{"id":6429,"date":"2026-08-22T19:05:41","date_gmt":"2026-08-22T19:05:41","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=6429"},"modified":"2026-08-22T19:05:41","modified_gmt":"2026-08-22T19:05:41","slug":"the-magic-faraway-tree-review-wholesome-harmless-family-movie-aims-to-give-enid-blyton-the-paddington-treatment","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=6429","title":{"rendered":"\u2018The Magic Faraway Tree\u2019 Review: Wholesome, Harmless Family Movie Aims to Give Enid Blyton the Paddington Treatment"},"content":{"rendered":"
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\n\tIf the children\u2019s books of Enid Blyton have fallen out of fashion in classrooms and libraries \u2014 largely due to the racism and regressive gender politics throughout the British author\u2019s oeuvre \u2014 they remain ripe for rehabilitation through adaptation. The BBC has churned out seven series of \u201cMalory Towers\u201d since 2020; in 2023, \u201cThe Famous Five\u201d got a glossy TV makeover under the unlikely direction of Nicolas Winding Refn. Though big-screen success has largely eluded the Blyton brand up until now, \u201cThe Magic Faraway Tree\u201d changed that in the spring. Based on Blyton\u2019s series of fairy-folk fantasy adventures, Ben Gregor\u2018s amiably sparkly, necessarily modernized film wound up outgrossing Pixar\u2019s \u201cHoppers\u201d on U.K. screens back in March; whether or not American kids concur when the film releases Stateside this weekend, two sequels have already been greenlit.<\/p>\n

Read more \u2018National Treasure 3\u2019 Is \u2018Happening,\u2019 Says Franchise Director Jon Turteltaub<\/a><\/p>\n

\n\tFor the nostalgically inclined, the film\u2019s domestic success reps a victory for old-fashioned family entertainment with old-fashioned family values. It is, after all, a story of a disconnected urban brood whose move to the countryside forces them to put down their phones and engage with both the natural and magical worlds \u2014 and, in the process, with each other. As commendably as \u201cThe Magic Faraway Tree\u201d celebrates the virtues of wonder and imagination, however, the film is not itself all that wondrous or imaginative: Alongside Blyton\u2019s source text, its creative DNA jumbles elements from the most recent film adaptations of \u201cThe Secret Garden,\u201d \u201cThe Chronicles of Narnia\u201d and, especially, the \u201cPaddington\u201d films, with which it shares a screenwriter in comedian Simon Farnaby.<\/p>\n

\n\tFarnaby\u2019s signature blending of English folksiness with slightly off-kilter humor has made him a go-to for upscale children\u2019s films. (He also wrote 2023\u2019s \u201cWonka\u201d to agreeable and profitable effect.) But the balance is a little off this time: \u201cThe Magic Faraway Tree\u201d is sweet, even a bit twee, and unfailingly nice<\/em> in a way that will draw early sighs of relief from parents jaded by more obnoxious family fare. But it\u2019s surprisingly unfunny: A general gaiety of tone only goes some way toward covering a shortage of outright laughs, with several running jokes settling for a smile the first few times, and less than that as they continue. For all her popularity, Blyton was a wholly mirthless writer; turns out there are limits to how much you can punch up her insipid prose.<\/p>\n

\n\tStill, it\u2019s hard to take against anything this polite and cheerful and eager to please. The movie trots along like an obliging corgi pup; TV director Gregor and DP Zac Nicholson give it a gilded mark of quality. It helps to have actors who believe in it, too. As Tim and Polly Thompson, a middle-class London couple who at some point lost their wide-eyed ideals to the corporate rat race, Andrew Garfield and Claire Foy bring more care and specificity to the anchoring grown-up figures than most kids\u2019 movies ever do: He\u2019s a dopey art-school romantic adrift in the role of house-husband; she\u2019s a gifted inventor too earnestly principled to get ahead. When she quits her job, leaving the family flat broke, he resurrects an earlier dream of farming tomatoes and becoming a pasta-sauce merchant. (This scheme might have seemed more fanciful before the current English summer.) And off to the country they go.<\/p>\n

Read more Why Do We Love Spider-Man So Much?<\/a><\/p>\n

\n\tInitially, at least, Tim and Polly are more likable than their three sullen, variously tech-dependent children, all startled to be relocated to a derelict, electricity-free barn in the middle of nowhere. Teenager Beth (Delilah Bennett-Cardy) is the most vocally exasperated; game-addicted Joe (Phoenix Laroche) goes into a more passive state of device withdrawal. But the youngest, Fran (a gradually winning Billie Gadsdon), who has recently become mute for reasons oddly unexplained in the script, is more open to her bucolic new environment: Early on, she catches a glimpse of friendly fairy Silky (Nicola Coughlan) in the nearby woods, and goes exploring.<\/p>\n

