{"id":701,"date":"2026-05-26T12:40:14","date_gmt":"2026-05-26T12:40:14","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=701"},"modified":"2026-05-26T12:40:14","modified_gmt":"2026-05-26T12:40:14","slug":"brazils-carolina-maria-de-jesus-a-goes-to-cannes-showcase-winner-is-not-only-a-film-its-a-movement-about-historically-invisible-people","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=701","title":{"rendered":"Brazil\u2019s \u2018Carolina Maria de Jesus,\u2019 a Goes to Cannes Showcase Winner, Is \u2018Not Only a Film, It\u2019s a Movement About Historically Invisible People\u2019"},"content":{"rendered":"
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\n\tBrazilian Jeferson De\u2019s \u201cCarolina Maria de Jesus,\u201d which won the A.H. Media Production Award at this year\u2019s Goes to Cannes showcase, aims to capture the \u2018cinematic dimension\u2019 of one of Brazil\u2019s literary greats, says Maria Gal (\u201cPerfect Love\u201d) who produced the film and stars as Carolina. <\/p>\n

Read more Rio2C to Host Top-Level Meeting of Ibero-American Deputy Ministers of Culture<\/a><\/p>\n

\n\tIn post-production, the film is based on the worldwide bestseller \u201cQuarto de Despejo\u201d (\u201cChild of the Dark\u201d), Carolina\u2019s diary published in 1960. De Jesus describes her life in the 1950s as a waste picker in the Canind\u00e9 favela in S\u00e3o Paulo, Brazil. Through sheer talent and self-determination, she rises above extreme poverty and racism.<\/p>\n

\n\t\u201cThis is not only a Brazilian story. It is a profoundly human story about dignity, motherhood, affection, hunger, education, survival, and the pursuit of a dream,\u201d says Gal.<\/p>\n

\n\t\u201cCarolina Maria de Jesus is a fundamental figure in our history and in Brazilian literature, and telling her story through cinema carries enormous artistic, political, and historical significance,\u201d director Jeferson De (\u201cBroder\u201d, \u201cM8\u201d) told Variety<\/em>.<\/p>\n

\n\tAlong with Maria Gal (Move Maria), the film was produced by Cl\u00e9lia Bessa (Raccord Produ\u00e7\u00f5es). Co-producers include Globo Filmes, Rosane Svartman (RSMTS), Cris Arenas (Buda Filmes), Sara Silveira (Dezenove Som e Imagens) and Mact of France, with distribution in Brazil by Elo Studios. Ma\u00edra Oliveira (\u201cAruna\u2019s Magic\u201d) wrote the film and Sundance winner Lil\u00eds Soares (\u201cMami Wata\u201d) is the film\u2019s cinematographer.<\/p>\n

\n\tGoes to Cannes is the March\u00e9 du Film\u2019s works-in-progress initiative designed to promote film festivals around the world, nurture upcoming talent and provide an inclusive platform for industry networking. This year\u2019s edition had entries from seven international film festivals.<\/p>\n

\n\tThe two other winners were German Golub\u2019s \u201cAt Your Service\u201d (Estonia, Germany), getting France\u2019s Cin\u00e9+ OCS Award, and Daniel Romero Bueno\u2019s \u201cThe Daughters\u201d (Spain, U.K.), receiving the Sideral Cinema Award from the Spanish studio.<\/p>\n

\nVariety <\/em>had a chance to talk to Maria Gal after the film\u2019s inspiring win in Cannes. Here are just a few of her reflections: <\/p>\n

\n
I remember my mom and me reading \u201cChild of the Dark\u201d when I was a teenager in the US, and we both loved the book.\u00a0 Why do you think it\u2019s taken this long to turn Carolina\u2019s life story into a film<\/strong><\/p>\n

Read more Tegna Names Fox TV Stations Ad Sales Boss Patrick Paolini CEO With Nexstar Merger in Legal Limbo<\/a><\/p>\n

\nMaria Gal: <\/strong>I believe one of the reasons it has taken this long for Carolina Maria de Jesus\u2019s life story to reach the screen is because the Brazilian audiovisual industry, despite Brazil being a country where more than 56% of the population identifies as Black or mixed-race, still reflects deep structural inequalities. And this is especially paradoxical when we are talking about Carolina Maria de Jesus \u2014 one of the most important writers in Latin American history, one of the first Black women writers in Latin America to become an international bestseller, and an author whose work crossed borders decades ago through \u201cQuarto de Despejo\u201d (\u201cChild of the Dark\u201d). There has also long been a belief within parts of the market that Black stories, Black protagonists, and Black-centered narratives either \u201cdo not travel,\u201d \u201cdo not sell,\u201d or only work when connected to violence, poverty, crime, or stereotypical roles.<\/p>\n

