\n

\n\tIt\u2019s worthwhile to mention early on that \u201cR\u00e9sistance\u201d isn\u2019t solely a portrait of De Gaulle, but also of the anti-Vichy monarchist Fernand Bonnier de La Chapelle, a fiery member of the French resistance. Bonnier de La Chapelle was only 20 years old when he assassinated Vichy French Admiral Fran\u00e7ois Darlan in Algiers, when Darlan, largely seen as a Nazi collaborator, signed a controversial deal with Eisenhower. The young man was promptly executed by firing squad days later, the events leading up to which Baudry smartly braids into the main narrative of the film, written by the director with Julian T. Jackson and B\u00e9r\u00e9nice Vila. <\/p>\n

\n\tThe opening is especially smart in its early introduction of Bonnier de La Chapelle, shown distressed and listening closely to the radio as the outside world, with a defeated France, looms large. Katie Mcquerrey\u2019s elegant editing marries the unparallel fates of the duo, guiding us into the kind of dual-perspective film that we\u2019re about to see. As De Gaulle and Bonnier de La Chapelle, respectively, actors Simon Abkarian and Florian Lesieur give spirited and physical performances, cleverly juxtaposing the dissimilar qualities of the two central figures of the story who otherwise share ideals. <\/p>\n

\n\tIn addition to a surprising physical resemblance, Abkarian brings out a firmness and concealed reluctance in the middle-aged De Gaulle, who stubbornly (and thankfully) insists on the correctness of his vision even when he isn\u2019t all that sure of himself. His unbending poise, perennial straight face and mustachioed stiff upper lip also exude some comic qualities, especially when he goes toe-to-toe with Winston Churchill (Simon Russell Beale, terrific), both his closest ally and a frisky challenger. In contrast, Lesieur underscores the boundless agility and fragile idealism of Bonnier de La Chapelle. Alongside fellow fighter Livia (Anamaria Vartolomei), he passionately leads and participates in the counterculture and uprising, energizing the narrative whenever his point of view takes over.<\/p>\n

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\n\tAs such, \u201cR\u00e9sistance\u201d feels like two distinct films stitched together, with its disparate parts still adding up to a cohesive whole. The segments that follow Bonnier de La Chapelle are admittedly more successful and sophisticated, bringing to mind the heart-pounding essence of a Costa-Gavras political thriller. Still, much of the film traces De Gaulle\u2019s journey and his love-hate relationship with Churchill, so full of fondness and wit that it\u2019s almost as if the two men accidentally found themselves in a war movie while actually making a bromance. We follow the dynamic of the duo, with Churchill being both De Gaulle\u2019s fierce defender and adversary on occasion, especially when surrounded by other leading political figures of the era. These personalities make up an impressive ensemble, played by the likes of Niels Schneider, Campbell Scott, Karim Leklou, F\u00e9lix Kysyl, Beno\u00eet Magimel and Mathieu Kassovitz.<\/p>\n

\n\tUnapologetically big and loud and scored to some explosive Volker Bertelmann tunes (this is one of the \u201cAll Quiet on the Western Front\u201d composer\u2019s less lyrical works), \u201cR\u00e9sistance\u201d has all that we expect from a war epic in the form of tanks, well-orchestrated battle sequences and ties to today\u2019s troubles unsubtly accentuated in its rearview. It does occasionally fall into the same trap that many historical pictures can\u2019t avoid \u2014 in various instances, these political figures talk and act like they know exactly what the future results of their actions will be. Another debit in this otherwise accomplished film is occasionally expositional dialogue that over-spells what we have just witnessed. (When De Gaulle makes his famous June 18 appeal, for example, and refuses to surrender to the Nazis, it is arguably unnecessary for a character to sum up the essence of the speech in his own bloated words.)<\/p>\n

\n\tStill, \u201cDe Gaulle: R\u00e9sistance\u201d delivers exactly what it promises: a polished wartime movie that interrogates the past and sheds some light on the present, where fascism is once again a threat. Baudry flexes the taut thriller muscles that made his 2019 submarine thriller \u201cThe Wolf\u2019s Call\u201d a nail-biter. There is also enough cheese and schmaltz to go around, enlivening the more straightforward parts of the film. Let\u2019s hope international audiences won\u2019t have to wait too long for it, as well as \u201cDe Gaulle: Libert\u00e9\u201d \u2014 the second installment of Baudry\u2019s two-part project, opening in France this summer. The world can surely use some reminders these days about the true meaning of patriotism.<\/p>\n

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\t\t\u2018De Gaulle: R\u00e9sistance\u2019 Review: Antonin Baudry\u2019s Large-Scale Epic is a Conventional yet Consistently Engaging Wartime Biopic<\/p>\n<\/h2>\n

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\t\tReviewed at Cannes Film Festival (Out of Competition), May 20, 2026. Running time: 160 MIN.<\/p>\n<\/h2>\n

    \n
  • \nProduction:<\/strong>
    \n(France) A Path\u00e9 Films, Path\u00e9 Productions, Auvergne Rh\u00f4ne-Alpes Cin\u00e9ma, Beside Productions, LDRP II, Logical Content Ventures, Ness Films, Ouroboros Entertainment production. (World sales: Path\u00e9 Films, Paris.) Producers: Axelle Bouca\u00ef, Ardavan Safaee, J\u00e9r\u00f4me Seydoux.\t\t\t<\/li>\n
  • \nCrew:<\/strong>
    \nDirector: Antonin Baudry. Screenplay: Baudry, Julian T. Jackson, B\u00e9r\u00e9nice Vila. Camera: Giora Bejach, Pierre Cottereau. Editor: Katie Mcquerrey. Music: Volker Bertelmann.\t\t\t<\/li>\n
  • \nWith:<\/strong>
    \nSimon Abkarian, Simon Russell Beale, Florian Lesieur, Benoit Magimel, Niels Schneider, Karim Leklou, Campbell Scott. (French, English dialogue) \t\t\t<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Simon Abkarian is convincing in Antonin Baudry’s Hollywood-style Charles De Gaulle biopic “De Gaulle: R\u00e9sistance.”<\/p>\n","protected":false},"author":1,"featured_media":628,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[649,3,650],"class_list":["post-629","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-antonin-baudry","tag-cannes-film-festival","tag-de-gaulle-resistance"],"yoast_head":"\n\u2018De Gaulle: R\u00e9sistance\u2019 Review: Antonin Baudry\u2019s Large-Scale Epic is a Conventional yet Consistently Engaging Wartime Biopic - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=629\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018De Gaulle: R\u00e9sistance\u2019 Review: Antonin Baudry\u2019s Large-Scale Epic is a Conventional yet Consistently Engaging Wartime Biopic - 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