\n\tWhat she finds is the huge, gnarled specimen of the title, dripping in iridescent flowers and transportive promise; after uttering the dully prosaic mantra \u201cI believe in magic\u201d three times, she\u2019s whisked up into its sky-scraping branches. There, she\u2019s befriended by Silky and an assortment of other elfin oddballs, including supercilious ringleader Moonface (Nonso Anozie), disco-dancing laundress Dame Washalot (Jessica Gunning) and the Saucepan Man (Dustin Demri-Burns), who, well, wears a lot of saucepans. (Some gags here are complete non-starters.) The tree also acts as a portal to other candy-colored fantasy realms: one where wishes can be granted with barbed consequences, another where Rebecca Ferguson stomps around villainously in a precarious wig, and so on.<\/p>\n

\n\tAll this scattershot world-building and world-visiting allows for some colorfully diverting vignettes, in which production designer Alexandra Walker and costume designer Ann Maskrey get to show off their giddy, gaudy wares. But Farnaby\u2019s script never fashions an entirely satisfactory narrative from these: The family\u2019s fate is eventually woven into these parallel-universe goings-on, but despite the threat of financial ruin, the stakes never feel urgently high, and there\u2019s little palpable peril, in part because the mood is so consistently sunny. That could make \u201cThe Magic Faraway Tree\u201d a comforting repeat watch for certain children, but the film\u2019s own sense of adventure is too safeguarded for it to approach classic status. Then again, some might have said the same about Blyton\u2019s books in their day, and here we are.<\/p>\n

Read more How \u2018Abbott Elementary\u2019 Pulled Off Its Big Phillies Game Episode<\/a><\/p>\n<\/div>\n<\/div>\n

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\t\t\u2018The Magic Faraway Tree\u2019 Review: Wholesome, Harmless Family Movie Aims to Give Enid Blyton the Paddington Treatment<\/p>\n<\/h2>\n

    \n
  • \nProduction:<\/strong>
    \n(U.K.) A Vertical Entertainment (in U.S.)\/Entertainment Film Distributors (in U.K.) release of a Palisades Park Pictures presentation in association with Ashland Hill Media Finance of a Neal Street, Elysian Film Group production. Producers: Pippa Harris, Nicolas Brown, Danny Perkins, Jane Hooks. Executive producers: Tamara Birkemoe, Michael Cornelius, Jacqueline De Cro\u00ff, Simon Williams, Joe Simpson, Merrick Stoller, Andy Wang, Matthew Chausee. Co-producer: Melanie Davis.\t\t\t<\/li>\n
  • \nCrew:<\/strong>
    \nDirector: Ben Gregor. Screenplay: Simon Farnaby, based on the novels by Enid Blyton. Camera: Zac Nicholson. Editor: Gary Dollner. Music: Isabella Summers.\t\t\t<\/li>\n
  • \nWith:<\/strong>
    \nAndrew Garfield, Claire Foy, Billie Gadsdon, Delilah Bennett-Cardy, Phoenix Laroche, Nicola Coughlan, Nonso Anozie, Dustin Demri-Burns, Jessica Gunning, Oliver Chris, Rebecca Ferguson, Jennifer Saunders, Mark Heap, Simon Farnaby, Claire Keelan, Lenny Henry, Michael Palin, Simon Russell Beale. \t\t\t<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    ‘The Magic Faraway Tree’ stars Claire Foy and Andrew Garfield, and recruits ‘Paddington 2’ writer Simon Farnaby to update a dusty kidlit classic.<\/p>\n","protected":false},"author":1,"featured_media":6423,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[4092,4976,4105,3963,4977,4978,4979],"class_list":["post-6429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-andrew-garfield","tag-ben-gregor","tag-claire-foy","tag-nicola-coughlan","tag-rebecca-ferguson","tag-simon-farnaby","tag-the-magic-faraway-tree"],"yoast_head":"\n\u2018The Magic Faraway Tree\u2019 Review: Wholesome, Harmless Family Movie Aims to Give Enid Blyton the Paddington Treatment - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=6429\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018The Magic Faraway Tree\u2019 Review: Wholesome, Harmless Family Movie Aims to Give Enid Blyton the Paddington Treatment - 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