\nEven though it hadn\u2019t been made into a film until now, there were theatrical plays and musical compositions made based on Carolina\u2019s life.\u00a0 Were any of them successful in Brazil?<\/strong><\/p>\n

\nGal: <\/strong>Yes, absolutely. Carolina Maria de Jesus\u2019s story has inspired theatrical plays, musical works, and artistic adaptations in Brazil for decades, and many of these projects were highly successful both critically and culturally. This year, she even became the theme of the samba school Unidos da Tijuca during Carnival, one of the country\u2019s most important cultural expressions.<\/p>\n

\nCarolina named her diary \u201cQuarto de Despejo.\u201d Can you talk about its meaning?<\/strong><\/p>\n

\nGal:<\/strong> Internationally, the best-known English title of the book is \u201cChild of the Dark.\u201d But if we think about a more literal and symbolic translation of the expression \u201cQuarto de Despejo,\u201d it would be closer to something like Junk Room or Dumping Room, because in Brazil a \u201cquarto de despejo\u201d is the space in a house where discarded, forgotten, or unwanted objects are stored. And that is exactly the powerful metaphor Carolina uses. She said that the favela was treated by society as the city\u2019s \u201cdumping room\u201d \u2014 a place where poor, Black, and invisible people were pushed.\n<\/p>\n

\n
How did you prepare to play the role of Carolina?\u00a0<\/strong><\/p>\n

\nGal:<\/strong> As an actress, it was an extremely challenging role in every sense \u2014 emotionally, physically, and artistically. During the preparation process, I lost 18 kilograms because I understood that Carolina\u2019s body needed to carry on screen the marks of the hunger she experienced throughout her life. Carolina often survived on bone soup and other improvised ways of feeding her children, so I felt it was necessary to bring that reality truthfully into both my body and the visual language of the film.
I also cut my hair and went through a very intense physical transformation process. I walked through the streets of S\u00e3o Paulo and Rio de Janeiro as a paper collector. I collected paper, recyclables, and garbage in the streets in order to minimally understand the daily life, the silences, the gazes, and the social invisibility Carolina experienced.<\/p>\n

\nSome people accused Carolina of being a witch because she was able to read, which wasn\u2019t the norm at the time.\u00a0 Yet, she was actually very Catholic even though the Church rejected her mother for having illegitimate children. <\/strong><\/p>\n

\nGal: <\/strong>This question reveals a lot about Brazil during that period. Carolina was a Black woman, poor, with very limited formal education, but extremely intelligent, a reader, and a writer. For many people at that time, it was almost inconceivable that a woman like her could write \u2014 and with such strength and social awareness. So there was a great deal of prejudice and many attempts to de-legitimize her intelligence.
At the same time, Carolina had a very strong relationship with faith and with God. But her very existence challenged the social and moral standards of that era: she was a Black woman, a single mother, a writer, and independent in an extremely conservative Brazil.<\/p>\n

Read more Russell Crowe Warns Crowd of Autograph-Seekers in Paris Not to Push: \u2018As Soon as Somebody\u2019s a D\u2013k, I\u2019m Going\u2019<\/a><\/p>\n

\n<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

One of the March\u00e9 du Film’s three Goes to Cannes winners, ‘Carolina Maria de Jesus’ is based on the international bestseller \u2018Child of the Dark.’<\/p>\n","protected":false},"author":1,"featured_media":700,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[3,739,740,741,742,743],"class_list":["post-701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-cannes-film-festival","tag-goes-to-cannes","tag-jeferson-de","tag-marche-du-film-2","tag-maria-gal","tag-rio-goes-to-cannes"],"yoast_head":"\nBrazil\u2019s \u2018Carolina Maria de Jesus,\u2019 a Goes to Cannes Showcase Winner, Is \u2018Not Only a Film, It\u2019s a Movement About Historically Invisible People\u2019 - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=701\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Brazil\u2019s \u2018Carolina Maria de Jesus,\u2019 a Goes to Cannes Showcase Winner, Is \u2018Not Only a Film, It\u2019s a Movement About Historically Invisible People\u2019 - 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